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Topic: Love (Cult album)

	The Cult - Wikipedia, the free encyclopedia
		Death Cult existed on the fringes of the Gothic scene in London, and originally consisted of Ian Astbury (vocals), Billy Duffy (guitar), Jamie Stewart (bass) and Raymond Taylor Smith (aka Ray Mondo) (drums), the latter two having come from the Harrow, London based post punk band Ritual.
		The Cult entered Jacob Studios in London in July and August 1985 to cut their second album, which became the 'Love' album (UK#3).
		The Cult were sued again, this time for $61.000.000 by the mother of the Native American boy pictured on the cover of Ceremony, for alleged exploitation.
	en.wikipedia.org /wiki/The_Cult_(band) (3882 words)

	Lie: The Love & Terror Cult - Wikipedia, the free encyclopedia
		Lie: The Love and Terror Cult is an album by Charles Manson.
		Is it worth pointing out that the Beach Boys' version does include significant changes (including a bridge that wasn't part of Manson's version, and changing the line "Cease to exist" to "Cease to resist", which does alter the meaning of the song).
		All proceeds from the current version of the album, released by Awareness Records, are donated to a California fund for victims of violent crime.
	en.wikipedia.org /wiki/Lie_(album) (413 words)

	The Cult Web - Pure Cult: The Single 1984 - 1995
		Love is fairly gentle, compared to the expectations of a heavy sound from the Cult.
		The opening songs on Cult albums serve the same purpose as the liner note for Ziggy Stardust (and the Cure's Disintegration and the title onscreen at the beginning of The Last Waltz): turn your stereo up as loud as you can stand.
		On the album's cover Duffy strikes a guitar hero pose and in the background Astbury dripping with sweat at a concert seemingly throws his head back and triumphantly puts his fist in the air.
	www.thecultweb.com /purecultsingles.htm (2150 words)

	VH1.com : The Cult : Biography (Site not responding. Last check: 2007-11-02)
		Death Cult released an eponymous EP in the summer of 1983; on the EP, Astbury reverted back to his given name.
		Where both Southern Death Cult and Death Cult had been overtly influenced by post-punk, the Cult was a heavy hard rock band with slight psychedelic flourishes.
		For their third album, the Cult shuffled its lineup -- Stewart moved to rhythm guitar, while former Zodiac Mindwarp bassist Kid Chaos joined the lineup -- and hired Rick Rubin as producer and the result, Electric, was their hardest, heaviest record to date.
	www.vh1.com /artists/az/cult_the/bio.jhtml (908 words)

	Splendid: Departments: The Essential Albums
		Love is arguably The Cult's best album, but it's often overshadowed by the differences between it and the music on the band's breakthrough albums, Electric and Sonic Temple.
		Each album's title is a propos -- Love is a gothic, psychedelic, melodic album, whereas the words "electric" and "sonic" are apt descriptions of the band's later work.
		Even listeners who do not own (or have never heard) Love have undoubtedly heard "She Sells Sanctuary", the album's most popular cut -- it finds its way onto all the edgier eighties compilations, and lately seems to be licensed for a new TV commercial every few months.
	www.splendidezine.com /departments/essential/ea50205.html (654 words)

	M-Files "Arthur Lee & Love" (Site not responding. Last check: 2007-11-02)
		Love, on the other hand, were already known for their intransigence; they wouldn't gig regularly, and rarely ventured outside their LA turf.
		If Love were "hoods", however, they were psychedelic hoods; the tension between their flower child ethos and their punk roots was the source of their most compelling creations.
		There was a dissonance to the album which spoke to the mental fragmentation of the drug culture from which it sprang.
	the-m-files.com /love/m2indexframe.html (3642 words)

	The Cult, MP3 Music Download at eMusic (Site not responding. Last check: 2007-11-02)
		The origins of the Cult lie in the Southern Death Cult, a goth rock outfit formed by vocalist Ian Astbury (b.
		All of the Southern Death Cult recordings were eventually released in 1986.
		In the spring of 1995, the Cult disbanded, with Ian Astbury forming the Holy Barbarians later in the year.
	www-v3.emusic.com /artist/11530/11530905.html (966 words)

