Belonging to the canon is a guarantee of quality, and that guarantee of high aesthetic quality serves as a promise, a contract, that announces to the viewer, "Here is something to be enjoyed as an aesthetic object.
Canonization, in other words, permits the member of the canon to be read and hence not only exist, but also be immortalized.
One cannot simply proclaim the end of canons and hence do away with their bad effects, since they can no more be done away with or ended by proclamation than the laws of perception or the laws of gravity.
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Modern literary criticism is often informed by literary theory, which is the philosophical discussion of its methods and goals.
The literary criticism of the Renaissance developed classical ideas of unity of form and content into a literary neoclassicism which proclaimed literature to be central to culture and entrusted the poet or author with the preservation of a long literary tradition.
Some critics work largely with theoretical texts, while others read traditional literature; interest in the literarycanon is still great, but many critics are also interested in minority and women's literatures, while some critics influenced by cultural studies read popular texts like comic books or pulp/genre fiction.
The Western canon is a canon of books and art, and specifically a set with very loose boundaries of booksand other art, that in general, have been most influential in shaping Western culture.
The selection of a canon is important in educational perennialism.
Authors such as Yale Professor of Humanities Harold Bloom have spoken strongly in favor of the canon, and in general the canonremains as a represented idea in most institutions, though its implications continue to be debated heavily.
A leading figure in the debate over the literarycanon, Jane Tompkins was one of the first to point to the ongoing relevance of popular women's fiction in the 19th century, long overlooked or scorned by literary critics.
With the continued expansion of the literarycanon, multicultural works of modern literaryfiction and autobiography have assumed an increasing importance for students and scholars of American literature.
Through careful analysis of literary texts and attention to writers and works long excluded from Japan's postwar literarycanon, this book introduces fresh perspectives on the occupation era.
For example, it is relatively easy to uncover details about the various councils that met at critical junctures in Hebrew and Christian cultures to develop canons for, and to preserve the religious history of, the Christians and Jews.
If they are interested in ensuring the long run continuation of our culture, they should be discussing how to form a literarycanon of African-American religious and cultural works that can be preserved for posterity.
It is time to call a council to form a canon for the long run.
Mulcaster was a noted humanist pedagogue whose enlightened ideas on educational reform (published in 1581 and 1582) stressed the appreciation of English vernacular and its literary potential.
The poem is richly allusive to Elizabethan politics and religion, but also demonstrates the tremendous literary capacity of the English language and vernacular poetic forms.
Like many other would-be literary figures of his day, seeking patronage and preferment Spenser was forced to obtain more regular employment, and after leaving Cambridge (certainly by 1578) Spenser became secretary to John Young, Bishop of Rochester.
Literarycanonization was (and continues to be) the result of a three-fold social process of initial triage, curricular institutionalization, and publisher marketability.
Verne himself was very sensitive to this prerequisite for literary respectability, and he laboriously reworked his compositions time and again to improve their style.
With the advent of structuralist and semiotic literary analysis—along with the competing schools of Marxist socio-critical and Freudian psychoanalytical criticism—the very notion of what comprised “literary-ness” and literarycanons suddenly became the focal-point of intense scholarly attention.
The majority of great works which form the Englishliterarycanon before the emergence of the Romantic movement are from this period.
Regardless of the fact women’s contributions and their fashioning of new genres changed forever the canon of Englishliterature, the consequences of the deliberate suppression of this body of works still reverberates through society.
Until “her-story” is included in the copious “his-tories” that frame our society, women, not only in the writing and academic fields, but from all walks of life, have no knowledge of their forebears or of the traditions they helped to forge.
But Michael’s work, which has become increasingly popular in the West, is only part of a rich array of an Iraqi-Israeli genre that is changing the character of the Israeli literarycanon.
The literary tradition of Iraqi Jews — or Babylonian Jews, as they are sometimes called — dates back to the third century, when Jewish scholars living in present-day Iraq began to pen the Babylonian Talmud.
Yet they faced a literary establishment — composed primarily of Ashkenazic and sabra writers — that was resistant to Mizrahi literature.
To what extent does the anthology solidify and determine the shape of the literarycanon for years to come?).
Feminists have been much concerned to pose certain probing questions related to the concept (and practice) of the literarycanon:
As attempts to address the problem of the canon, at least four different approaches [alternative readings, adding to the canon, developing a counter-canon, and critiquing the notion of the canon] have been suggested and enacted by feminists.
Why has the literarycanon consisted mainly of male writers (and here we should qualify, "of white, middle-class and upper middle-class male writers")?
Is it inevitable that there be a literarycanon, or does the attempt to canonize some writers and exclude others serve an often unacknowledged political purpose?
As attempts to address the problem of the canon, a number of approaches have been suggested and enacted by feminists.
In the future when the historian sifts through the debris of our era, oversaturated with information, once the dross has been cast aside, more than a few of the things that remain will be bound in the covers of The Edwin Mellen Press.
The essays in the collection examine the canonical status of writers such as Joyce, Yeats and Beckett; how postcolonial theory and criticism have reshaped the boundaries of Irish studies; and how women’s writing has challenged canonicity as a concept.
This work explores how new critical approaches to canonical and non-canonical writers might help us to re-evaluate how a writer becomes canonized as well as how these choices affect Irish identity beyond literary circles.
The captains felt it was time to make a few literary settlements where all the ruthless lovers of literature and pirates of the profound could become acquainted.
We thought that a collection of literary campfires would be a great place for one of the best-read internet audiences to get to know one another.
From 6 PM to 12 midnight EST, literary wayfarers often sail on by the Live Literary Lighthouse Chats.
Harrison combines his sense of political commitment with a radical commitment to classical and native literary traditions, engaging closely with the Englishcanon from the 17th to the 20th century.
To study Harrison's texts in their literary and social/historical contexts.
To develop the critical skills necessary to engage with these texts and with the critical (secondary) literature.
Classical literary quotes intermingled with the words of philosophers, artists, scientists, politicians, song-writers, and modern media personalities.
Designed to work with the Compact Classics Book Summaries pages, these tabs divide the Summaries into 10 categories, including: Intro/Index Business & Leadership Personal Effectiveness Quotes & Anecdotes Biographies Literary Classics Modern Literature Health & Fitness Word Power
"Drawing on sources such as the land, the Church, the past, changing politics, and literary styles, Irish writers ranging from W. Yeats, James Joyce, and Augusta Gregory to Roddy Doyle, Kate O'Brien, Colm Toibin, John Banville, and Seamus...
Art Contests, Competitions, Concours, Compétitions(Site not responding. Last check: )
She has already published extensively with two books this year alone including Leaves of Grass, a new edition of Whitman s poetry (Barnes and Noble; 2004), and Intimations of Imitation: Wordsworth s Presence in Whitman s Early Writings, ed.
Works in Progress include the Encyclopedia of American Counterculture, General editor of two volume survey of rebellious and reactionary American art forms, 1607-2004 (M.E. Sharpe, 2006), and also British Women Writers and the American LiteraryCanon.
She has made many scholarly presentations here and abroad including one upcoming at the Wordsworth Conference in Grasmere, England, July 2004.
