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	Lorenzo di Credi - Wikipedia NL
		Lorenzo di Credi (1459 - 1537) was een Italiaans schilder geboren onder de naam Lorenzo di Barducci.
		Di Credi was aan het begin van zijn carrière leerling bij de goudsmid Credi, aan wie hij zijn naam heeft ontleend.
		Di Credi was vooral schilder van religieuze werken en portretten.
	nl.wikipedia.org /wiki/Lorenzo_di_Credi (293 words)

	CREDI, LORENZO DI (1459-1537) - Online Information article about CREDI, LORENZO DI (1459-1537)
		CREDI, LORENZO DI (1459-1537), Italian artist, whose surname was Barducci, was born at Florence.
		Credi's faces disclose a smiling beatitude; his pigments have the polish of enamel.
		Credi often repeated himself in Perugino's way; but being of a pious and resigned spirit, he generally embodied in his pictures a feeling which is yielding and gentle to the verge of coldness.
	encyclopedia.jrank.org /COR_CRE/CREDI_LORENZO_DI_1459_1537_.html (466 words)

	Lorenzo di Credi Online
		Lorenzo di Credi at the Louvre Museum, Paris
		Lorenzo di Credi at the National Gallery of Art, Washington D.C. Madonna and Child with a Pomegranate, 1475/80
		Lorenzo di Credi at the National Gallery, London, UK The Virgin adoring the Child
	www.artcyclopedia.com /artists/lorenzo_di_credi.html (247 words)

	Lorenzo di Credi - Biography (Site not responding. Last check: 2007-10-20)
		Though not a very original painter, Lorenzo was technically proficient, with the result that the meticulously detailed, enamel-like surfaces of his pictures are, as a rule, better preserved than are the works of his teacher or his fellow pupils.
		Lorenzo continued Verrocchio's style well into the sixteenth century, and the commissions he received were, accordingly, conservative in character, and mainly for half-length devotional pictures and altarpieces.
		Lorenzo painted very few secular works, but he was sought after as a portraitist; among his finest works is a series of keenly observant metalpoint drawings of the heads of men, women, and children.
	www.bonus.com /contour/national_gallery/http@@/www.nga.gov/cgi-bin/pbio?6760 (210 words)

	A History of Painting, Volume I, Renaissance in Central Italy
		Lorenzo di Credi neither revealed a personal vision nor won to great accomplishment in craftsmanship-his feeling for form and his powers in uttering colour were neither remarkable nor vigorous nor subtle.
		Di Credi assisted his master Verrocchio in the painting of the large The Madonna with Two Saints which stands in Pistoia Cathedral.
		GIOVANNI ANTONIO SOGLIANI (1492-1544) was a pupil and imitator of Lorenzo di Credi.
	www.historypainting.com /historie_34.html (413 words)

	ARTNEWS (Site not responding. Last check: 2007-10-20)
		A drawing representing the head of a shepherd with a crown of laurels by Lorenzo di Credi (1456 or 1459-1537) smashed its estimate of between 2 and 3 million French francs to fetch 13,500 000 FF (US $ 1,805 million) at Drouot on March 23rd 2001.
		In exceptional condition, the di Credi drawing was probably a sketch made for the 1500 painting titled “The Adoration of the Shepherds” as it corresponds with the shepherd placed on the left of that work.
		Di Credi was a pupil of Verrocchio and his drawing came from a family that had kept it since its purchase in 1860 in Paris.
	www.artcult.com /na158.html (423 words)

	Philadelphia Museum of Art
		Measuring nearly five and a half feet tall, Lorenzo di Credi's Venus (about 1490) was lost for several centuries until the mid-1800s, when the painting was found in a back room of a villa once belonging to the wealthy Medici family, the one-time rulers of Florence.
		Lorenzo di Credi was a prominent member of the artistic community in Florence around the turn of the 16th century.
		In Lorenzo's version, the flowing locks of the young woman's hair are replaced with a diaphanous scarf.
	www.philamuseum.org /information/pr/010906.shtml (923 words)

	credi (Site not responding. Last check: 2007-10-20)
		Lorenzo di Credi - Rijksmuseum Lorenzo di Credi (1457-1536) was a key figure in the art world of Florence.
		Lorenzo di Credi on Encyclopedia.com Lorenzo di Credi lorentso de krede, 1459-1537, Florentine painter.
		Lorenzo di Credi Lorenzo di Credi, 14591537, Florentine painter.
	money.home-businessguide.com /credi.htm (642 words)