	MTV Music \| The Cult - Profile and Biography (Site not responding. Last check: 2007-11-02)
		Love, released in the fall of 1985, continued the hard rock direction of its teaser single and became a number four hit in Britain.
		The first single from the album, "Love Removal Machine," became a number 18 hit in the spring of 1987, while the album itself reached number four in the U.K. upon its April release.
		In 2000, the band's catalog was remastered and reissued, and Pure Cult was released in the U.S. (despite a similar compilation, High Octane Cult, having appeared four years earlier).
	www.mtv.com /music/artist/cult_the/bio.jhtml (989 words)

	Complete selected discography of THE CULT at very low prices offers
		The hard-rocking Cult have come along way from the early Native American stylings of Dreamtime and the dodgy goth tendencies evident on their classic album, Love.
		Astbury was the son of a merchant navy man, which meant he moved frequently during his youth; at one point in his childhood, his family lived in Canada, where the young Ian became fascinated with native Americans, which would become a recurring theme in his songwriting.
		Dreamtime, the group's first album, was released in the fall of 1984, accompanied by a single "Spiritwalker," which reached number one on the UK in the spring.
	www.verimall.com /audio/cult.htm (999 words)

	Love by The Cult (Site not responding. Last check: 2007-11-02)
		Love has to be the fastest transportation device to the farthest destination ever created by human being.
		"Love" was the first stylistic change for the Cult and the band's breakthrough record in Europe, spawning a series of superb singles and being one of those albums that truthfully deserved the success it had (although in America, it would take another album before any real success manifested).
		LOVE, alas, was to be the only such highlight in the group's career, but it was and remains an extremely bright one.
	www.hot-rhythm.com /cd227881/love.html (1522 words)

	Compare Prices and Read Reviews on Agents Of Fortune - Blue Oyster Cult at Epinions.com (Site not responding. Last check: 2007-11-02)
		This was a turning point album in many other ways, such as Allen Lanier singing for the first time on the song he wrote, True Confessions.
		Perhaps the sole reason why Blue Öyster Cult are famous, this song introduced the entire world to the amazingnessnessness of them, by being probably the only single up to this point that was actually played on the radio.
		Love it because it has The Reaper along with a bunch of other classic songs, or hate it because it started the pop influence in their songs, and contains some horrible attempts with it.
	www.epinions.com /content_221112274564 (4075 words)

	TrouserPress.com :: Cult
		The Cult story begins in early '83, as the Southern Death Cult (from Bradford, actually a northern city, near Leeds) has just broken up without releasing an album; various sessions and live takes were, however, compiled for a posthumous LP.
		The closest the album comes to a stylistic groundbreaker — "Edie (Ciao Baby)," a pseudo-poetic tribute to Edie Sedgwick with strings and an acoustic guitar intro — is one of the stupidest songs in the Cult's lowbrow compositional closet.
		A year after The Cult's release, Astbury and Duffy — having rebuilt their band from the sessionmen festival that was Ceremony — threw in the towel.
	www.trouserpress.com /entry.php?a=cult (1165 words)

	HYBRIDMAGAZINE.COM \| REVIEWS \| The Cult - Beyond Good and Evil
		The album is twelve tracks of martyr-posing, passion-inciting, flag-waving rock put through the millennial blender, and it's entertaining as bloody hell.
		This may be the first Cult album where the two polarities of Duffy (bleach-blond rough 'n' tumble axe-man) and Astbury (raven-haired rock mystic) aren't fighting for dominance, though saying they've found a middle ground would be implying a compromise.
		This song should be a staple of all future Cult live shows as it is a certifiable rouser and captures perfectly the energy this band projects.
	www.hybridmagazine.com /reviews/0601/cult.shtml (923 words)

	The Cult - Four Album Kharmic Cycle Theory. @ xsorbit Free Message Boards
		Beyond Good and Evil is their seventh album released 7 years after their last album -"The Cult, self titled"...This is the beginning of the end, and beginning of the Beginning of The Cult's "Four album kharmic cycle"...see first bullet in list("-They are 7 years apart").
		- The Albums marking the fourth and hypothetically, eighth (fourth and final of "second 4 album cycle") in The Cult Discography - Sonic temple is recognized by some pundits and definitely, commercially, as the Pinnacle of their populartity and success as a Band.
		FOURTEEN years after "Sonic Temple", the last albums in the "FOUR album kharmic cycle", it would also be the EIGHTH album in their discography.
	www.xsorbit2.com /users/taokow/index.cgi?board=The_Cult&action=display&num=1012837772&start=0 (693 words)

