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	DBNL auteur - Lucas de Heere
		Lucas de Heere (?), Engelse vertaling van zijn gedicht op het devies van Thomas Gresham (fol.
		Kalff, ‘Dichters en Proza-schrijvers uit Noord- en Zuid-Nederland.’, ‘Zuid-Nederlanders.’, ‘Lucas de Heere (1534-1584?).’ In: Geschiedenis der Nederlandsche letterkunde.
		De invloed van Ronsard en zijne Pleiade.’ In: De ontwikkelingsgang der Nederlandsche letterkunde.
	www.dbnl.org /auteurs/auteur.php?id=heer001 (368 words)

	Birket-Smith. 1959. The Earliest Eskimo Portraits. In Folk. 1:5-14.
		On de Heere's picture the jacket has a roundish hood and a long tail, whereas nowadays the jackets in this region have rather pointed hoods and are cut off straight or at most provided with a small dorsal flap, besides often having a short slit in front.
		The man, who has a somewhat distorted sinew-backed bow in his hand, is dressed in a costume similar to that of de Heere's Eskimo except for the fact that the jacket is shorter in front.
		It seems a reasonable conclusion, therefore, that the peculiar features of dress pictured by both de Heere and White are characteristic of the Thule Culture and still existed in southern Baffin Island at the close of the 16th century.
	www.anthrobase.com /Browse/home/hst/cache/Portnew2.html (2748 words)

	PORTRAITURE - LoveToKnow Article on PORTRAITURE (Site not responding. Last check: 2007-10-26)
		SchOngauer, Durer and Lucas Cranach are never agreeable or pleasant, however interesting in other respects.
		DUrer, the typical German artist, the dreamer of dreams, the theorist, the thinker, the writer, was less fitted by nature for a portrait painter than Holbein, who, with a keen sense of natures subtle beauty, was a far greater painter although a less powerful personality.
		In France the most distinguished portrait painters of the 16th and 17th centuries were the Clouets, Cousin, Vouet, Philippe de Champaigne, Rigaud and Vanloo.
	73.1911encyclopedia.org /P/PO/PORTRAITURE.htm (2794 words)

	GENEALOGIE ABBRING
		Enkele aanvullende gegevens zijn verkregen van de heer R.G. Louw, die een uitgebreid onderzoek deed
		De neerslag van zijn werk is te vinden in een omvangrijk tweedelig werk, ruim 1400 pagina's, getiteld "Wie was wie in Watergang", Gouda, 2004, eigen uitgave [zie bespreking in GIJS' GeneaLOG 17-09-2005; contactadres R.G. Louw -
		Op de volgende data zijn te Watergang kinderen begraven van Cornelis Abbering: 18.7.1794, 23.5.1795, 3.7.1795, 24.10.1796
	de-wit.net /genovz/abbring.html (466 words)

	History & Origins of Elizabethan Style
		But it was not a purely Italian influence which aided in the development of the new Italianate style in this country; and already we find the names of Gerard Hornebande, or Horebout, of Ghent, Lucas Cornelis, John Brown, and Andrew Wright, serjeant-painters to the king.
		Arabesque by Theodore de Bry, one of the "Petits-Maitres".
		Nor should we forget to mention, at the close of this century, the very fanciful and thoroughly Elizabethan compositions, architectural and ornamental, of W Dieterlin, which Vertue asserts were used by Chrismas in his designs for the facade of Northumberland House.
	www.furniturestyles.net /terms/decoration/ornament/051.htm (1018 words)

	Coif headwear (Site not responding. Last check: 2007-10-26)
		Unfortunately, few pictures were drawn or painted of the English bourgeoisie or servants, and so it is not until 1570 that we find a portrait which shows a coif of this time in detail.
		A sketch of London Gentlewomen, drawn in 1570 by Flemish artist Lucas de Heere, is one of the best examples we have of coifs worn during this decade.
		A band of fabric, or under-cap of some kind, is worn underneath this coif, similar to that worn by the Englishwomen in de Heere's sketch.
	www.apparelsearch.com /Definitions/Clothing/coif_definition.htm (1627 words)