	Lorenzo di Credi
		He was consulted on most occasions when the opinion of his profession was required on public grounds, for example in 1491 as to the fronting, and in 1498 as to the lantern of the Florentine cathedral, in 1504 as to the place due to Michelangelo 's David.
		Credi rivalled Fra Bartolommeo in his attachment to Girolamo Savonarola ; but he felt no inclination for the retirement of a monastery.
		Still, in his old age, and after he had outlived the perils of the siege of Florence (1527), he withdrew on an annuity into the hospital of Santa Maria Nuova, where he died.
	www.nndb.com /people/292/000096004 (405 words)

	Credi, Lorenzo di - Hutchinson encyclopedia article about Credi, Lorenzo di (Site not responding. Last check: 2007-10-20)
		He burnt some of his pictures during the ‘bonfire of vanities’ in 1497 led by the religious reformer Girolamo Savonarola.
		Credi's works include The Nativity (Accademia, Florence);; The Virgin and Child (National Gallery, London); and The Holy Family (National Gallery of Scotland, Edinburgh).
		This information should not be considered complete, up to date, and is not intended to be used in place of a visit, consultation, or advice of a legal, medical, or any other professional.
	encyclopedia.farlex.com /Credi,%20Lorenzo%20di (179 words)

	CATHOLIC ENCYCLOPEDIA: Lorenzo di Credi
		He was a pupil first of the goldsmith Credi, from whom he took his name, and then of the sculptor Verrocchio, having as fellow-pupils Perugino and Leonardo da Vinci.
		Di Credi was a devout follower of Savonarola and a man of deeply religious character.
		He died at the age of seventy-eight in his own house in Florence, near Santa Maria Nuova, and was buried in San Pietro Maggiore.
	www.newadvent.org /cathen/04476b.htm (379 words)

	Lorenzo di Credi (Getty Museum) (Site not responding. Last check: 2007-10-20)
		As head of one of Florence's largest painting workshops, Lorenzo di Credi was a prominent member of the city's artistic life.
		A goldsmith's son, by 1476 Lorenzo was working in Andrea del Verrocchio's workshop, where he created small panels of the Virgin and Child and saints at prayer.
		When Verrocchio left Florence for Venice in 1480, Lorenzo was serving as his chief assistant; and when Verrocchio died in 1488, Lorenzo was his heir and executor.
	www.getty.edu /art/collections/bio/a3258-1.html (173 words)

	::L'Opera:: (Site not responding. Last check: 2007-10-20)
		Si legge: Nella nota fidecommissaria è assegnato a Lorenzo di Credi e senza alcun dubbio giunse fino al 1888 in cui cominciarono osservazioni più studiate e confronti e pareri diversi fra critici in riguardo alla forza del colore e robusto chiaroscuro insoliti rinvenirsi nelle opere del Credi.
		Negli anni in cui il giovane Baccio, futuro Fra’ Bartolomeo, frequentava la bottega di Verrocchio, il massimo responsabile era Lorenzo di Credi, con ogni probabilità già dall’ aprile del 1486, quando il Verrocchio lasciò Firenze per occuparsi del monumento equestre di Bartolomeo Colleoni a Venezia dove sarebbe morto (1488).
		In quest’ultimo dipinto, sicuramente di Lorenzo Credi, la composizione è in controparte rispetto a Monaco, ma doveva essere molto ammirata a Firenze, dal momento che se ne conoscono diverse varianti contemporanee e alcune copie (Fahy ne enumera cinque).
	www.ilrestaurodeltondo.it /ilTondo_2.htm (415 words)

	AllRefer.com - Lorenzo di Credi (European Art To 1599, Biography) - Encyclopedia
		Lorenzo di Credi, European Art To 1599, Biographies
		Lorenzo di Credi [l O ren´ts O d E kre´d E ] Pronunciation Key, 1459–1537, Florentine painter.
		He spent his early years in the workshop of Verrocchio, whom he assisted in the painting of an altarpiece at the Cathedral of Pistoia.
	reference.allrefer.com /encyclopedia/L/Lorenzodi.html (206 words)