	Blue Öyster Cult : Agents of Fortune - Listen, Review and Buy at ARTISTdirect (Site not responding. Last check: 2007-11-02)
		Agents of Fortune was co-produced by longtime Cult record boss Sandy Pearlman, Murray Krugman, and newcomer David Lucas, and in addition, the band's lyric writing was being done internally with help from poet-cum-rocker Patti Smith (who also sings on "The Revenge of Vera Gemini").
		The album yielded the band's biggest single with "(Don't Fear) The Reaper," a multi-textured, deeply melodic soft rock song with psychedelic overtones, written by guitarist Donald "Buck Dharma" Roeser.
		The rest of the album is ambitious in that it all but tosses aside the Cult's proto-metal stance and instead recontextualizes their entire stance.
	www.artistdirect.com /nad/store/artist/album/0,,54301,00.html (361 words)

	Cult by Cult, The (lyrics & reviews)
		The Cult's final album before their breakup (and eventual reunion), this record can be best described as a mixed bag.
		The Cult's songwriting reaches an all time high as they meld their balls out rock with the capabilities of the new technology.
		The Cult, as a disc, is a strange beast indeed.
	www.19.5degs.com /album/cult/4468 (1024 words)

	Electric by Cult CD
		ELECTRIC was the Cult's mainstream breakthrough album in the United States, where the UK band's previous records, DREAMTIME and LOVE, had been embraced by college radio.
		After unsatisfying sessions with LOVE producer Steve Brown, the Cult hooked up with superstar hip-hop producer (and unapologetic 1970s-boogie fan) Rick Rubin to re-record the tracks, and his changes make the album.
		I've always been of the mind that this album, "Electric" by The Cult, has got to be one of the best all-around rock albums of the 80's.
	www.cduniverse.com /search/xx/music/pid/1048556/a/Electric.htm (271 words)

	The Cult: Back And Better Than Ever
		Followed by Love and the single She Sells Sanctuary, the Cult gained an extensive following in the U.K. It was also a prerequisite for British bands of the early 1980s to adhere to certain fashion and trend perimeters, such as excessive use of eyeliner, brocade jackets and Ian and Billy were no exception.
		On tunes like Love Removal Machine and Wildflower, they paid homage to the trippy metal of the late 1960s with a sense of humor - and the cover of Born To Be Wild, is heavier than the orginal.
		The album was in cut out bins a few months after its' release, and on some American tour dates, more fans came to see their opening act, Lenny Kravitz, than the Cult.
	www.suite101.com /article.cfm/rock_music_new/67155 (442 words)

	Sorted magAZine: The Cult - Pure Cult: The Singles 1984 - 1995 (Beggars Banquet) (Site not responding. Last check: 2007-11-02)
		Now they're back as Cult Rising and in advance of new material, they've released a new "Pure Cult" compilation that showcases their career without the remixes and new versions of the last "Pure Cult".
		Ironically, while "Love" is often regarded as their best album, two of the tracks, 'Revolution' and 'Rain' sound hopelessly dated and more than a bit naff.
		All in all, The Cult produced a handful of classics, but mainly they followed the trends of the time, consigning most of their material to the dustbin of history.
	www.sortedmagazine.com /Albums.php3?nID=52 (503 words)

	CLUAS Indie Album Reviews: The Magnetic Fields 'i'
		Scaling back on the grand ambitions of the previous Fields album - the cult classic '69 Love Songs' - Merritt's new album 'i' offers more wry observations on love, the only time where history is written by the losers.
		His previous Fields work, '69 Love Songs', was a sprawling 3-disc kaleidoscope of dizzying eclecticism and fast-acting pop thrills, a bona fide classic whose stature will grow with the years.
		If 'songwriting' for you means dishevelled Dylan fans shouting their angsty poetry while bashing an acoustic guitar, or if 'pop' means Busted or any of the litany of ringtone-muppets blocking up Saturday morning TV while you wait for 'Football Focus', then recommending 'i' as a masterclass in pop song writing may be the wrong tack.
	www.cluas.com /music/albums/magnetic_fields.htm (788 words)