	Celtic Dress of the 16th C.
		The first is a picture from 1562 entitled 'La Sauvage d'Ecosse' printed in 'Recevil de la Diversite des Habits' in Paris.
		The second picture is by Lucas de Heere (1567-1577) entitled "Schotsche edelvrouwe en burgenvrouwe." The dress is not unlike Continental dress but long out of date.
		De Heere's illustration of this dress shows the distinct Irish half-sleeve that is a strip of cloth that covers on ly the top of the arm.
	jan.ucc.nau.edu /~wew/celt-clothing (2421 words)

	Amazon.co.uk: heere: Books (Site not responding. Last check: 2007-10-26)
		Heere von morgen: Ein Beitrag zur Frage der Heeresmotorisierung des Auslandes by Walther Nehring (Unknown Binding - 1935)
		Col di Lana: Kalvarienberg dreier Heere, nacherzählt nach kriegsgeschichtlichen Unterlagen und persönlichen Aufzeichnungen by Anton Bossi Fedrigotti (Unknown Binding - 1979)
		Zwaarmoedige verhalen voor bij de centrale verwarming by Heere Heeresma (Unknown Binding - 1973)
	www.amazon.co.uk /s?ie=UTF8&keywords=heere&index=books&page=1 (575 words)

	Making the Irish Leine - Pictures (Site not responding. Last check: 2007-10-26)
		These two pictures are by an artist named Lucas de Heere, a Dutch painter who lived in England from 1567 to 1577.
		One source I read speculated that the later source works de Heere used were clearer.
		As you can see, two of the people in the pictures are very similar -the artist seems to have been taking another crack at the same thing.
	www.kelthaven.org /leine/leinepix.html (332 words)

	Music History-Musical Iconography Paper
		Claudin de Sermisy, Clement Marot, and Their “Jouyssance vous donneray” in the Paintings of Lady Concerts
		Claudin de Sermisy was an important contributor to the Attaingnant publication (seventeen of thirty-one pieces are his) and, therefore, to the style of the Parisian chanson.
		Isabelle Caseaux, “Sermisy, Claudin de,” The New Grove’s Dictionary of Music and Musicians.
	www.angelfire.com /musicals/mauk/MHpaper.htm (2756 words)

	The True Story of What the Irish Wore
		This outfit is based on the illustrations by Lucas de Heere and the "After the Quick" print from the Ashmolean Museum.
		The ionar may be of wool or leather, in any colour, decorated as shown in the Ashmolean and De Heere's illustrations or unadorned as the Kilcommon jacket.
		Men may go bare-legged and bare-footed as shown in De Heere's illustrations and the Ashmolean print, or they may wear trews like the Kilcommon trews (also described here).
	www.reconstructinghistory.com /irish/wear.html (922 words)

	Loose Kirtle and Gown, c. 1570
		This ensemble was inspired by a sketch of london gentlewomen created by Lucas de Heere in 1570.
		The undergarment is a loose kirtle, based very closely on the loose kirtle in Janet Arnold's Patterns of fashion.
		I couldn't afford stiff peau de soie, and so backed the silk with "Touch of Gold" interfacing, which added body and kept the edges from fraying, while being almost invisible to the eye.
	www.elizabethancostume.net /wardrobe/gownkirtle.html (719 words)

	Flandern - Generelt om Gent
		Den gastronomiske kultur er ligeledes i højsæde i Gent, hvor de ca.
		Af andre historiske personer kan nævnes teologen Henry af Gent, maleren Justus van Gent, maleren og poeten Lucas de Heere, en af ledende lærde i nederlandsk renæssance Daniel Heinsius samt Maurice Maeterlinck, vinderen af Nobel litteraturpris i 1911.
		Sted: De Wereld van Kina – het Huis.
	www.flandern.dk /idd43.asp (275 words)

	The Tudor Costume Page (Site not responding. Last check: 2007-10-26)
		This English gown is based loosely on the gowns in Lucas de Heere's Group of English London Ladies, which dates from around 1570.
		The outfit is made up of a smock and petticoat, over which I'm wearing a light-weight wool kirtle.
		The kirtle laces at the sides and is stiffened with an applewood busk (carved by my father) and a few strips of reed at the side-front.
	peronel.info /gown.html (142 words)

