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| | (Untimely) Critiques for a Red Feminism by Teresa Ebert 1995 |
 | | The crux of all ludic postmodern and feminist theories, however, is the rewriting of the social as largely discursive (thus marked by the traits of linguistic difference), local, contingent, asystematic and indeterminate. |
 | | For these ludic critics, the subject's inventiveness — that is, her/ his participation in the discursive "play" of language games, metaphors, significations — enables her/him to overcome the determinacy of social construction and move into the terrain of a utopian future. |
 | | Of course, ludic critics do not deny oppression (that is, domination as opposed to exploitation), but they largely confine both their recognition and explanations of the occurrences of oppression to particular, local events and gestures of power that are, by definition, reversible, that generate their own resistances. |
| www.marxists.org /reference/subject/philosophy/works/us/ebert.htm (12446 words) |
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