	Albums of the artist singer songer: Cult - album albums songs work works
		The Cult rose from from the ashes of the Southern Death Cult-- a goth band in the early '80s featuring vocalist Ian Astbury that split up after issuing only one single (it along with other studio and live material available has been released under the title "Southern Death Cult").
		The new project was called the Death Cult and after issuing an EP and a single (collected as "Ghost Dance"), shortened their name to The Cult, which is where this set picks up.
		What has made Lisa Lisa and Cult Jam one of my favorite groups of the '80s is how they handled and paced their music career with the hits they had from four albums on Columbia.
	www.poemhunter.com /lyrics/cult/albums (3000 words)

	AskMen.com - Best selling album
		This 1985 album compiles his greatest successes of the '70s and early '80s, combining rock 'n' roll rhythms, romantic ballads, socially conscious lyrics, and hymns to happiness.
		Fans immediately took to it and this is the album for which the British band is most famous.
		A cult motion picture based on this opus was released in 1982.
	www.askmen.com /toys/top_10_60/67b_top_10_list.html (541 words)

	Love: Remastered Music at Shop Ireland
		Easily one of the best rock albums of the eighties!Every track sheer genius.Billy duffys guiter work is awesome!Reading this review you have more than likley heard "she sells sanctuary" well you need to hear the rest of this gem of an album, otherwise you will have missed out!Buy now play loud and enjoy!
		Classing The Cult as goth has nothing to do with being narrow minded which I think another reviewer stated, they were goth and this is exactly how it should be.
		The album may be too gothic/alternative for some mainstream fans, but I would definitley reccomend this album over any of The Cult's other recordings, but still 'Electric', 'Ceremony' etc. are brilliant, just more mainstream.
	www.shopireland.ie /music/reviews/B000007VCM (542 words)

	The Cult Discography: Electric
		It's the favorite Cult album of hard rock and metal fans, and for good reason -- it grabs you hard and doesn't let go.
		The Cult still play many of these songs live, including Wild Flower, Peace Dog, Lil' Devil and Love Removal Machine, and they seem to love playing this material as much as their audience loves hearing it.
		This album could hardly be more different than Love released just two years prior, but they'd scrapped 12 tracks recorded in 1986 (known alternately as the Peace album or The Manor Sessions) and then re-recorded the album with Rick Rubin.
	www.the-cult.com /electric.html (189 words)

	Tower Records - The Cult - The Cult
		In the three years since the last Cult album, their absence has been filled by grunge, the latest version of the big guitar sound.
		THE CULT is proof the the '90s have left their mark on the band.
		The album is littered with bitter references to drug casualties and the ensuing emotional aftermaths.
	www.towerrecords.com /product.aspx?pfid=1789676 (369 words)

	Cloud Cult: Aurora Borealis - PopMatters Music Review
		If the Beach Boys' lost Smile album, which Brian Wilson recently performed live, was a "teenage symphony to God", then Cloud Cult's Aurora Borealis is a grown-up symphony to the departed soul of a two-year-old child.
		While many of 2004's most-buzzed-about indie-rock albums are merely exercises in a trendy genre (from the endless garage-rock revival to the unremarkable post-post-punk of Franz Ferdinand), Cloud Cult displays the breadth of an iconic band to whom Franz Ferdinand is inexplicably compared, Blur.
		But the rest of the album's 14 tracks touch on the atmospheric, the avant-garde, acoustic ballads, audio sample-based collage, and even politics.
	www.popmatters.com /music/reviews/c/cloudcult-aurora.shtml (934 words)

	The Cult - Best of Rare Cult : album review
		Best of Rare Cult, as the title implies, draws from this box set and adds yet another four tracks to complete a fifteen-track "appetizer" CD which is, as the promotional material states, "an album in it's own right".
		The box set must be aimed at die-hard fans and that means that this CD can only be for i) die-hard fans on a budget; ii) die-hard fans who want the four tracks on this CD which are not included in the box set.
		Unlike Astbury's recent solo album, Spirit/Light/Speed, his vocal powers are well demonstrated on this compilation.
	www.musicomh.com /albums/the-cult.htm (388 words)

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