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Topic: List of rock and roll albums in the 1960s


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In the News (Thu 2 Oct 14)

  
  Kids.Net.Au - Encyclopedia > 1960s
Many of the trends of the 1960s were due to the demographic changes brought about by the baby boom generation and the dissolution of European colonial empires.
Hippies, drug culture & Rock and roll converge at the Woodstock Festival & Concert, 1969.
Rock and roll develops, diversifies, and becomes very hip.
www.kids.net.au /encyclopedia-wiki/19/1960s   (371 words)

  
 Rock and roll   (Site not responding. Last check: 2007-11-02)
Rock and roll (also known as rock 'n' roll), is a genre of music that evolved in the United States in the late 1940s and became popular in the early 1950s, quickly spreading to the rest of the world.
In the rock and roll style of the early 1950s, the saxophone was often the lead instrument, replaced by guitar in the mid 1950s.
In the earliest form of rock and roll, during the late 1940s, the piano was the lead instrument, and indeed, among the roots of rock and roll is the boogie woogie piano of the big-band era that dominated American music in the 1940s.
ref.podzone.net /en/Rock_and_roll.htm   (3262 words)

  
 Rock/Pop Downloads - Download Rock/Pop Music - Download Rock/Pop MP3s
By their third album, they had exhausted their initial reservoir of compositions, and some of the tracks they hurriedly devised to meet public demand were clearly inferior to, and imitative of, their best early work.
The performance was immortalized on countless bootleg albums (an official release finally surfaced in 1998), and it indicates the intensity of Dylan in the middle of 1966.
Their albums became careless, erratic affairs, which was all the more frustrating because many of their flop singles of the time were fine, even near-classic efforts that demonstrated they could still deliver the goods.
www.mp3.com /rock-pop/genre/13/essentials.html   (9572 words)

  
  1960s - Wikipedia, the free encyclopedia
The 1960s in its most obvious sense refers to the decade between 1960 and 1969, but the expression has taken on a wider meaning over the past twenty years.
Many of the trends of the 1960s were due to the demographic changes brought about by the baby boom generation, the height of the Cold War, and the dissolution of European colonial empires.
In the People's Republic of China the mid 1960s were also a time of massive upheaval, and the Red Guard rampages of Mao Zedong's Cultural Revolution had some superficial resemblances to the student protests in the West.
en.wikipedia.org /wiki/1960s   (1919 words)

  
 The Rock and Roll Hall of Fame and Museum: The Construction of Memories and the Sanitation of Threats
Using The Rock and Roll Hall of Fame and Museum in Cleveland, Ohio as his raw material, Varner embarks on a sensitive and insightful discussion ofthe canonization of the baby boomer culture and the process of incorporation as it makes "sense" out of subversion.
Rock music in general, not just spectacular sub-sets like Riot Grrrl, has the potential to move those who may be on the margins of dominant culture to the center during the rock carnival, if only temporarily.
His statement that "rock 'n' roll became the soundtrack of the baby boom generation and, to a lesser degree, post-boomers and Generation Xers" exposes the Rock Hall's bias toward his generation and the music it created (240).
reconstruction.eserver.org /011/rockandroll.htm   (4936 words)

  
 classic rock and roll
The album comes to a smooth and fitting end with "A Natural Woman." It is kept sincerely simple with only Carole and her piano and a string bass.
The album finishes with"Sheik," a song with nonsense lyrics that tell of the delusions that are experienced with a fever that "must have been a 110;" and "Have You Heard," a slower, blues oriented jam.
Rock and roll fans should familiarize themselves with this fortunate melange of talent and circumstance.
www.rockandrollplanet.com /classicalbumreviews.html   (6722 words)

  
 John Lennon’s revolution
The backdrop is one of the more interesting stories in the history of popular music--how one of rock and roll’s biggest stars and among the world’s most famous celebrities became a revolutionary, committed to radical change and hoping to place his music at the service of the struggle.
Rock represented a certain defiance of the code of behavior, especially about sexuality, dictated by the right’s morality.
Plus, the album features some of best music John wrote in his post-Beatles career--a return to his devotion to early rock and roll, with its indebtedness to the blues.
www.socialistworker.org /2006-2/604/604_13_Lennon.shtml   (1808 words)

