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Topic: List of musicians in the second wave of punk music

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Punk

	sociology - Punk rock (Site not responding. Last check: 2007-11-05)
		Punk rock in Britain coincided with the rise of Thatcherism, and nearly all British punk bands expressed an attitude of angry social alienation.
		Punk rock was also a reaction against certain tendencies that had overtaken popular music in the 1970s, including what the punks saw as superficial "disco" music and grandiose forms of heavy metal, progressive rock and "arena rock." Punk also rejected the remnants of the hippie counterculture of the 1960s.
		A few musicians and fans also included Nazi -connected elements in their outfits, primarily the swastika, the Iron Cross and German Army helmets, but many of them claimed (somewhat disingenuously) not to understand the connection nor why people were so upset.
	www.aboutsociology.com /sociology/Punks (1644 words)

	Wikinfo \| Punk rock (Site not responding. Last check: 2007-11-05)
		The term "Punk rock" was originally used to describe the primitive guitar-based rock and roll of untutored US bands of the mid-1960s such as The Seeds from Southern California and The Standells from Boston.
		The roots of punk rock also lie in the abrasive, dissonant style of the Velvet Underground, the Detroit bands The Stooges and MC5, the UK pub rock scene, and glam rock groups such as The New York Dolls.
		Punk rockers rejected what they saw as the pretension, commercialism and pomposity which had overtaken rock music in the 1970s, spawning superficial "disco" music and grandiose forms of heavy metal, progressive rock and "arena rock".
	www.wikinfo.org /wiki.php?title=Punk_rock (799 words)

	ipedia.com: Punk rock Article (Site not responding. Last check: 2007-11-05)
		Punk rock is the anti-establishment music movement of the period 1976-80, exemplified by The Ramones, the Sex Pistols, The Clash, and The Damned.
		This term is also used to describe subsequent music scenes that share key characteristics with those first-generation "punks." The term is sometimes also applied to the fashions or the irreverent "do-it-yourself" attitude associated with this musical movement.
		An important feature of punk rock was an evident desire to return to the concise and simple approach of early rock and roll.
	www.ipedia.com /punk_rock.html (902 words)

	List of rock and roll performers
		See also: List of jazz musicians, List of blues musicians, List of ragtime musicians, List of boogie woogie musicians, List of swing/big band musicians, List of folk musicians, List of country musicians, List of popular music performers, List of gospel musicians
		See also: List of surf rock musicians, List of psychedelic musicians, List of R&B musicians, List of hard rock musicians, List of country rock musicians, List of progressive rock musicians, List of popular music performers, List of soul musicians
		See also: List of heavy metal musicians, List of rappers, List of country musicians, List of Britpop musicians, List of jam bands, List of alternative rock musicians, List of electronic musicians[?], List of popular music performers, List of musicians in the second wave of punk music
	www.ebroadcast.com.au /lookup/encyclopedia/ro/Rock_and_roll_performers.html (387 words)

	punk music (Site not responding. Last check: 2007-11-05)
		Preceded by a variety of protopunk music of the 1960s and early 1970s, punk rock developed between 1974 and 1977 in the United States, the United Kingdom, and Australia, where groups such as the Ramones and Sex Pistols were recognized as the vanguard of a new musical movement.
		The first wave of punk aimed to be aggressively modern, distancing itself from the bombast and sentimentality of early 1970s rock.
		However, second wave punk bands—including bands from both the post-punk and hardcore punk subgenres—often sought to break from that format.
	www.artistopia.com /punk-music (1817 words)

	More on Punk Hair
		Smith's group, and her first LP released in 1975, directly inspired many of the mid-70s punk rockers, so this suggests a path by which the term migrated to the music we now know as punk.
		Punk rock also emerged as a reaction against certain tendencies that had overtaken popular music in the 1970s, including what the punks saw as superficial "disco" music and grandiose forms of heavy metal, progressive rock and "arena rock".
		Punk also rejected the remnants of the hippie counterculture of the 1960s.
	www.eduhistory.com /punk-hair.htm (1296 words)

