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| | The Kinks |
 | | The song was 'Lola', the subject matter was the protagonist's brief acquaintance and flirt with a travestite, the melody was incredibly involving and memorable, the bombastic chorus ('lo-lo-lo-lo-lo-Lola') became the Kinks' arena signature, and the single was one of their biggest international smashes, reinstating them as major artists in the USA as well. |
 | | Not that this particular concept is that entertaining, as well; Lola is the far precursor to Ray's childish operas of the mid-Seventies that managed to significantly profanate his reputation as that of one of the most intellectual songwriters of his generation. |
 | | Moreover, Lola seems highly hypocritic: even if Ray was an expert in the matter, having gone through a lot of commercial trouble himself, by now the band were forming a part of the musical business themselves, so going out and bashing it on the record was a highly strange thing to do. |
| www.geocities.com /gstarst/kinks.htm (17978 words) |
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