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Topic: Liubov Popova

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	Lyubov Popova Summary
		Liubov Sergeevna Popova (1889-1924) was one of the preeminent artists of the Russian and Soviet avant-garde during the early 20th century.
		Although all the time Popova was closely allied with Tatlin's direction--several of her entries in the "0.10" exhibition were constructions similar to Tatlin's three-dimensional counter-reliefs--she was so taken by the radical departure of Malevich's non-objectivism that within a year she had fallen within the Suprematist orbit.
		Popova traveled widely to investigate and learn from diverse styles of painting, but it was the ancient Russian Icons and 15th and 16th century Italian painters, Giotto and others which at first interested her the most.
	www.bookrags.com /Lyubov_Popova (1551 words)

	Liubov Popova - Biography (Site not responding. Last check: 2007-10-25)
		Liubov Sergeyevna Popova was born April 24, 1889 near Moscow.
		Popova traveled widely to investigate and learn from diverse styles of painting, but it was the ancient Russian Icons and 15th and 16th century Italian painters, Giotto and others which at first interested her the most.
		Popova died in Moscow on May 25, 1924 at age 35 when she contracted scarlet fever.
	www.artinthepicture.com /artists/Liubov_Popova/biography.html (404 words)

	LIUBOV' POPOVA
		Liubov' Sergeevna Popova was one of the most talented, prolific, and influential women artists of the Russian avant-garde.
		She was born in the village of Ivanovskoe in Moscow province, in a family of a wealthy and cultured merchant.
		A year before her untimely death, Popova was appointed head of the Design Studio at the First State Textile Print Factory in Moscow.
	www.rollins.edu /Foreign_Lang/Russian/popova.html (651 words)

	Liubov Popova (Site not responding. Last check: 2007-10-25)
		Liubov Popova had a unique painting style which was a combination of cubism, futurism constructivism; often called cubo-futurism.
		Liubov Popova traveled widely to investigate and learn from diverse styles of painting, but it was the ancient Russian Icons and 15th and 16th century Italian painters, Giotto and others which at first interested her the most.
		Popova died in Moscow at age 35 when she contracted scarlet fever.
	www.artinthepicture.com /artists/Liubov_Popova (106 words)

	Kazimir Malevich, Liubov Popova, Olga Rozanova
		In the first place, Popova has left most of the composition of the figure from geometric forms the same; the same is true for most of the geometric forms in the background.
		Popova shows much variety in the radius of curvature of the relief segments: some are gently curved, others are tight cones or arcs.
		Their fairly vertical orientation contrasts with those of Popova, whose semi-circles tend to have a horizontal orientation (although their are Popova paintings such as The Violin, in which the circular arcs are in all directions).
	members.aol.com /MG4273/malevich.htm (5900 words)

	Popova bio (Site not responding. Last check: 2007-10-25)
		Liubov Sergeevna Popova (1889-1924), a well studied, extremely inventive and innovative Russian Avant-Garde trail blazer, lived her life seemingly in a flash by modern standards.
		It contained, according to some scholars, two outright fakes ascribed to Liubov Popova and one dubious picture, badly restored and signed on the front — something Popova never did with her oil paintings.
		In the two paintings on display in the Guggenheim collection, Portrait of a Woman and Birsk from 1915 and 1916 clearly show the direction she was moving in during that time.
	www.pumpingbeat.com /popova.htm (890 words)

	Liubov Popova (1889 - 1924) Artwork Images, Exhibitions, Reviews
		Originally named Liubov Sergeyevna Eding, she was born in Moscow and studied in Paris until the beginning of World War I. Popova met Vladimir Tatlin, father of Soviet Constructivism, when she returned to Russia and his influence was very evident in her paintings from that time period.
		Before her death from scarlet fever t the age of thirty-five, Popova worked in the theatre, designing sets and costumes and also created textile patterns for the First State Textile Factory in Moscow.
		The chronology begins in 1896, the year in which Kandinsky, at the age of thirty (born in Odessa in 1866), with a law degree, married to his cousin Anja Shemjakina, abandoned his academic career and moved toMunich to work exclusively o...
	wwar.com /masters/p/popova-liubov.html (516 words)

