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Topic: List of pandiatonic pieces

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	Encyclopedia: List of pandiatonic pieces (Site not responding. Last check: 2007-10-09)
		pandiatonic chord In music and music theory a chord (from the middle English cord, short for accord) is now three or more notes sounding simultaneously, or near simultaneously over a period of time.
		The solo piano pieces and the ones featuring an accompanist are all wonderful and should fit in well with late night reading or conversation when ambient music is not romantic enough or something more "grounded" or "traditional" is needed or desired.
		Welch comes in with a simple rhythm on piano, and then the piece evolves into a gorgeous duet for piano and guitar, maintaining the bittersweet flavor of the opening passage, but becoming improvised and almost bluesy.
	www.nationmaster.com /encyclopedia/List-of-pandiatonic-pieces (1597 words)

	Erik Satie: news group (the works)
		Satie was a rebel where form was concerned, and it was rare for his pieces to be based on a traditional formal pattern (the cafe-conc works are an exception to this rule - their context required them, to a certain extent, to follow certain formal rules).
		His use of modes in the early pieces negates the tonal system to a certain extent, and his blatant disregard for standard musical practices (excepting his later post-Schola compositions, which may anyway be seen as an example of this, in their extremity!) would seem to work against his being associated with hierarchical notions.
		You're right that the pieces are complicated for the performer, and it is a measure of Satie's abilities that he makes works simple for the listener, and therefore readily accesible, while presenting something of a challenge for the performer - he condenses two diametrically opposed elements without losing the effect of either.
	www.af.lu.se /~fogwall/works.html (10426 words)

	iqexpand.com (Site not responding. Last check: 2007-10-09)
		A pandiatonic tour de force, In the White Silence conjures a shimmering stillness that absorbs the listener into an undulating world of sustained strings, rising and falling arpeggios, and overlapping...
		A study of impressionistic techniques; pandiatonic and mirror harmony; polychoral, polytonal and atonal writing; and numerous creative exercises in the styles of the most significant composers of...
		Many of his recent works are representative of his current interest in neo-modal, pandiatonic composition.
	pandiatonic.iqexpand.com /index.php?title=Pandiatonic&action=edit§ion=2 (394 words)

	Musical Times: Carter as symphonist: Redefining boundaries (Site not responding. Last check: 2007-10-09)
		The wistful, whimsical feeling of the piece, typical of early Carter, remained, free of symphonic bombast.
		Even so, this charm was lost on its few audiences, and the work has remained in the shadows since its premiere, despite the enthusiasm shown for it by Howard Hanson, Fritz Reiner and, though it would seem alien to his sensibility, Edgard Varese.
		Here he replaced the thematic contrast of sonata form with a contrast of tempos in a ratio of 3:2, with the pandiatonic thematic material developing continuously throughout the movement, and with the rate of both tempos gradually increasing and then decreasing.
	www.findarticles.com /p/articles/mi_qa3870/is_199801/ai_n8795798 (1258 words)

	Planet Tree Music Festival: commentary (Site not responding. Last check: 2007-10-09)
		Thus, 14 pieces were published without opus number and without remuneration to the composer; that summer, Skryabin composed the First Sonata in one short burst.
		Even though the literary companion piece to 'The Poem of Ecstasy' is of Skryabin's own creation, it has been said that the content of the text is reminiscent of Bal´mont's 'Budem kak solntse' ('We shall be as the Sun') in which creation is identified with ecstasy and escape into the air.
		The set of piano pieces, op.10, demonstrate that Catoire had found a personal style: the limpid but often complex harmonies, multi-layered textures and mastery of form all contribute to his unique but rarely recognized voice.
	www.planettree.org /2000/crussian.html (15347 words)

	iBreatheMusic Forums - Jazz Improv Books
		There is one piece in particular by Keith Jarrett, Gary Peacock and Dejonette (SP?) live, this stuff sound like a new language it must be based on some different concept, little groups of usually four note motives being permutated, it was beautiful it was like hearing an extraterrestrial.
		the list is endless, the study of harmony, form.
		I know the term pandiatonic, but that is different from what you seem to imply, which is seemingly what is called playing 'outside' the changes.
	www.ibreathemusic.com /forums/showthread.php?p=729 (2740 words)

	TODD MERRELL: A Biography (Site not responding. Last check: 2007-10-09)
		In 1996 he became a member of the notorious Bunny Brains as their keyboardist, and in 1998 he produced Jake Bell's debut album Synjase: Return Of The Vortex on Whirlybird Records, the label created by Silver Apples founder Simeon Coxe.
		Todd recently completed a compact disc recording of his own work, including some pieces with drumming by Andy Algire, to accompany David Valyou's mixed media art installation "Clear" at the Hoppin Gallery in Farmington, Connecticut.
		An extensive, although hardly complete discography and list of works is available - not for the faint of heart.
	www.antistatic.com /~todd/bio.html (425 words)