	Adoration of the Shepherds by LORENZO DI CREDI
		The absence of any emotional involvement may be due to the fact that at the end of his life Lorenzo di Credi was a disciple of Savonarola.
		The figures in his paintings, as in this case, have serious, meditative expressions, are charged with an inner gloom which the painter mitigates only with that small amount of grace allowed in the church ceremony.
		St Joseph, leaning on his staff, looks wistfully at the scene, and a shepherd holding a lamb looks to be distracted by something else.
	www.wga.hu /html/l/lorenzo/credi/shepherd.html (158 words)

	Credi, Lorenzo di on Encyclopedia.com (Site not responding. Last check: 2007-10-20)
		Leonardo and drapery studies on 'tela sottilissima di lino'.(Critical Essay)
		Fact, Fiction, Hearsay: Notes on Vasari's Life of Piero di Cosimo.
		Dante as piagnone prophet: Girolamo Benivieni's "Cantico in laude di Dante" (1506).(Dante Alighieri)(paradise, politics, and poetry)(Critical Essay)
	www.encyclopedia.com /html/X/X-C1redi-L1o.asp (285 words)

	An Angel Brings the Holy Communion to Mary Magdalen by LORENZO DI CREDI
		These two events in the life of the Saint are often linked together by painters as in the portrayal by the young Antonio Pollaiolo, whose altarpiece in the church at Staggia was the model for Credi's panel.
		This painting is a fine example of Lorenzo's late period.
		By this time the art of Credi is a conservative phenomenon in Florence, and his works were often characterized by the mechanical employment of often repeated stereotypes.
	www.wga.hu /html/l/lorenzo/credi/communio.html (176 words)

	artists illustrating boys fashions: nationalities -- Italy
		Figure 1.--This unnamed youth was painted by Lorenzo di Credi.
		He was born as Alessandro di Mariano Filipepi in Florence.
		Lorenzo di Credi was a Florantine painter of the Florentine school.
	histclo.com /art/nat/anat-ita.html (1039 words)

	Lorenzo di Credi (Site not responding. Last check: 2007-10-20)
		Lorenzo di Credi, 1459 –; 1537, Florentine painter.
		Credi, Lorenzo di - Credi, Lorenzo di: see Lorenzo di Credi.
		Credi, Lorenzo di (1458-1537) (The Hutchinson Dictionary of the Arts)
	www.infoplease.com /cgi-bin/id/CE031256.html (252 words)

	Querini Stampalia - virtual gallery (Site not responding. Last check: 2007-10-20)
		Tradizionalmente attribuito al Montagna e al Fogolino, il dipinto é stato riferito a Lorenzo di Credi per la prima volta dall'inventario giudiziale del 1869 e tale attribuzione è stata sempre confermata dalla critica seguente.
		Si tratta di uno dei più puri e rarefatti dipinti di Lorenzo, sia per il timbro di colore e la qualità della luce, che per la sintesi della composizione: poche figure modulate secondo il motivo circolare in un limpido paesaggio fantastico lontanamente per vie tortuose e specchi d'acqua.
		Il Bambino segue la tipologia di quelli dei disegni degli Uffizi, con l'atteggiamento lezioso del dito che cerca il nasino che si ritrova analogo in una versione dell'Accademia di Firenze.
	www.provincia.venezia.it /querini/gallery/Pages/antichi/diCredi.htm (221 words)

	Worcester Art Museum - A Miracle of Saint Donato of Arezzo
		Toward the end of the fifteenth century, Lorenzo di Credi began his career in Florence, which had become the leading center of painting in Italy.
		Among those working with him in the workshop of the Florentine artist Verrocchio was Leonardo da Vinci, to whom is attributed an Annunciation (now at the Louvre, Paris) similar in size to Lorenzo's painting.
		These panels once formed part of a predella, or lower portion of an altarpiece, made for the cathedral of Pistoia in central Italy.
	www.worcesterart.org /Collection/European/1940.29.html (163 words)

