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Topic: Ludovico Carracci

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	http://www.cyberitalian.com - Readings - © Copyright CyberItalian Inc.
		Ludovico Carracci, in assenza dei cugini Annibale e Agostino, può essere considerato un'innovazione.
		Since Ludovico Carracci's work is rooted in Bologna, a visit to the Carracci places in the historic center of the Emilian capital to see his art "at home" is a unique way to visit this magnificent city, this writer's favorite in Italy.
		From the Pinacoteca Nazionale to the nearby churches decorated by Ludovico, to the cloisters, museums and palazzi, the cultural walk is dazzling.
	www.cyberitalian.com /html/gal_61.htm (784 words)

	History of Art: Baroque and Rococo
		Carracci's art combined the pursuit of ideal beauty with a close observation of natural reality, and a breadth of vision inspired by classical models both ancient and contemporary; his success drew other artists from northern Italy to Rome: Francesco Albani (1578— 1660); Domenico Zampieri, or Domenichino (1581-1641).
		The son of a butcher, Lodovico was the older cousin of the painters Annibale and Agostino Carracci.
		The teaching techniques of the Carraccis' academy were based on frequent observation of nature, the study and revision of poses from life, and boldness of scale in drawing figures with chalk.
	www.all-art.org /history252-2.html (2709 words)

	Ludovico Carracci - Wikipedia, the free encyclopedia
		Ludovico (or Lodovico) Carracci ([Bologna, [April 21]], 1555 – Bologna, November 13, 1619) was an Italian, early-Baroque painter, etcher, and printmaker from Bologna.
		Along with his cousins Annibale and Agostino Carracci, Ludovico in 1585 was a founder and director (caposindaco) of the so-called Eclectic Academy of painting (also called the Accademia degli Incamminati), which in reality was a studio with apprenticed assistants.
		Ludovico's own works are characterized by a strong mood invoked by broad gestures and flickering light that create spiritual emotion.
	en.wikipedia.org /wiki/Ludovico_Carracci (241 words)

	ART / 4 / 2DAY (Site not responding. Last check: 2007-10-13)
		All the Carracci stressed the importance of drawing from life (all three were brilliant graphic artists), which was to be a hallmark of the Bolognese School they founded.
		Ludovico’s style was less classical than that of his younger cousins Agostino and Annibale, perhaps because of a mystical turn of mind that gave his figures a sense of other-worldliness.
		Ludovico maintained a balance between this Mannerist matrix, his innate religious piety and the naturalism of the work of his cousins.
	www.jcanu.hpg.ig.com.br /art/art4nov/art1103.html (7621 words)

	Biografie dei Carracci
		Family of Bolognese painters, the brothers Agostino (1557-1602) and Annibale (1560-1609) and their cousin Ludovico (1555-1619), who were prominent figures at the end of the 16th century in the movement against the prevailing Mannerist artificiality of Italian painting.
		Ludovico left Bologna only for brief periods and directed the Carracci academy by himself after his cousins had gone to Rome.
		Their full rehabilitation had to wait until the second half of the 20th century (the great Carracci exhibition held in Bologna in 1956 was a notable event), but Annibale has now regained his place as one of the giants of Italian painting.
	library.thinkquest.org /18291/data/chiostro/htmlen/biocar.html (1537 words)

	ARTH381/581 - Readings
		Ludovico Carracci (1555-1619) was five years older than his cousin Annibale.
		Ludovico had a strong influence on the next generation of Bolognese artists: Guido Reni, Giovanni Lanfranco, and Guercino.
		Ludovico's Bargellini Madonna (1588), so called after the family that commissioned it, is one of the finest of these early "reformed" works.
	www.louisville.edu /a-s/finearts/VRC/buser381/Lcarraccitext.html (794 words)

	Art and the Viewer in 17th Century Italy by Raichel Le Goff
		Further, that <Carracci Academy was characterized as representative of the most advanced and truly imaginative artistic thinking of their age>> - which is reflected in their choice of name, the Accademia degl' Incamminati - (the Academy of the Progressives).
		For Borromeo, the Carracci were the most successful at interpreting the classical world and with it, the natural style of Raphael and Leonardo, and making it acceptable in the language of the seventeenth century.
		If the Carracci Academy, led the way at the end of the sixteenth century, for art academies of the seicento then surely Agostino, as the most enthusiastic and possibly, the most gifted scholar of the three Carracci, can be considered a leading proponent of the new academic movement that spread from Bologna, throughout Europe.
	epublishingcorp.com /articlesRaichel/Art-Research/N-carrac.htm (3493 words)