  
 LECTURE 27: Rock
Rock is the most important musical genre of the past 50 years, because it has gone beyond being a mere musical style to influence politics, commerce, fashion, and even vocabulary.
Their record albums trace a fascinating development of them as people and artists the way a photo album would tell the story of your life-- from adolescent insouciance through stages of searching, striving, argumentation, resolution, and accomplishment.
Pepper is also "longer" in the sense that the whole album is based on one topic, developed throughout the course of the songs-- the rock musician's discovery of the song-cycle, a form pioneered by Franz Schubert in the early 19th century.
www.omnidisc.com /MUSIC/Lecture28.html   (5750 words)

  
 ook - the essay question - is rock dead? alive? undead?
Rock was not dead by the late 60s -- perhaps the shock of the new had worn off by then, but rock still had another decade or so of life left in it at that time.
Rock was not dead by the late Sixties, as evidenced by the vital, energetic explosions that occurred in Britain every few years afterwards.
Glam Rock, although hardly an intellectual or socially-compelling tour de force, was anthemic and sexy and fueled teenagers' resolve to be themselves and scare their parents at the same time, one very potent tell-tale footstep left by the caveman of Rock and Roll from the beginning.
www.ookworld.com /essayquest_rockdead.html   (6181 words)

  
 ESSAY ON ROCK AND ROLL LYRICS
It is debatable that Rock and Roll's ambassadors of Elvis Presley, the Beatles, the Rolling Stones, The Supremes, James Brown, Aretha Franklin, Led Zeppelin, Stevie Wonder, Bruce Springsteen, U2, Michael Jackson, Prince, Madonna, and Marilyn Manson may be some of the most well known and influential people on the earth, particularly to young people.
In the timeline of recorded human history, TV and radio are relatively new communication media, and the long-term effects and saturation of negative programming has had minimal amounts of study and research, particularly compared to the amount of trillions of dollars of revenue generated by the industries themselves.
This vast, concentrated collection of rock and roll lyrics attempts to illustrate to consumers the messages to which they have been subjecting themselves and others, whether intentionally or not.
rockwisdom.com /commentaries/essay2.htm   (7069 words)

  
 1960s - Wikipedia, the free encyclopedia   (Site not responding. Last check: 2007-11-02)
This article provides extensive lists of events and significant personalities of the 1960s.
1930s 1940s 1950s - 1960s - 1970s 1980s 1990s
The 1960s was one of the most turbulent decades experienced world-wide.
www.bonneylake.us /project/wikipedia/index.php/1960s   (934 words)

  
 Framed Album Covers, Framed Record Albums, Collectable, Memorabilia, Rock & Roll, Classic Rock, Oldies & Country Music
The arena rock group behind one of the fastest-selling debut albums in history, Boston was essentially the vehicle of studio wizard Tom Scholz, born March 10, 1947, in Toled...
If you factor in her work as the lead singer of the Supremes in the 1960s, she may be the most successful.
With five number one singles and four number one albums, the Eagles were among the most successful recording artists of the 1970s; at the end of the 20th century, two of...
www.tunescompany.com /framed_album_covers.asp   (2053 words)

  
 The Beatles help – Wiki at Help.com   (Site not responding. Last check: 2007-11-02)
The Beatles were an English rock band from Liverpool whose members were John Lennon, Paul McCartney, George Harrison and Ringo Starr.
In 2004, Rolling Stone Magazine ranked the Beatles #1 on their list of the 100 Greatest Artists of All Time.
Although their initial musical style was rooted in 1950s rock and roll and homegrown skiffle, the group explored genres ranging from Tin Pan Alley to psychedelic rock.
help.com /wiki/The_Beatles   (301 words)

  
 100
List of rock and roll albums in the 1970s
List of rock and roll albums in the 1980s
List of the 100 largest metropolitan areas in Canada
www.fact-library.com /100.html   (145 words)