	Lorenzo di Credi (Site not responding. Last check: 2007-10-20)
		Lorenzo di Credi, whose workshop produced dozens of devotional paintings for wealthy Florentine homes during the blossoming years of the Italian Renaissance, first trained as a goldsmith.
		The sweet faces of the figures, their devout manner, and the sharp separation between foreground and background provided by the artist's placement of the group within a dense botanical setting combine to form immediately recognizable elements typical of di Credi's workshop.
		In Madonna and Child with the Infant St. John and Two Angels, the figures are presented as an ideal and miraculous vision but, at the same time, with great immediacy through the use of bright colors, lush textures, and realistic detail.
	www.joslyn.org /permcol/euro/pages/dicredi.html (245 words)

	Madonna and Child (Getty Museum) (Site not responding. Last check: 2007-10-20)
		An artist in Lorenzo de Credi's large workshop probably made this painting under the master's direction, adapting elements from various other paintings.
		The apprentice or journeyman took the composition from an altarpiece begun by another artist and finished by Lorenzo.
		The anonymous artist adopted Leonardo da Vinci's early color scheme of delicate light blue, red, and pale violet for the Madonna's garments.
	www.getty.edu /art/collections/objects/o598.html (131 words)

	Lorenzo Di Credi Artworks and Fine Art at arthistorynet.com
		Portrait of a Young Woman Lorenzo di Credi (Lorenzo d"Andrea d"Oderigo) (Italian, Florentine, 1459-60—1537)Oil on
		Lorenzo di Credi, Italian, 1459(?)—1537 Head of a Youth about 1500 Silverpoint, heightened with white,
		LORENZO DI CREDI LORENZO DI CREDI Italian painter, Florentine school (b.
	www.absolutearts.com /masters/l/lorenzo_di_credi.html (119 words)

	Lorenzo di Credi
		Credi, Lorenzo di (The Columbia Encyclopedia, Sixth Edition)
		Leonardo and drapery studies on 'tela sottilissima di lino'.(Critical Essay) (Apollo)
		Dante as piagnone prophet: Girolamo Benivieni's "Cantico in laude di Dante" (1506).(Dante Alighieri)(paradise, politics, and poetry)(Critical Essay) (Renaissance Quarterly)
	www.infoplease.com /ce6/people/A0830313.html (242 words)

	MSN Encarta - Search Results - Credi Lorenzo di (Site not responding. Last check: 2007-10-20)
		MSN Encarta - Search Results - Credi Lorenzo di
		Verrocchio, Andrea del, real name Andrea di Michele di Francesco di Cioni (1435-1488), Florentine sculptor and painter, who is ranked second only to...
		Piero di Cosimo, real name Piero di Lorenzo (1462-1521), Italian painter of religious works and imaginative mythological scenes.
	uk.encarta.msn.com /Credi_Lorenzo_di.html (100 words)

	Bed & Breakfast Fiera Milano - Bed & Breakfast - Milan - Lombardia
		The BandB is situated in Via Lorenzo Di Credi, at number 9.
		Following the street, cross Piazzale Crivellone, and you reach Via Lorenzo Di Credi, where the BandB is situated at number 9.
		When you reach Piazzale Breascia, there is a petrol pump on your right, where Via Lorenzo di Credi begins.
	www.italyby.com /fieramilano/pages/reach.htm (308 words)

	Leonardo da Vinci - Apprenticeship
		Verrocchio was fascinated by the drawings of the young Leonardo and so he gave him a place in his workshop.
		Leonardo worked at the workshop of Verrocchio with some other famous artists like Botticelli, Perugino and Lorenzo di Credi.
		This picture from Lorenzo di Credi shows Andrea del Verrocchio.
	www.kausal.com /leonardo/apprenticeship.html (212 words)

	LORENZO DI CREDI Fine Art Artist: Artists' art auction database + Biography (Site not responding. Last check: 2007-10-20)
		CREDI di Lorenzo - DI ANDREA D'ODERIGO Lorenzo - ANDREA D'ODERIGO di Lorenzo
		More details, updated results and all prices at art auction for DI CREDI
		DI CREDI LORENZO last works at auction : (updated: 12-janv-2005)
	www.auction-research.com /artists/LORENZO_DI_CREDI.htm (188 words)

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