	Undervalued for centuries, Annibale Carracci is given his first show in native Bologna - iht,europe,Italy Carracci - ...
		Carracci was long lumped together in art history classes with his brother, Agostino, and his cousin, Ludovico, as the three Carraccis, examples of the Bolognese school of painting.
		Ludovico Carracci's father was a butcher, noted Riccomini, an art historian.
		Carracci did have the admiration of Caravaggio, who is said to have once stood speechless, for minutes, before one of Carracci's works in a Rome church.
	www.iht.com /articles/ap/2006/09/22/europe/EU_ART_Italy_Carracci.php (807 words)

	Biography (Site not responding. Last check: 2007-10-13)
		The Carracci was a family of Bolognese painters, the brothers Agostino (1557-1602) and Annibale (1560-1609) and their cousin Lodovico (1555-1619), who were prominent figures at the end of the 16th century in the movement against the prevailing Mannerist artificiality of Italian painting.
		They worked together early in their careers, and it is not easy to distinguish their shares in, for example, the cycle of frescos in the Palazzo Fava in Bologna (c.1583-84).
		He nevertheless has to be recognized as the first painter systematically to abandon the late Mannerist style in favour of a new kind of moral and devotional style of painting.
	www.wga.hu /bio/c/carracci/lodovico/biograph.html (553 words)

	George Glazer Gallery - Hercules Slaying the Hydra
		This print is based on a painting by the renowned Italian artist, Ludovico Carracci that is currently in the collection of the Victoria and Albert Museum (see Parada reference below to view painting), although according to the title of the print, the original painting was in the Palazzo Grassi in Bologna, Italy.
		Ludovico Carracci was a member of a large Italian family of artists.
		Ludovico’s paintings, principally religious and mythological works, are in Europe’s great museums, including the Louvre and Hermitage.
	www.georgeglazer.com /prints/aanda/art-pre20/hercules.html (480 words)

	What is Art? What is an Artist? Drawing by Agostino Carracci
		Carracci was a well educated man, with a wealth of knowledge in philosophy, astronomy, natural sciences, history, and poetry.
		Carracci, who had a deep understanding of human anatomy, mastered this in his drawings.
		Due to Carracci's fascination of anatomy, the details of the anatomical structure are very precise, and true to human form.
	www.arthistory.sbc.edu /artartists/drawcarracci.html (292 words)

	Carracci_Sebastian (Site not responding. Last check: 2007-10-13)
		Ludovico Carracci chose to represent the moment after the subsequent deadly beating, when Roman soldiers dumped Sebastian's limp and lifeless body into a sewer.
		Ludovico contrasted the tensile strength of their straining bodies with the slackness of the saint's limbs, head, and facial muscles as he falls into the sewer's depths.
		In 1612 Cardinal Maffeo Barberini commissioned this painting from Ludovico for his family's chapel in the Church of San Andrea della Valle in Rome.
	www.bc.edu /bc_org/avp/cas/his/CoreArt/art/bar_carr_seb.html (215 words)

	Ludovico Carracci (1555 - 1619) Artwork Images, Exhibitions, Reviews
		Ludovico Carracci - The Marriage of the Virgin c.
		Ludovico Carracci - The Vision of Saint Francis c.
		The Adoration of the Shepherds with Saint Catherine of Alexandria, 1599 Cigoli (Ludovico Cardi) (Italian,
	wwar.com /masters/c/carracci-ludovico.html (1669 words)

	A.Carracci
		Annibale Carracci, Italian painter, was born in Bologna in 1560 and died in Rome in 1609.
		He was a brother of Agostino and a cousin of Ludovico Carracci, and was the most brilliant personality of all this artistic group from Bologna, which proposed a fundamental line of innovation in painting.
		Carracci traveled a lot through Tuscany, Parma, Venice in 1583-1586, where his cultural formation was amplified and his artistic orientation was specified:
	www.italycyberguide.com /Art/artistsarchite/carraccia.htm (231 words)

	ARTH345/574 - Seventeenth & Eighteenth Century Drawing
		The procedure of the Carraccis continued to be taught in academies all over Europe and followed, more or less, by artists trained in academies for the next three hundred years.
		Although he never studied at the Carracci academy in Bologna, Guercino developed an original style of Baroque painting by imitating the manner of Ludovico Carracci.
		Ludovico himself remarked about Guercino's originality and his ability to draw in a letter of 1617: "Here [in Bologna] there is a young man from Cento who paints with remarkable invenzione.
	www.louisville.edu /a-s/finearts/VRC/buser345/readdraw17.html (5330 words)

	NG London/Recent Acquisitions/Ludovico Carracci, 'The Marriage of the Virgin'
		NG London/Recent Acquisitions/Ludovico Carracci, 'The Marriage of the Virgin'
		Ludovico Carracci, 'The Marriage of the Virgin', about 1590.
		Ludovico is said to have painted two small paintings on copper of this subject: one was in the church of S. Maria Lacrimosa degli Alemanni in Bologna, and the other in the collection of the Marchesi Tanari, Bologna.
	www.nationalgallery.org.uk /collection/news/acquisitions/carracci_l.htm (289 words)