  
 List: Top 100 Albums of All Time? - Celebritology
Pete Yorn's album musicforthemorningafter was the top album for Rolling Stone 2 years in a row (2001, 2002) because they didn't think anything good came out in 2002.
Most albums are full of junk, so I think any list of the top albums should honor those artists who were able to put together collections of songs that either fit together well or are part of an overarching concept.
The exclusion of the Pixies' Doolittle from the list is a travesty.
blog.washingtonpost.com /celebritology/2006/11/list_top_100_albums_of_all_tim.html   (8014 words)

  
 Arthur Lee, at 61; leader of the '60s rock band Love - The Boston Globe
Lee, who established himself as the first fl rock star of the post-Beatles era, fronted Love through astonishing musical changes that have continued to resonate for other rockers and a cult of critics and fans.
Lee and Love in his acceptance speech at the Rock and Roll Hall of Fame in 1995.
He was imprisoned from 1996 to 2001 on a third-strike weapons charge, but after his release he had new energy and a new story to tell that led to a resurgence for a time in concerts, including a 2003 performance in London, available on DVD, in which Mr.
www.boston.com /news/globe/obituaries/articles/2006/08/06/arthur_lee_at_61_leader_of_the_60s_rock_band_love?mode=PF   (672 words)

  
 The Beatles Capitol Albums - Vol 1</a></td></tr> <tr><td valign=top><img style="margin-top:4px;" src=/images/a.gif></td><td></td><td> This was the first official released <a href="/topics/With-the-Beatles" title="With the Beatles" class=fl>Beatles</a> <b>album</b> in the US, and the first of four US <a href="/topics/With-the-Beatles" title="With the Beatles" class=fl>Beatles</a> <b>albums</b> offered in 1964, and it hit the country by storm, even if it was the weakest of the four. </td></tr> <tr><td valign=top><img style="margin-top:4px;" src=/images/a.gif></td><td></td><td> What a great <b>album</b> this one is! It's just full of great classic songs, one better than the other, in fact, only two songs out of the eleven on here don't rate a ten, and one of those, "Long Tall Sally", just barely misses that high mark. </td></tr> <tr><td valign=top><img style="margin-top:4px;" src=/images/a.gif></td><td></td><td> This <b>album</b>, unlike most of the other <a href="/topics/With-the-Beatles" title="With the Beatles" class=fl>Beatles</a> LPs, has a lot of covers, six in fact, but damn, as great the <a href="/topics/With-the-Beatles" title="With the Beatles" class=fl>Beatles</a> were in writing their own songs, they show here on this one that they could cover songs as good or better than any other group.</td></tr> <tr><td></td><td colspan=2><font color=gray>www.keno.org /classic_rock/album_reviews/capital_albums_vol_1.htm</font>   (1783 words)</td></tr> </table> </td> </tr> </table><body face="Arial"> <br> <table cellpadding=0> <tr> <td>  </td> <td> <table > <tr><td> </td><td colspan=2><a href="http://www.music.indiana.edu/department/generalstudies/courses.shtml">Music in General Studies Department Courses: School of Music: Indiana University</a></td></tr> <tr><td valign=top><img style="margin-top:4px;" src=/images/a.gif></td><td></td><td> The course <a href="/topics/The-Beginning" title="The Beginning" class=fl>begins</a> with an overview of ancestors and influences (<a href="/topics/Blues" title="Blues" class=fl>blues</a>, boogie-woogie, jazz, swing, country and western, gospel and popular music) and the crossover success of rhythm and <a href="/topics/Blues" title="Blues" class=fl>blues</a> acts that marked the true birth of <b>rock</b> and <b>roll</b>. </td></tr> <tr><td valign=top><img style="margin-top:4px;" src=/images/a.gif></td><td></td><td> Learn the history and appreciation of the musical and social trends of the <b>1960s</b>, from the <a href="/topics/With-the-Beatles" title="With the Beatles" class=fl>Beatles</a> and the 1964 British Invasion to <a href="/topics/Bob-Dylan" title="Bob Dylan" class=fl>Bob Dylan</a> and Folk-Rock, Motown and <a href="/topics/Soul-music" title="Soul music" class=fl>Soul</a> and the other major mid-sixties artists and styles. </td></tr> <tr><td valign=top><img style="margin-top:4px;" src=/images/a.gif></td><td></td><td> All of Zappa's commercially released <b>albums</b> are discussed, and students are responsible for a listening <b>list</b> of materials from these releases.