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| | The Critical Reception of Lorraine Hansberry's A Raisin in the Sun |
 | | Hansberry's solution to the apparent paradox--that particularity and universality are not static, contradictory opposites--suggested that the fishbowl's glass does not exist (or at least that the glass is an unstable illusion), that fls are not intrinsically collectable, nor are whites necessarily immune from being collected. |
 | | The misquote appeared to resolve the paradox (by using Hansberry's authority as the writer and as a "Negro" to "prove" the universalist interpretation and "discredit" the particularist position), but in fact it merely maintained it by erasing the possibility of a fluid relationship between the universal and the particular. |
 | | Lorraine Hansberry, quoted in Nan Robertson, "Dramatist Against Odds," New York Times, 8 March 1959 (In file, "A Raisin in the Sun," New York Public Library, Schomburg Collection); quoted in Doris E. Abramson, Negro Playwrights in the American Theatre, 1925-1959, New York: Columbia University Press, 1967, 240. |
| www.people.fas.harvard.edu /~rbernst/hansberry.html (4490 words) |
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