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| | Omnidawn |
 | | Most genre fiction, otherwise known as pulp, formula, escapist, and when particularly successful, blockbuster fiction, is commonly perceived as having been written to provide escape, to take readers away from their supposedly boring, overstressed, and/or unrewarding lives to exciting, unusual or improbable settings, events, and/or characters. |
 | | (Although in a broader sense of the word genre, literary fiction is sometimes referred to as a genre unto itself, as poetry and narrative fiction are sometimes referred to as genres.) In the broadest sense of the term, literary fiction is that which has recognized cultural and artistic value. |
 | | Fantasy and science fiction as a capital G genre, meanwhile, has largely been shelved separately from the rest of the culture, in part because of the genre’s mania for self-classification into ever narrower niches (high fantasy versus alternate history, hard science fiction versus space opera, cyberpunk versus steampunk) and in part because of pure snobbery. |
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