	Amazons of the Avant-Garde - Review by Donald Goddard
		Popova spent time in Italy and France in 1910 and 1914 and with Udaltsova studied under Metzinger, Le Fauconnier, and Segonzac in Paris in 1912-13.
		She and her surroundings are everywhere, represented by waves of hair, a hand, steps, and words, and they are resolved in and activated by a structure of arcs and lines that intersect with larger arcs and a narrow vertical triangle down the center of the painting.
		Subsequently, that energy and its structure was transmuted into non-objectivity: Rayism for Larionov and Goncharova; Suprematism for Malevich, paralleled by Rozanova, Exter, Popova, and Udaltsova; and eventually Constructivism for Tatlin, Rodchenko, Exter, Popova, and Stepanova.
	www.newyorkartworld.com /reviews/amazons.html (2506 words)

	Browse by Title - Norton Simon Museum
		In the early twentieth century, avant-garde women artists such as Popova, for the first time in history, became influential forces in directing the course of art.
		The Traveler was painted in 1915, when Popova was already deeply committed to a style of non-objective art.
		The stenciled letters, an inheritance from the Cubist paintings of Braque and Picasso, are traditionally two-dimensional and help to emphasize the flatness of the picture plane.
	www.nortonsimon.org /collections/browse_title.asp?id=M.1967.11.P (125 words)

	Single Russian Women: A Russian woman artist in the twentieth-century art (part 1)
		Liubov Sergeevna Popova (1889-1924) was born in village Ivanovo near Moscow in a merchant's family.
		Popova spent her young years in Yalta, where she learned in a grammar school.
		However, Popova was a Russian woman that had been attached to art of painting since childhood.
	singlerussianwomen.net /rw/Russian-woman-painter-1.htm (398 words)

	ART / 4 / 2DAY
		Popova travelled extensively: in Kiev (1909) she was very impressed by the religious works of Mikhail Vrubel'; in Italy (1910) she admired Renaissance art, especially the paintings of Giotto.
		Liubov Popova was among the most important of these early pioneers.
		Birsk (1916, 106x70cm), one of the few landscapes from this stage of Popova’s career, was begun during a summer visit to the home of her former governess, who lived near the Ural Mountains in the small town of the painting’s title.
	7aujourdhui.ifrance.com /art/art4apr/art0424.html (8781 words)

	Amazon.ca: Liubov Popova: Books: Magdalena Dabrowski,Liubov Sergeevna Popova,N. Y.) Museum of Modern Art (New York (Site not responding. Last check: 2007-10-25)
		As the Bolsheviks were reformulating Russian society in the heady decades at the beginning of this century, a group of young artists were intent on radically altering the look and meaning of art.
		Popova, whose mature career spanned a brief 12 years, was an artistic equal to the better known Tatlin, Rodchenko, and Malevich.
		Little known due to the scarcity of her work in Western collections, Popova's reputation will be enhanced by this thorough and well-illustrated book.
	www.amazon.ca /Liubov-Popova-Magdalena-Dabrowski/dp/0870705687 (315 words)

	Untitled Document
		Liubov Popova worked on a few things in 1920 with the objective of applying the new utilitarian/constructivist ideals to her work.
		Popova could only create Meyerhold's theories(link) of the theatre if she believed in them as well.
		Her basic effort in design was "to transfer the issue from the aesthetic to the productivist dimension [and to present] the organization of the material elements of the spectacle as an apparatus, a kind of installation or contrivance for the given action."(Baer 78)
	newmedia.cgu.edu /stageart/holland/inflnew.html (770 words)

	Guggenheim Collection - Artist - Popova - Biography
		Liubov Popova was born April 24, 1889, near Moscow.
		In her work of 1912 to 1915, Popova was concerned with Cubist form and the representation of movement; after 1915, her nonrepresentational style revealed the influence of icon painting.
		In 1916, Popova joined the Supremus group, which was organized by Kazimir Malevich.
	www.guggenheimcollection.org /site/artist_bio_131.html (344 words)