</td></tr> <tr><td></td><td colspan=2><font color=gray>www.music.indiana.edu /department/generalstudies/courses.shtml</font>   (1085 words)</td></tr> </table> </td> </tr> </table><body face="Arial"> <br> <table cellpadding=0> <tr> <td>  </td> <td> <table > <tr><td> </td><td colspan=2><u>Led Zeppelin: IFMTL: Part 1</u>   <i>(Site not responding. Last check: 2007-11-02)</i></td></tr> <tr><td valign=top><img style="margin-top:4px;" src=/images/a.gif></td><td></td><td> This is a <b>list</b> of people who have either provided me with information directly, or who are authors of files at the ftp site I utilised, or who posted notable contributions to the <b>list</b> from which I was able to glean useful information. </td></tr> <tr><td valign=top><img style="margin-top:4px;" src=/images/a.gif></td><td></td><td> It made a re-appearance on their last tour and was mentioned by Plant as being on the next <b>album</b>, indicating that they intended to cover it for the next <b>album</b>, which was of course never made. </td></tr> <tr><td valign=top><img style="margin-top:4px;" src=/images/a.gif></td><td></td><td> o The <b>Rolling</b> Stones' resident honky-tonk pianist Ian Stewart, who was originally the sixth <b>Rolling</b> Stone, is the man responsible for tinkling the ivories on the Zeppelin songs "Boogie With Stu" and <b>"Rock</b> And <b>Roll"</b>.</td></tr> <tr><td></td><td colspan=2><font color=gray>www.iem.ac.ru /zeppelin/docs/IFMTL-1-T.html</font>   (15493 words)</td></tr> </table> </td> </tr> </table><body face="Arial"> <br> <table cellpadding=0> <tr> <td>  </td> <td> <table > <tr><td> </td><td colspan=2><u>1960s</u>   <i>(Site not responding. Last check: 2007-11-02)</i></td></tr> <tr><td valign=top><img style="margin-top:4px;" src=/images/a.gif></td><td></td><td> Decades: 1900s 1910s 1920s 1930s 1940s 1950s - <b>1960s</b> - 1970s 1980s 1990s 2000s 2010s </td></tr> <tr><td valign=top><img style="margin-top:4px;" src=/images/a.gif></td><td></td><td> The Quiet Revolution (Révolution tranquille) <a href="/topics/The-Beginning" title="The Beginning" class=fl>begins</a> in Quebec - precipitous decline of the Roman Catholic church, liberalism, social-democratic programs, and the birth of modern Quebec nationalism </td></tr> <tr><td valign=top><img style="margin-top:4px;" src=/images/a.gif></td><td></td><td> Growing popularity of religions other than Christianity in the West, and of atheism; Time Magazine asks: "Is God Dead?"</td></tr> <tr><td></td><td colspan=2><font color=gray>www.1-free-software.com /en/wikipedia/1/19/1960s.html</font>   (426 words)</td></tr> </table> </td> </tr> </table><body face="Arial"> <br> <table cellpadding=0> <tr> <td>  </td> <td> <table > <tr><td> </td><td colspan=2><a href="http://www.irocknroll.com/SimonandGarfunkel.html">Simon & Garfunkel Rock Music Memorabilia</a></td></tr> <tr><td valign=top><img style="margin-top:4px;" src=/images/a.gif></td><td></td><td> Simon and Garfunkel were among the most popular recording artists of the <b>1960s</b>, and are best known </td></tr> <tr><td valign=top><img style="margin-top:4px;" src=/images/a.gif></td><td></td><td> received several Grammys and are inductees of the <b>Rock</b> and <b>Roll</b> Hall of Fame. </td></tr> <tr><td valign=top><img style="margin-top:4px;" src=/images/a.gif></td><td></td><td> <b>Album</b> and