	Cruinneacad na nGaideal - Scots & Irish Costumes
		Ionar (Both Irish and Scottish): The ionar may be of wool or leather, in any colour, decorated as shown in the Ashmolean and De Heere's illustrations or unadorned as the Kilcommon jacket.
		The kirtle is a simple fitted dress popular all over Europe from the 14th century.
		In the 16th century, Lucas De Heere drew Irishwomen wearing such a garment with a contrasting petticote, tucked up into a belt to show a different coloured fabric or fur lining.
	www.gotg.org /clothing/clothing.html (1275 words)

	Clothing during the Renaissance: A comparison of a picture by Lucas DeHeere (1570) and a text by Luke Gernon (1620)
		McClintock compared this description with De HeereÕs picture to verify the picture and the description, and he found some close matches.
		He reminds us that GernonÕs description was written approximately seventy years after De HeereÕs picture was drawn, so we should expect some differences.
		Gernon and De Heere may have been studying different areas of Ireland (Gernon describes a number of areas), and may have different reasons for their descriptions.
	www.mtholyoke.edu /~mgtatum/IrishWomen/I1570.html (1827 words)

	Faire Ladies, Faire Lords
		These sleeves are designed to be worn with your Ionar or Irish Overdress.
		Based on the picture by Lucas De Heere.
		They tie into the top of your shoulder and button snugly around your wrist leaving the underside of your arm uncovered so your baggy leine sleeves can show through.
	www.mlhdesigns.com /catalog/product_info.php?cPath=25&products_id=49&osCsid=467b24e8784d8b42ac71f4f32d980157 (83 words)

	Timeline of Costume: Mid 16th Century Europe (1535 to 1570ce) Page 2
		Catherine de Medici, Dowager Queen of France, and her children, 1561 (Norris V.3 pt.2)
		and his wife Frances, Duchess of Suffolk, from Stibbert, based on the painting by Lucas de Heere, from Stibbert
		Catherine de Medici from a 19th Century plate
	www.costumes.org /History/100pages/timelinepages/1535to1570b.htm (322 words)

	Elizabethan Geek (Site not responding. Last check: 2007-10-26)
		This sketch by the Dutchman Lucas de Heere shows four townswomen of modest social status.
		The one on the right appears to be a fishwife (I can't read the writing near her head, but I recall someone else saying so) and the other three are burgesses or merchants wives or daughters.
		All content on this website copyright 2003-2006 Kirrily Robert except where otherwise specified.
	elizabethangeek.com /costumereview/image.mhtml?image_id=10 (514 words)

	Amazon.com: "bon peintre": Key Phrase page (Site not responding. Last check: 2007-10-26)
		Michel de Gast entra dans la mme corporation...
		Key Phrases: Van Mander, Frans Floris, Van Cleef, Charles Quint, Lucas de Leyde, Adoration des Mages, dans notre art, oeuvre excellente, les saintes femmes, des draperies, figures nues, les draperies (see more)
		trs bon peintre de paysages, qui suivait de prs la manire de Pierre Breughel et travaillait...
	amazon.com /phrase/bon-peintre (339 words)

	[No title] (Site not responding. Last check: 2007-10-26)
		Per bend sinister ermine and vert, two pallets Or and in chief a laurel wreath overall vert.
		Italian Bliaut Painting Foolish virgins, Castel Appiano, late 12th C near Bolzano Italian Mens Bliaut Painting Venetian Frescs from the crypt of Aquileja Nordic Bliaut madonna from Viklau Irish Leine Painting Lucas de Heere, a Dutch painter who lived in England from 1567 to 1577.
		dated 1570 Irish Leine Painting 2 Lucas de Heere, a Dutch painter who lived in England from 1567 to 1577.
	www.eg.bucknell.edu /~lwittie/sca/picts/documentation.txt (151 words)

	Life in Elizabethan England 36: Fashionable Vocabulary - Clothing and Fabrics
		Merchant class women (and below) do not always wear a bumroll and seldom wear a farthingale.
		See drawings by Lucas de Heere and the "Wedding at Bermondsey" painting for examples.
		All kinds of pants (slops or venetians, etc.) are called hose, specifically trunk hose, because they cover the trunk of the body.
	elizabethan.org /compendium/36.html (328 words)