	Elibron: Title Info Page (Site not responding. Last check: 2007-10-25)
		Liubov Popova enormously influenced the Russian and Soviet avant-garde through her evolving painting style, writing, and stage design.
		Born into a wealthy and cultured family of textile merchants, Popova's privilege afforded her extensive travel and study throughout Europe, where she became influenced by a variety of styles, from icon painting to cubism to futurism.
		Although her first paintings are clear allusions to Cezanne, Popova would soon take up the banner of Malevich's suprematist "architectonics," filling her canvasses with colorful, overlapping planar forms.
	www.elibron.com /english/other/img_detail.phtml?msg_id=56912 (180 words)

	Liubov Popova: Art Into Life - Jason Edward Kaufman
		Though Liubov Popova died at thirty-five after a brief twelve-year career, the artist remains the most prominent Soviet woman of the early Modern avant-garde.
		With the recent resurgence of interest in the art of that period, examples of her work have trickled into surveys in the West.
		Liubov Sergeevna Popova (1889-1924) was born near Moscow to a wealthy czarist Russian family.
	www.worldandi.com /specialreport/1991/august/Sa18625.htm (219 words)

	Amazon.com: Liubov Popova: Books: Magdalena Dabrowski,Liubov Sergeevna Popova,N. Y.) Museum of Modern Art (New York (Site not responding. Last check: 2007-10-25)
		As the Bolsheviks were reformulating Russian society in the heady decades at the beginning of this century, a group of young artists were intent on radically altering the look and meaning of art.
		Popova, whose mature career spanned a brief 12 years, was an artistic equal to the better known Tatlin, Rodchenko, and Malevich.
		Little known due to the scarcity of her work in Western collections, Popova's reputation will be enhanced by this thorough and well-illustrated book.
	www.amazon.com /Liubov-Popova-Magdalena-Dabrowski/dp/0870705687 (761 words)

	ART :: Liubov Popova :: Oil painting reproductions, online art gallery, famous art paintings, custom framed art, canvas ...
		Popova was born in the village of Ivanovskoe in Moscow province, in a family of a wealthy and cultured merchant.
		After returning to Moscow in 1913, she became interested in Futurism.
		The artist's fascination with construction allowed her to join other constructivists in absolute rejection of easel painting.
	www.1artclub.com /biogart-artist-180-6-1.htm (183 words)

	Amazons of the Avant-Garde: Alexandra Exter, Natalia Goncharova, Liubov Popova, Olga Rozanova, Varvara Stepanova, and ... (Site not responding. Last check: 2007-10-25)
		Some of the most outstanding exhibitions organized by the Solomon R. Guggenheim Museum have been those that have presented the art of the Russian avant-garde.
		In Amazons of the Avant-Garde: Alexandra Exter, Natalia Goncharova, Liubov Popova, Olga Rozanova, Varvara Stepanova, and Nadezhda Udaltsova the work o six legendary Russian women artists is poignantly explored, offering a refreshing look at this important period of art.
		Celebrating the vital role that each artist played in the formation of the radical art of the Russian avant-garde, the book looks at the evolution of the Russian painting from the 1900's through the early 1920's.
	www.artbook.com /0892072717.html (234 words)

	Popova by Dmitri V. Sarabianov, Marian Schwartz (Translator), Natalia L. Adaskina - Used, New, & Out-of-Print - ...
		Popova by Dmitri V. Sarabianov, Marian Schwartz (Translator), Natalia L. Adaskina - Used, New, and Out-of-Print - Alibris
		Liubov Popova was a Russian constructivist who traveled to Paris in 1912 at the height of the cubist movement.
		During the next twelve years she was active in the avant-garde of Paris until her premature death in 1924 at age 35.
	www.alibris.com /search/books/qwork/5234833/used/Popova (568 words)

	Amazons of the Avant-Garde: Alexandra Exter, Natalia Goncharova, Liubov Popova, Olga Rozanova, Varvara Stepanova, - ...
		The exhibition focuses on the work of six Russian women who, in the first quarter of the twentieth century, made significant contributions to the development of modern art: Alexandra Exter, Natalia Goncharova, Liubov Popova, Olga Rozanova, Varvara Stepanova, and Nadezhda Udaltsova.
		Moreover, Russian modernism was inherently non-hierarchical, with many artists exploring ideas in painting at the same time they were involved with design for the applied arts, theater, film, fashion, and the graphic arts.
		Exter, Goncharova, Popova, Rozanova, Stepanova, and Udaltsova did not necessarily formulate or champion the same social and political ideologies.
	www.absolutearts.com /artsnews/2000/09/09/27424.html (769 words)