Song of the Year - On</td></tr> <tr><td></td><td colspan=2><font color=gray>www.irocknroll.com /SimonandGarfunkel.html</font>   (151 words)</td></tr> </table> </td> </tr> </table><body face="Arial"> <br> <table cellpadding=0> <tr> <td>  </td> <td> <table > <tr><td> </td><td colspan=2><a href="http://www.buck69.net">BUCK69: Blues Rock Band From Toledo Ohio - Home</a></td></tr> <tr><td valign=top><img style="margin-top:4px;" src=/images/a.gif></td><td></td><td> While <b>rock</b> and <a href="/topics/Blues" title="Blues" class=fl>blues</a> have historically always been closely linked, blues-rock as a distinct genre did not arise until the late <b>1960s</b>. </td></tr> <tr><td valign=top><img style="margin-top:4px;" src=/images/a.gif></td><td></td><td> Eric Clapton was another guitarist with a lasting influence on the genre; his work in the <b>1960s</b> and 1970s with <a href="/topics/John-Mayall" title="John Mayall" class=fl>John Mayall</a> and the Bluesbreakers, The Yardbirds, the supergroup <a href="/topics/Blind-Faith" title="Blind Faith" class=fl>Blind Faith</a>, <a href="/topics/Cream-\%28band\%29" title="Cream \%28band\%29" class=fl>Cream</a>, Derek and the Dominos and an extensive solo career have all been seminal in bringing of blues-rock into the mainstream. </td></tr> <tr><td valign=top><img style="margin-top:4px;" src=/images/a.gif></td><td></td><td> In the late 60s Jeff <a href="/topics/Beck" title="Beck" class=fl>Beck</a>, another former member of The Yardbirds, revolutionised <a href="/topics/Blues" title="Blues" class=fl>blues</a> <b>rock</b> into a form of heavy <b>rock</b>, taking the UK and the USA by storm with his <a href="/topics/The-Band" title="The Band" class=fl>band</a>, The Jeff <a href="/topics/Beck" title="Beck" class=fl>Beck</a> Group.</td></tr> <tr><td></td><td colspan=2><font color=gray>www.buck69.net</font>   (491 words)</td></tr> </table> </td> </tr> </table><body face="Arial"> <br> <table cellpadding=0> <tr> <td>  </td> <td> <table > <tr><td> </td><td colspan=2><a href="http://www.rockhall.com/inductee/steve-douglas">Steve Douglas</a></td></tr> <tr><td valign=top><img style="margin-top:4px;" src=/images/a.gif></td><td></td><td> He can be heard blowing tenor and baritone sax on many of Jan and Dean’s <b>1960s</b> hits, including “Surf City” and “Dead Man’s Curve.” His hornwork also adorned recordings by such artists as Bobby Darin, <a href="/topics/Aretha-Franklin" title="Aretha Franklin" class=fl>Aretha Franklin</a>, <a href="/topics/BB-King" title="BB King" class=fl>B.B. King</a>, and <a href="/topics/Elvis-Presley" title="Elvis Presley" class=fl>Elvis Presley</a>. </td></tr> <tr><td valign=top><img style="margin-top:4px;" src=/images/a.gif></td><td></td><td> Douglas’s background served him well when emerging <b>rock</b> and <b>roll</b> figures like Duane Eddy wanted to add some horn-fueled RandB grit to their music. </td></tr> <tr><td valign=top><img style="margin-top:4px;" src=/images/a.gif></td><td></td><td> March 10, 2003: Steve Douglas is inducted into the <b>Rock</b> and <b>Roll</b> Hall of Fame at the eighteenth annual induction dinner.</td></tr> <tr><td></td><td colspan=2><font color=gray>www.rockhall.com /inductee/steve-douglas</font>   (792 words)</td></tr> </table> </td> </tr> </table><body face="Arial"> <br> <table cellpadding=0> <tr> <td>  </td> <td> <table > <tr><td> </td><td colspan=2><u>Living on a Thin Line : Crossing Aesthetic Borders with the Kinks</u>   <i>(Site not responding. Last check: 2007-11-02)</i></td></tr> <tr><td valign=top><img style="margin-top:4px;" src=/images/a.gif></td><td></td><td> Touted as a British <b>rock</b> institution and ranked #5 on <b>Rolling</b> Stone's <b>list</b> of Top Ten <b>Rock</b> <a href="/topics/The-Band" title="The Band" class=fl>Bands</a> of the Century, The <a href="/topics/The-Kinks" title="The Kinks" class=fl>Kinks</a> remain