	Hardcore punk
		It was, for a while, a difficult choice of lifestyle, in which those who dressed punk only on the weekends, or only for shows, were derided as 'poseurs' from a place of genuine moral gravity.
		Moreoever, it was believed by these die-hard hardcore punks that these new long-haired intepreters of hardcore were merely engaging in contrivance and attempting to mimic emotions, such as raw anger, that they truly did not feel.
		In this case, the sense of liberation that many of the grunge bands felt, that you didn't have to be the world's greatest musician to form a band, was at least as important as the music.
	www.mp3.fm /Hardcore_punk.htm (2856 words)

	Post-Punk Music
		The focus of rock histories and television retrospectives is often on the punk years themselves and with good reason; punk forever changed rock music, and allowed true, rebellious rock and roll to become basic and non-commercialized once again.
		As the restrictive measures of punk, and all the cliched fashion statements it entailed, came to a close, post-punk groups took up the gauntlet.
		As gothic bands delivered new wave records from England to the United States, Bauhaus were trying to break out of the very genre they had created.
	www.suite101.com /welcome.cfm/post_punk_primer (645 words)

	Punk Music Review
		List of musicians in the second wave of punk music - These are bands that could be considered to be part of the 'second wave' of the punk rock movement, circa 1980 and after.
		Music history of the United States (1980s to the present) - The 1980s saw New Wave entering the year as the single biggest mainstream market, with heavy metal, punk rock and hardcore punk, and hip hop achieving increased crossover success.
		It includes some of the biggest names in pop music from the 1950s to the present, explaining sub pop record and illustrating what instruments were used - their history, how they were played, how the artists came to choose them - sub pop record and in the process uncovering a parallel history of...
	li14.teensnet-japan.com /punkmusicreview.html (924 words)

	Black Punk Time, Part 1
		Seismic Waves' body of work deserve a place in punk history based on their titles alone; you have to acknowledge songs named, "Cable TV Was A Ripoff," "Lipsynch To The Go Gos," and "Fat Girls." Guitarist Pat Baptiste was also African American, making the band 66.7% Black.
		New Wave can be said to be an afterbirth of punk, though in retrospect, the quirky art rock of Eno and the electronic experiments of Kraftwerk in the early '70s seem to lay the groundwork.
		A more limited definition, one which looks at New Wave as a marketing of the oddness of the underground to the masses, can be said to start as soon as Malcolm McLaren's Sex Pistols experiment blows itself up and he and much of the "punk" world use their energy in less abrasive projects.
	www.roctober.com /roctober/blackpunk1.html (5382 words)

	Lists of musicians (Site not responding. Last check: 2007-11-05)
		See list of musicians for a structured list.
		List of musicians in the first wave of punk music
		List of musicians in the second wave of punk music
	www.adres.nl /music/ListsOfMusicians.asp (52 words)

	Art.Net Links: Music and Audio References
		Bands interested are encouraged to submit music and if selected, will get their own page with a picture, bio, and soundbites, free of charge.
		Music, photo's, gigs, and general info on Canadian recording group Backslider which is lead by Art Murphy and Ron Morrison.
		Musical instruments are the center piece in the designs by Steve Dilts depicting various moods relayed through music.
	www.art.net /Links/musicref.html (1084 words)

	A History of Punk
		While their heavy sounding music was not particularly original (they were extremely derivative of the current sound of The Who), their attitude inspired many future punk bands, prophesizing the Sex Pistols' conflicts with EMI and Virgin.
		Punk may have cosmic and sometimes conscious artistic ties to past radical movements, but most of its significance lies within the barriers of language and expression that were broken down.
		Their determinedly non-commercial musical course was described as "abrasive or dirgelike," and while they "joined the ranks of other die-hard rock conservatives," Harron went on to espouse the virtues of disco.
	www.fastnbulbous.com /punk.htm (6642 words)

	Punk Rock Music Research Guide - Music Library and Sound Recordings Archives - BGSULibraries
		Earliest serious academic discussion of punk as a subcultural response to a repressive dominant culture.
		Punk is a politically contested space: not all bands or adherents are of the same persuasion.
		The music maps, which help to trace the antecedents and offshoots of various genres, are a singular and useful feature.
	www.bgsu.edu /colleges/library/music/punkrock.html (926 words)