	Liubov Popova Online
		Original works by Liubov Popova available for purchase at art galleries worldwide
		Fine art posters are a huge, huge bargain, so don't worry about spending more for the frame than the poster.
		All images and text on this Liubov Popova page are copyright 2007 by John Malyon/Artcyclopedia, unless otherwise noted.
	www.artcyclopedia.com /artists/popova_liubov.html (167 words)

	Lyubov Popova information - Search.com
		Through a synthesis if disparate tendencies Popova worked towards the culminating painterly arcitectonics.
		Exploring firstly an impressionist style, by 1913, in Composition with Figures, she is experimenting with the particularly Russian development of Cubo-Futurism; a fusion of two equal influences from France and Italy.
		By 1918 colour is used as an iconic focus; the bright colour at the centre drawing the outer shapes together.
	www.search.com /reference/Liubov_Popova (640 words)

	Liubov Popova on artnet
		Find works of art, auction results & sale prices of artist Liubov Popova at galleries and auctions worldwide.
		Liubov Popova, Museum of Modern Art New York, NY
		Liubov Popova, Los Angeles County Museum Los Angeles, CA
	www.artnet.com /artist/553696/liubov-popova.html (148 words)

	Liubov Popova artist and art...the-artists.org
		Current Estimated Prices of Popova's artworks, exhibition history, auction results and upcoming auctions.
		According to essayist John Kelsey, Albert Oehlen's collage-paintings "seem almost bored of their own shock-value." And yet this artist, one of the most significant German painters of the past 20 years, can make boredom look like a rigorous, if not delirious experiment.
		Also featured: Spencer Finch, Gelitin and Mark Wallinger, as well as essayists Paul Bonaventura, Mark Godfrey, Glenn O'Brien, Katy Siegel, Liubov Popova, Andrea Scott and Pamela Lee, to name a few
	www.the-artists.org /ArtistView.cfm?id=239B63CA-C5CF-11D4-A93800D0B7069B40 (541 words)

	Halfvalue.com Books: Popova, Liubov
		Amazons of the Avant Garde: Alexandra Exter, Natalia Goncharova, Liubov Popova, Olga Rozanova, Varvara Stepanova, Nadezhda Udaltsova (Guggenheim Museum Publications)
		[Liubov] Sarabianov, Dimitri V. and Adaskina, Natalia L. [Popova]
		Find thousands of New and Used Popova, Liubov Books at cheap prices from hundreds of online sellers and dozens of Popova, Liubov book stores all over the internet.
	www.halfvalue.com /booksHome.jsp?node=67994 (173 words)

	Spymac.com :: Galleries :: Community :: Art and design :: Artwork :: Other :: For Liubov Popova, 2005 (Site not responding. Last check: 2007-10-25)
		Home :: Galleries :: Community :: Art and design :: Artwork :: Other :: For Liubov Popova, 2005
		Treat your friends as you do your pictures, and place them in their best light.
		The title is "For Liubov Popova, 2005" by Dale Frank.
	www.spymac.com /galleries/show_photo.php?picid=480341 (130 words)

	Book: Amazons of the Avant-Garde: Alexandra Exter, Natalia Goncharova, Liubov Popova, Olga Rozanova, Varvara Stepanova, ...
		Amazons of the Avant-Garde: Alexandra Exter, Natalia Goncharova, Liubov Popova, Olga Rozanova, Varvara Stepanova, and Nadezhda Udaltsova
		By: Alexandra Exter, Natalia Goncharova, Liubov Popova, Olga Rozanova, Varvara Stepanova, Nadezhda Udaltsova, John Bowlt, Matthew Drutt and John E. Bowlt
		No guarantees are made as to accuracy of prices and information.
	www.usingenglish.com /amazon/us/0892072717.html (123 words)

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