| | Continuing codec capers (continued) - 12/1/2000 - CommVerge (Site not responding. Last check: 2007-10-29) |
 | | The first installment in this project, September's "Codec capers," benchmarked various lossless audio-compression algorithms and provided a sneak peek at lossy compression. |
 | | This decision meant that for nearly all of the frames of time-to-frequency-transformed information—each several hundreds or several thousands of samples long—the encoder was able to devote all of the available compressed audio bits to just that frequency, dramatically simplifying its job as compared to real-life, multifrequency music. |
 | | However, when I find that one codec sounds particularly better or worse at a given bit rate, I won't be shy about mentioning it (especially given my newfound confidence in my ears, which are apparently more gold and less tin than I previously believed—see the sidebar "Don't consume(r) the water(mark)"). |
| www.edn.com /article/CA55481.html (3586 words) |