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| | Film-Philosophy |
 | | On the Writings of Dai Jinhua, a review of Cinema and Desire: Feminist Marxism and Cultural Politics in the Work of Dai Jinhua, edited by Jing Wang and Tani E. Barlow. |
 | | films that begin with an ongoing event or action, representations of the act of writing, films which predict the future, the appeal and effects of popcorn cinema, films that deal with genocide, post-gaming interactive 'uncinema', Antonioni and the aesthetic of boredom, and definitions of 'pretentiousness'. |
 | | the stuck last groove of a record on a player as a suspense tool, city as dream state in cinema, indexicality, film 'signs', computer-generated imagery, why philosophers write so much about sci-fi, Wittgenstein, eroticised violence against women in film, loss of identity in cinema, the grotesque, and films which use texts over the image. |
| www.film-philosophy.com (2083 words) |
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