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Topic: Lodovico Zacconi

	Lodovico Zacconi -- Encyclopædia Britannica
		Zacconi became a priest, later an Augustinian, and studied music with Andrea Gabrieli in Venice, where he was musical director for his order.
		Italian painter and printmaker Lodovico Carracci was noted for his religious compositions and for the art academy he helped found in Bologna in about 1585.
		Michelangelo di Lodovico Buonarroti Simoni was born on March 6, 1475.
	www.britannica.com /eb/article-9078184?tocId=9078184 (498 words)

	Revisiting Seventeenth-Century Counterpoint (Site not responding. Last check: 2007-10-29)
		Aside from the advocates of modern music such as Galilei and Scacchi, even those generally regarded as conservatives, such as Zacconi and Penna, instruct their readers in contrapuntal procedures that allow for virtuosic melodic writing and the expression of affect.
		Zacconi, along with Cerreto (1601) and others, place new emphasis on improvised counterpoint describing a singing tradition that becomes important for composers of monody and small-ensemble genres in the seventeenth century.
		In a later musica prattica treatise, Li primi albori musicali (1672, 1684), Lorenzo Penna instructs that even the use of the basso continuo should be based on the knowledge of counterpoint.
	www.smcm.edu /users/ykang/sscm.htm (431 words)

	COUNTERPOINT FACTS AND INFORMATION
		The late 16th_century Venetian theorist Zarlino elaborated on the idea in his influential ''Le institutioni harmoniche'', and it was first presented in a codified form in 1619 by Lodovico_Zacconi in his ''Prattica di musica''.
		Zacconi, unlike later theorists, included a few extra contrapuntal techniques as species, for example invertible_counterpoint.
		By far the most famous pedagogue to use the term, and the one who made it famous, was Johann_Fux.
	www.beatlesfacts.com /counterpoint (1951 words)

	Counterpoint (Site not responding. Last check: 2007-10-29)
		The late 16th century Venetian theorist Zarlino elaborated on the idea in his influential Le institutioni harmoniche, and it was first presented in a codified form in 1619 by Lodovico Zacconi in his Prattica di musica.
		Zacconi, unlike later theorists, included a few extra contrapuntal techniques as species, for example invertible counterpoint.
		By far the most famous pedagogue to use the term, and the one who made it famous, was Johann Fux.
	www.toshare.info /en/Species_counterpoint.htm (1976 words)

	Musicologie -
		I shall present a systematic study of canonised psalmtones in the magnificat, drawing on examples from Clemens non Papa to Sebastian Aguilera de Heredia whose five-part cycle ‘octo tonorum’ (1618) exploits canonical techniques to the extreme, presenting a canon at the interval corresponding to the number of the tone.
		Some sixty years later we find another contrasting pair of theorists, Lodovico Zacconi, whose collection of ‘Canoni musicali’ remained in manuscript, and Giovanni Battista Rossi (Organo de cantori, 1618), who vents his resentment at composers whose enigmatic inscriptions cannot be deciphered.
		Zacconi has three categories: the ‘antichi’ (the Josquin generation), the ‘vecchi’ (the Willaert generation), and the ‘moderni’ (of his own age).
	www.arts.kuleuven.be /akm/musicologie/canonconference/abstracts.htm (6598 words)

	The Good Shepherd Institute: Pastoral Theology and Sacred Music for the Church
		But the organist Gioseffo Guami, related to the school of Venetian organists, was for a time in Munich and thus became a missionary of the art he had acquired in Venice.
		Lodovico Zacconi, the most interesting and learned theorist after Zarlino, should by no means be overlooked.
		Ivo de Vento, Netherlander by birth and an offspring of the Willaert School, was organist at the court of Munich; unfortunately, no organ composition of his has been preserved.
	www.goodshepherdinstitute.org /musical-heritage/volume/2/venetian-organ.php (6133 words)

	New Page 2
		In 1602, Zacconi’s remarks were echoed by Giulio Caccini (1546-1618), the most famous singer and voice teacher of his time.
		Numerous later authors followed Zacconi and Caccini in their preference for a full, bright voice quality, well suited to the large theatres and virtuosic demands of operatic singing (Stark 1999, 194-197).
		Caccini and his large number of celebrated pupils and disciples played a major role in establishing what is often referred to as "the old Italian school of singing" (Stark 1999, 190-197).
	www.med.rug.nl /pas/Conf_contrib/Stark/Stark_keynote.htm (6379 words)

	Lodovico Zacconi - TheBestLinks.com - Austria, Baroque music, Counterpoint, Italy, ... (Site not responding. Last check: 2007-10-29)
		Lodovico Zacconi - TheBestLinks.com - Austria, Baroque music, Counterpoint, Italy,...
		Lodovico Zacconi, Austria, Baroque music, Counterpoint, Italy, Renaissance...
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	www.thebestlinks.com /Lodovico_Zacconi.html (275 words)

	Lodovico de Varthema -- Encyclopædia Britannica
		He made significant discoveries (especially in Arabia) and made many valuable observations of the peoples he visited; his ready wit enabled…
		"Varthema, Lodovico de." Encyclopædia Britannica from Encyclopædia Britannica Premium Service.
		More results on "Lodovico de Varthema" when you join.
	www.britannica.com /eb/article-9074867 (681 words)

	wikien.info: Main_Page (Site not responding. Last check: 2007-10-29)
		Late in his career he also became famous also as a teacher.
		Prominent among his students were his nephew Giovanni Gabrieli; the music theorist Lodovico Zacconi; Hans Leo Hassler, who carried the concertato style to Germany; and many others.
		The date and circumstances of his death are not known, but since his position at St. Mark's was filled at the end of 1586, and a large amount of his music was published posthumously in 1587, it is presumed that he died in 1586.
	teknoworld.info /index.php?title=Andrea_Gabrieli (690 words)

	All about music
		Nicola Amati, the eminant of all the Amati family is born.
		Lodovico Zacconi:"Practtica di musica,"reprinted from the original edition.
		Elias Nikolaus Ammerbach German composer and organist dies.
	www.freewebs.com /jurongvillechoir/MusicInfo7.html (326 words)

	Other News and Events
		Sordun is the German name for the instrument (French: sourdine; Italian: sordone).
		Lodovico Zacconi mentioned the sordun in Prattica di musica, 1592, where he wrote that they sound like corna musen and do not produce notes beyond their normal range.
		They can, however, be induced to overblow a twelfth like a clarinet which can extend the range upward by a third or more.
	www.emgo.org /other.htm (10132 words)

	Web-MC assignments
		Con il Basso continuo per sonar nel Organo Nova inventione commoda per ogni sorte de Cantore, and per gli Organisti di Lodovico Viadana Opera Duodecima, Venetia: Apresso Giacomo Vincenti, 1602, and it contains twelve rules on this new art.
		It may be found in its original form and in translation in F.T. Arnold’s The Art of Accompaniment from a Thorough-bass, London: Oxford University Press, 1931, pp.
		Sinfonie Musicali à 8 voci di Lodovico Viadana.
	mus5711-01.su00.fsu.edu /assignments.html (12504 words)

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