	Solomon's Music Glossary
		With a four measure phrase as a basic unit, the simplest binary pieces consist of an 8-measure A section and an 8-measure B section with each section repeated.
		[1] the overall structural organization of music; e.g., a piece of music that demonstrates a temporal symmetry and climaxes in the middle is usually said to be in arch form.
		a piece that is in the key of G major has G as tonic and major as the mode.
	solomonsmusic.net /glossary.htm (13322 words)

	[Finale] Re: Tan: Tonality (Was4/4 to 2/2) (Site not responding. Last check: 2007-10-09)
		It is not atonal, but it is not tonal either, which is what is signified by such terms as pandiatonic, nontonal, and post-tonal.
		Furthermore, all of this music and the atonal music written alongside it (often by the same composers) are considered by the vast majority of historians and composers to belong to a common musical community, reflecting very similar responses to a "crisis of tonality" brought on by the overload of fudge-factors mentioned above.
		To use the words "tonal" and "tonality" to refer to the entire musical universe except for the relative handful of pieces that are atonal is useless, even ridiculous.
	www.mail-archive.com /finale@mail.shsu.edu/msg04700.html (622 words)

	The Database of Recorded American Music (Site not responding. Last check: 2007-10-09)
		He is fond of pandiatonic, quartal, and polytonal harmony, lucid textures, and playful, vital rhythms.
		On that day he presented her with the score and with a recording that had been prepared for the occasion under the direction of Tamara Brooks, who shares the work's dedication.
		An interesting musical feature of this short piece is the use of the tritonetraditionally associated with discord and discontentas a basic concord or tonic structure.
	dlib.nyu.edu /dram/note.cgi?id=555 (2177 words)

	Elisabetta Brusa - Encyclopedia Glossary Meaning Explanation Elisabetta Brusa (Site not responding. Last check: 2007-10-09)
		Brusa was born in Milan, and as a child wrote a couple dozen piano pieces.
		Currently she is best known for her orchestral works recorded in two volumes on the Naxos label.
		Brusa describes her musical style as "close to Neo-Tonality and in particular to Neo-Romanticism, but in the original sense of the word, which is often confusedly assimilated to the other ones," and her harmony as "essentially pandiatonic with panchromatic moments."
	www.encyclopedia-glossary.com /en/Elisabetta-Brusa.html (240 words)

	CD Baby: CHRIS WELCH: Night Music
		The mood of these pieces is, of course, laid-back and (almost always) purposely placid.
		However, there is variety of style here, with trace elements of light jazz and subtle shadings of neo-classical, too, as well as plenty of romantic new age music touches here and there.
		I also like the gently swaying sensuality of "Bossa Nova Lullaby in Db" and the plaintive "Nocturne in C Minor" graced by a mournful nylon string guitar.
	www.cdbaby.com /cd/welch2 (999 words)

	threemed (Site not responding. Last check: 2007-10-09)
		Three Meditations for Dane Rudhyar is one of a number of compositions written as responses to the work of American composers while I was a Postdoctoral Scholar at UCLA in 1983 84.
		The inspiration for the piece was not the music of Rudhyar but rather his book, The Magic of Tone and the Art of Music.
		One of the book's central ideas is that Western music has lost its potency through its obsession with the structural arrangement of tones and the resultant subjugation of magical sounds themselves.
	www.scu.edu.au /schools/arts/music/staff/mh/threemed.html (249 words)

	Classic Audio Music Reviews
		His expert choices in presenting Elgar’s piece seem to point up the variation techniques used on the main theme better than hearing the orchestral version.
		The pieces on this disk are mostly for solo organ.
		Ranging in length from forty seconds to 2:47, these elliptical pieces are angry, satirical, and nonsensical (“Cannot be translated” read two of the translations.).
	www.enjoythemusic.com /audiophileaudition/0503/classicmusic.htm (5558 words)

	Robert Fripp - Chapter 8
		Fripp loves to formulate little paradigmatic lists, and in 1982 he was to formalize what he called the "four criteria for work": work should earn a living, be educational, be fun, and be socially useful.
		In addition to producing the album, Fripp played on many of the pieces; he shines particularly brightly in the angular electric guitar solo on "White Shadow" and in the cascading, foreboding Frippertronics of "Exposure," a song he co-wrote with Gabriel.
		Piccarella described Walton's piece as follows: "A taped series of quotations from linguistic philosophers was rendered both sensible and ridiculous by a series of silent physical performances.
	www.progressiveears.com /frippbook/ch08.htm (9266 words)