relatively under appreciated by many serious <b>rock</b> music listeners. </td></tr> <tr><td valign=top><img style="margin-top:4px;" src=/images/a.gif></td><td></td><td> The <a href="/topics/The-Kinks" title="The Kinks" class=fl>Kinks</a> were founded by brothers Ray and Dave Davies and Peter Quaife in the early <b>1960s</b> in the north London suburb of Muswell Hill. </td></tr> <tr><td valign=top><img style="margin-top:4px;" src=/images/a.gif></td><td></td><td> Essays focus on influences, the earliest years, specific <b>albums</b>, the solo work of the brothers Davies, recurring themes and patterns of imagery, their ever-shifting sound, and their working-class roots.</td></tr> <tr><td></td><td colspan=2><font color=gray>www.rocknrollresearchpress.com /kinkessay.html</font>   (385 words)</td></tr> </table> </td> </tr> </table><body face="Arial"> <br> <table cellpadding=0> <tr> <td>  </td> <td> <table > <tr><td> </td><td colspan=2><u>Pitchfork Feature: The 200 Greatest Songs of the 1960s</u>   <i>(Site not responding. Last check: 2007-11-02)</i></td></tr> <tr><td valign=top><img style="margin-top:4px;" src=/images/a.gif></td><td></td><td> From today until Friday, we'll <b>roll</b> out the 200 songs that most resonate with a generation too young to have <a href="/topics/Are-You-Experienced\%3F-\%28album\%29" title="Are You Experienced\%3F \%28album\%29" class=fl>experienced</a> the decade firsthand, but old enough to know it had more to offer than "(I Can't Get No) Satisfaction". </td></tr> <tr><td valign=top><img style="margin-top:4px;" src=/images/a.gif></td><td></td><td> The famous Celtic ballad <a href="/topics/The-Beginning" title="The Beginning" class=fl>begins</a> with a lustful <b>list</b> of physical attributes-- a true love's hair, <a href="/topics/The-Faces" title="The Faces" class=fl>face</a>, eyes, and hands-- but Nina Simone's voice is less than interested in the material world. </td></tr> <tr><td valign=top><img style="margin-top:4px;" src=/images/a.gif></td><td></td><td> The <b>Rolling</b> Stones eventually made this song a smash, but all they did was jack Thomas' steez in full, changing nary a note, save one small thing: They could never belt like her.</td></tr> <tr><td></td><td colspan=2><font color=gray>www.pitchforkmedia.com /article/feature/37886/The_200_Greatest_Songs_of_the_1960s</font>   (1138 words)</td></tr> </table> </td> </tr> </table><body face="Arial"> <br> <table cellpadding=0> <tr> <td>  </td> <td> <table > <tr><td> </td><td colspan=2><a href="http://www.pitchforkmedia.com/article/feature/38675/Guest_List_Guest_List_Tapes_n_Tapes">Pitchfork Feature: Guest List: Tapes 'n Tapes</a></td></tr> <tr><td valign=top><img style="margin-top:4px;" src=/images/a.gif></td><td></td><td> The contrast between this song and the rest of the <b>album</b> is initially so stark; it goes from intense drums and chanting to this very mellow guitar and vocal track. </td></tr> <tr><td valign=top><img style="margin-top:4px;" src=/images/a.gif></td><td></td><td> At first I thought the song was almost out of place on the <b>album</b>, but the more I listen to it, the more I realize it's not. </td></tr> <tr><td valign=top><img style="margin-top:4px;" src=/images/a.gif></td><td></td><td> It is impossible to listen to this <b>album</b> and be in a bad mood.</td></tr> <tr><td></td><td colspan=2><font color=gray>www.pitchforkmedia.com /article/feature/38675/Guest_List_Guest_List_Tapes_n_Tapes</font>   (1165 words)</td></tr> </table> </td> </tr> </table><script language="JavaScript"> <!-- // This function displays the ad results. // It must be defined above the script that calls show_ads.js // to guarantee that it is defined when show_ads.js makes the call-back. function google_ad_request_done(google_ads) { // Proceed only if we have ads to display! 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