	Amazon.com: "Pierre Koeck": Key Phrase page (Site not responding. Last check: 2007-10-26)
		Key Phrases: Van Orley, Albert Durer, Descente de Croix, Otto Venius, Quinte Metsys, Van Veen, promenade artistique, son coloris, les fonts baptismaux, fut peint, ait laissées, peinture flamande (see more)
		Il se trouvait l un bniste qui possdait les livres de Serlio ou de Vitruve, traduits par Pierre Koeck ; De Vries passa ses jours et ses nuits les transcrire, les grands comme le petit4.
		Key Phrases: Van Mander, Van Achen, Van Winghen, Hans Bol, Lucas De Heere, Frans Floris, voir volume, peintre verrier, excellent effet, grandeur naturelle, peinture sur verre, grande toile (see more)
	amazon.com /phrase/Pierre-Koeck (248 words)

	ThothWeb - Stonehenge: a new view from a medieval artist
		The drawing shows four of Stonehenge’s trilithons, with two small squares on top of each lintel representing the carved tenons on the uprights poking through.
		“In reality the tenons are not that long, but they also struck the first modern artists — they are shown on the 16th century illustration by Lucas de Heere,” Professor Heck says in the current issue of British Archaeology.
		The drawing is in the part of the chronology dealing with post-Roman England, and is connected with the legend of Hengist and Horsa, the Saxon invaders, their ally Vortigern, the usurping British ruler, and his exiled rival Aurelius Ambrosius, set in AD480-85.
	www.thothweb.com /article4553.html (1009 words)

	myArmoury.com
		The sword type represented here is peculiarly Irish in the hilt form.
		A number of period sources, such as the paintings of Lucas de Heere and the anonymous "Ashmolean drawing" depict Irish Kern carrying swords with an open ring pommel, and "forked" guard terminals.
		To date, only a handful of the Irish sword type have been found, and none have the "forked" terminals.
	www.myarmoury.com /nateb_swor_ia_ring.html (192 words)

	Irish kilts
		It has beensubstantiated by Henry Foster McClintock in his great sourcework, Old Irish and HighlandDress, among others, that the spice saffron does not dye linen a yellowish brown, but rather a pureyellow colour.
		The léinte depicted in colour by Lucas de Heere are all pure yellow.
		Therefore,the modern "saffron" kilts worn by Irish pipers have no basis in history.
	histclo.com /style/skirted/kilt/kilti.html (3240 words)

	House of Commons Hansard Debates for 20 Apr 1990
		This is a record amount for a single financial year and demonstrates beyond doubt the investment and vital role of the scheme, and its benefits to individual estates.
		In accordance with the conditions on which they were offered, the Beechey and de Heere paintings will remain in situ at Highclere castle, Berkshire, and Sudeley castle, Gloucestershire, respectively while the group of four paintings from the estate of the late Mrs.
		Eva Borthwick-Norton will be allocated in consultation with my right hon.
	www.publications.parliament.uk /pa/cm198990/cmhansrd/1990-04-20/Writtens-2.html (2729 words)

	A Group of Englishwomen - 1570
		First, let's look at street scene by a flemish visitor to England.
		This drawing of Heere's gives us a valuable look at lower and middle class English fashion--the clothing worn by those who could not afford portraits painted of themselves, and who in any case wouldn't have worn their street clothes for such a painting.
		If you contrast the dress of these women with, say, the clothing worn by An Unknown Girl painted the year before, the most obvious difference between them is its simplicity of the London womens' outfits.
	www.elizabethancostume.net /gallery/middle-wmn.html (572 words)

	BHC2952 : Mary I of England, 1516-58 and Philip II of Spain, ...
		Artist English School, probably after Lucas de Heere
		No [Please call the E-Library to check on +44 (0)20 8312 6516]
		This double portrait is a copy, though with some differences, of the panel painting of 1558 at Woburn Abbey, traditionally ascribed to Lucas de Heere.
	www.nmm.ac.uk /mag/pages/mnuExplore/PaintingDetail.cfm?letter=m&ID=BHC2952 (463 words)

	The Pre-Raphaelite Brotherhood
		Sir Antonio More in the reign of Mary, Lucas de Heere and Zucchero in
		We scorn their velocity, for it is without direction ; we reject their de-
		There was also gain in the revolution, as against a possible quiet
	www.rossettiarchive.org /docs/ac-phythian.1905.rad.html (6269 words)

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