	Time In Malta - Free Music Downloads - MP3 Downloads - Download.com Music
		Music » Alternative/Punk » Punk » Hardcore Punk
		The new material hinted at a level of musical maturity they were beginning to realize.
		Entitled A Second Engine, the album was indeed the first step in the bands second stage of development, showcasing a mature band not afraid to experiment with radically different sonic elements while still retaining their aggressive punk/hardcore roots.
	music.download.com /timeinmalta/3600-8709-100070475.html (718 words)

	Second Glance - Free Music Downloads - MP3 Downloads - Download.com Music
		Second Glance’s progressive flow with its driving 128bpm house sweeps and dramatic synth melodies demands a remix by the likes of the Truby Trio.
		Second Glance then made its debut performance at the Coca-Cola Roxy in Atlanta, Georgia February of 1996.
		Musical influences: Lyrically influenced by the emotion of Michael Stipe, Eddie Vedder, Daryl Hall and Peter Gabriel.
	music.download.com /secondglance/3600-8724_32-100091022.html (646 words)

	Half Japanese, MP3 Music Download at eMusic
		Few of punk rock's founding fathers could have anticipated the extreme to which Half Japanese took the music's do-it-yourself ethos.
		A second album for Armageddon, the aptly titled Loud, followed in 1981; it matched the brothers' atonal squall and stream-of-consciousness compositions with a supporting cast of free jazz musicians.
		Featuring many of the same musicians, the follow-up, 1984's Sing No Evil, was an even greater concession to accessibility (relatively speaking, of course) with its improved sense of songwriting and structure; it's still acclaimed by many as one of the band's best works.
	www.emusic.com /artist/10560/10560920.html (1253 words)

	Reference.com/Encyclopedia/List of rock and roll performers
		See also: Rock and roll, Popular music, List of popular music performers, Country music, List of country music performers and further links at the bottom of the sections.
		See also: List of surf rock musicians, List of psychedelic musicians, List of R&B musicians, List of hard rock musicians, List of country rock musicians, List of progressive rock musicians, List of soul musicians
		See also: List of heavy metal musicians, List of rappers, List of Britpop musicians, List of jam bands, List of alternative rock musicians, List of electronic musicians, List of musicians in the second wave of punk music
	www.reference.com /browse/wiki/List_of_rock_and_roll_performers (988 words)

	Does hating rock make you a music critic? - By Jody Rosen - Slate Magazine (Site not responding. Last check: 2007-11-05)
		To me, music is music, and the "rockist" point of view of actually having a large hand in creating the work you perform long predates rock and roll.
		I think this is also why politically-charged music gets a pass; folks can sound smart by spouting their political views, and since it's always framed within the context of rebellion, it's okay.
		Such was the case when I was an active music reviewer between the 70s through the early 90s, and from the vantage point of advancing geezer-hood I have to say presenting rock and roll as the model of "authenticity", an epicenter of real music made by individuals from unincorporated communities of the soul, is ironic;
	www.slate.com /id/2141418/nav/tap1 (2568 words)

	tsenft: Third Wave Feminism: 1983-today. (Site not responding. Last check: 2007-11-05)
		Especially among men over the age of 35, there is a belief that the gains of second wave feminists have gone too far; so much so that women now effectively rob men of rights under the guise of sexual equality.
		One of the biggest problems facing third wave feminists (particularly from those who want to revive the second wave) is the charge that third wavers "do nothing" to change things politically.
		That many third wavers are well aware of the important criticisms launched at the second wave for being too closely allied with "white women's politics" complicates matters further, and for the better, in my personal opinion.
	www.livejournal.com /talkread.bml?itemid=9827282 (1714 words)

	New Wave Outpost - Obscure80's and MFV Archive
		Second full length release by this New York based new wave trio, and their first for a major label.
		This ska quartet from San Francisco was fronted by a pair of transplanted Brits and were heavily influenced by the then-current second wave of ska.
		Pop City was the second album by Sussman Lawrence, a band led by Peter Himmelman, who then went on to critically acclaimed solo success (with members of Sussman Lawrence playing on most of his solo recordings) as well as Bob Dylan's son-in-law.
	www.nwoutpost.com /mfv_list.asp (4679 words)