	Audio Asylum Thread Printer
		Often pieces which are composed completely atonally can still sound like they are working from within the tonal system.
		If you hear a Schoenberg piece which you KNOW is atonal in its construction, yet your ears tell you that there are certain "tonal" centers or better yet, cell or axis centers, we have a hierarchical, progressional system - is that tonality?
		There are actually 4 string quartets (maybe even a fifth one now); they all have something to offer but I like the first and 4th the best so far.
	www.audioasylum.com /scripts/t.pl?f=music&m=77008 (834 words)

	Eyes That Can See in the Dark
		That was amazingly hard to cut it down to ten; my list got up to the high forties, and I could only make ten by restricting myself to one record per artist* (otherwise, Pink Floyd and Low would've had one more each).
		For that matter, nearly anything sounds better that way -- and the more delicate a piece of music is, the more desperately it needs it.
		It's probably just coincidence, though given that Morse code was invented in the middle of the 19th century, it's entirely possible that the correspondence was intentional.
	cutthemullet.tripod.com /april2001a.htm (3951 words)

	Roncorp Publications
		Included among its listings are many selections on the high-school contest lists for the states of New York, Texas, Wisconsin, and the city of Winnipeg in Manitoba, Canada.
		The piece is in 6/8 meter and the highest note is an E-flat.
		Composed as contest pieces for the Paris Conservatory, these works of medium difficulty are ideal for high school and college players.
	www.nemusicpub.com /roncorp/catalog.cfm (4950 words)

	Erik Satie: news group
		Vexations is the name of a short piece for piano written by Erik Satie.
		In Vexations every dance, video and light will be independent piece of art and as such will contribute to the bigger flow of the event.
		All the participants are asked to surrender to the unique event and thereby creating a garden of flowing events, moving sculptures and contemplated movements.
	www.af.lu.se /~fogwall/86.html (2533 words)

	paulseitzindex
		Allen Forte and Roy Travis, " Analysis Symposium: Webern, Orchestral Pieces (1913): Movement I ("Bewegt")" in Journal of Music Theory, Vol.
		Roger Gustafson, " Josef Matthias Hauer: A List of Works" in Tempo, New Ser., No. 161/162,...An Austrian Quodlibet....
		Pause to consider Hindemith's notion of "harmonic tension" and a suggestion for the use of Interval Class Vectors as a means of trying to understand both Hindemith and PC-Set Theory.
	www.paulseitz.net /UNLV/706description.htm (1643 words)

	Editing List of pandiatonic pieces - Edit this page - Wikipedia, the free encyclopedia (Site not responding. Last check: 2007-10-09)
		London Times (December 27, 1963) via Companion [[Category:Lists of pieces]]
		If you would just like to test or practice editing, please do that in the sandbox.
		By submitting your work you promise you wrote it yourself, or copied it from public domain resources — this does not include most web pages.
	www.encyclopedia-online.info /List_of_pandiatonic_pieces?action=edit (185 words)

	P-T musical dictionary Graham Coatman Infinite Music glossary
		Pandiatonic - the music that results when some members of the orchestra or choir have not been initiated into the key (qv) system
		Programme music - usually orchestral pieces, with a story, enabling the audience to have something to think about and take their mind off the music
		Tessitura - dearly loved old singer who turns up everywhere, with her high notes (or low, as the case may be)
	www.coatman.fsnet.co.uk /page41.html (622 words)

	The Head-fi Virtual CD Club - Head-Fi (Headphone Hi-Fi and Portable Audio) (Site not responding. Last check: 2007-10-09)
		Here's how it works: The first person on the list begins the cd by naming their selection.
		The ostinato-driven, pandiatonic neo-baroque style to which his nationalist ballet scores gave way here becomes slightly more chromatic (albeit in a strangely static-yet-Bachian way -- subsequent movements consist of a passacaille and a gigue).
		As in his earlier works, the propulsive quality of this opening movement is due to the use of rhythm, dynamics and color, and to Stravinsky's characteristic use of the texture, if not the harmonic structure, of tonal counterpoint.
	www6.head-fi.org /forums/showthread.php?t=40382 (3341 words)

	Middle East Open Encyclopedia: List of surrealistic pieces (Site not responding. Last check: 2007-10-09)
		This is an extract from The Middle East Open Encyclopedia, made possible through the Wikimedia Foundation.
		Iraq Museum International always displays the most recent published revision of the source article, List of surrealistic pieces; all previous versions may be viewed here.
		They link directly to authoring tools for you to start writing a particular article.
	www.baghdadmuseum.org /ref/index.php?title=List_of_surrealistic_pieces (170 words)

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