	Echo and the Bunnymen, MP3 Music Download at eMusic
		However, the album indicated that the group was in a musical holding pattern.
		At the end of 1988, McCulloch left the band to pursue a solo career; the rest of the band decided to continue without the singer.
		McCulloch released his first solo album, Candleland, in the fall of 1989; it peaked at number 18 in the U.K. and number 159 in the U.S. Echo & the Bunnymen released Reverberation, their first album recorded without McCulloch, in 1990; it failed to make the charts.
	www.emusic.com /artist/10558/10558965.html (759 words)

	Meat Puppets information - Search.com (Site not responding. Last check: 2007-11-05)
		Their early works (the In A Car EP and Meat Puppets LP) were wholeheartedly punk, with vocals so feral in their delivery they were often indecipherable, but ultimately humorous and ingenious once discovered.
		The band's exciting experimentation with psychedelia, acid rock, and quieter tunes on top of a core western-style thrash sound, gave them their one acknowledged classic album, and propelled the record to legendary status.
		The Meat Puppets burgeoning musicality led to more intricate and melodic efforts on 1985's Up on the Sun, which was a cohesive collage of songs that further demonstrated their abilities to capture a sound that had all of the wonder of the desert.
	c10-ss-1-lb.cnet.com /reference/Meat_Puppets (1137 words)

	About gwen stefani, no doubt, gwen stefani pictures!
		As gwen stefani was growing up she was strongly influenced by "ska" and "punk" music.
		Interscope took the chance with their second signee-- the first was Gerardo of "Rico Suave" fame.
		Tragic Kingdom, a mixture of ska, new wave, pop, punk and rock, was released on October 10, 1995.
	www.1hollywood.com /Celebrities/gwen_stefani.htm (1976 words)

	Hardcore Punk Rock from The Bomp Bookshelf (Site not responding. Last check: 2007-11-05)
		Nevertheless, rather than lump this music in with its largely unrelated earlier namesake, I choose to continue calling modern punk by its original name "hardcore" (although fans would likely now distinguish many better-defined sub-categories) and give it a section of its own, one which will hopefully grow over time.
		Bomp note: Cooper followed the punk dream to L.A. a little late for the first boom (though not too late to get a job at Slash Records, which brings out some interesting character insights in itself) but just im time for the generation of bands reflected by Black Flag.
		Irish author Ambrose has penetrated the depths of the metal and hardcore punk underground to produce this sophisticated, gripping analysis of the bands' urge to creat musical mayhem and, perhaps more tellingly, the willingness of the concert-goers to risk life and limb imn the dreaded moshpit.
	www.bomp.com /BompbooksPunkHC.html (3195 words)

	Martin Mathis' Music Page
		Were on the cover of the first music mag I ever bought ("BRAVO", controversial because of their sex-ed column) at age 14 or so.
		Bob Caron, a young man with a taste for rock music before it got trashed by alternative and grunge, pays tribute to his favorite hard rock and heavy metal bands.
		I dig their driving punk rock sound big time but have not known them long enough to qualify for all-time fave.
	www.lastbandit.com /music.shtml (1508 words)

	www.myspace.com/whlist
		We have out political songs like most punk bands and they are shown in songs such as Agreements, Kick to the Face, and Its too bad.
		Our music differs from old school hardcore to modern day punk and pop punk.
		Msg Amrev II cause im pretty sure they still need some bands for a march second show at the strand im not sure if we can do it so jump on it.
	myspace.com /whlist (1069 words)

	ipedia.com: Rancid Article (Site not responding. Last check: 2007-11-05)
		Tim Armstrong and Lars Fredriksen both sing lead vocals and play lead guitar, while Matt Freeman sings backing vocals and plays bass and Brett Reed plays drums.
		The music style blends punk, hardcore and ska.
		Hellcat, a division of Epitaph, is the brainchild of Tim Armstrong and Brett Gurewitz and now has many other up and coming (along with some well established) ska, punk, oi and hardcore bands on their books.
	www.ipedia.com /rancid.html (319 words)

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