	Lodovico Carracci Online
		Carracci's students included Guido Reni, Giovanni Francesco Grimaldi, Francesco Albani, Remigio Cantagallina, Pietro Faccini and Alessandro Tiarini.
		Lodovico Carracci at the National Gallery, London, UK Susannah and the Elders
		All images and text on this Lodovico Carracci page are copyright 1999-2005 by John Malyon/Artcyclopedia, unless otherwise noted.
	www.artcyclopedia.com /artists/carracci_lodovico.html (523 words)

	Whitfield Fine Art - London Art Gallery - Baroque Italian Old Master Paintings » A Masterpiece by Ludovico ... (Site not responding. Last check: 2007-10-13)
		This unpublished work is arguably the most refined of a series of Holy Families that all date from the early 1580s, sometimes given to Annibale but increasingly recognized as Ludovico Carracci..
		Here he has a pose that is very close to the Christ Child in the present composition, and Ludovico here uses the same soft chiaroscuro that characterizes many of the life studies of the period, and indeed the frescoes of the stories of Jason in Palazzo Fava, like the ones with the enchantress Medea.
		The close relationship between the three Carracci is also underlined by the consideration that the child, particularly in the Horne Museum drawing, also has a close relationship with the suckling Christ Child in Agostino Carracci’s Madonna and Child with Ss.
	www.whitfieldfineart.com /?p=5 (324 words)

	Annibale Carracci
		Born in Bologna in 1560, the son of a tailor, Annibale Carracci was trained in painting by his cousin Ludovico (1555-1619) and learned engraving from his brother Agostino (1557-1602).
		Annibale Carracci: The Farnese Palace, Rome, by Charles Dempsey.
		Ideal Landscape: Annibale Carracci, Nicolas Poussin and Claude Lorrain, by Margaretha Rossholm Lagerlof.
	www.artchive.com /artchive/C/carracci.html (526 words)

	Ludovico Carracci Artworks and Fine Art at arthistorynet.com
		Giuseppe Maria Mitelli, Man Subduing a Harpy, one of eight unnumbered plates of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino C
		Giuseppe Maria Mitelli, Aeneas departs for the Battle, plate 5 of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in the
		The Birth of Baroque: The Carracci at the Metropolitan
	www.absolutearts.com /masters/c/carracci-ludovico.html (1095 words)

	Ludovico Carracci Fine Art at absolutearts.com
		Giuseppe Maria Mitelli, The Wooden Horse entering Troy, plate 2 of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in the
		Giuseppe Maria Mitelli, Frontispiece of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in the Palazzo Fava, Bologna, 1663
		Giovanni Battista Coriolano, The Crowning with Thorns, after a drawing by Cavedone from the painting by Ludovico Carracci for the Carthusian Monastery in Bologna, now in the Pinacoteca Nazionale, Bologna, 17th century
	www.absolutearts.com /masters/c/carracci-ludovico-works.html (312 words)

	University of Kentucky Art Museum - COLLECTIONS
		During the late sixteenth century in the city of Bologna, three artists - Ludovico Carracci and his cousins Annibale and Agostini - laid the foundations for the style known as the Baroque.
		To counter the prevailing style of Mannerism with its crowded compositions and unnaturally posed figures, the Carracci advocated a return to art based on observation and classical compositions.
		The Carracci attracted many pupils and followers, a number of whom - Guido Reni, Guercino, and later Guiseppe Crespi and Ubaldo Gandolfi - became the leading Bolognese painters of subsequent generations.
	www.uky.edu /ArtMuseum/collections_italian.html (165 words)

	Countrybookshop.co.uk - Ludovico Carracci (Site not responding. Last check: 2007-10-13)
		She is also the author of the catalogue raisonne of the Carracci's drawings at the musee de Lourve (Paris 2004).
		Celebrated as the uncontested head of the Bolognese school by Malvasia in Felsina Pittrice, several of his paintings have been confused with works by Caravaggio and by his cousin and pupil Annibale Carracci, whose fame has eclipsed his.
		The reconstruction of his uvre (both paintings and drawings) in the last twenty years has allowed art historians to restore him to his proper place in the development of modern painting.
	www.countrybookshop.co.uk /books/index.phtml?whatfor=8874391293 (267 words)

	artnet.com: Resource Library: Carracci, §II: (1) Ludovico Carracci (Site not responding. Last check: 2007-10-13)
		His father, Vincenzo Carracci, was a butcher, whose profession may be alluded to in Ludovico’s nickname ‘il Bue’ (It.: ‘the Ox’), though this might also be a reference to the artist’s own slowness.
		In spite of his isolation in Bologna, Ludovico strongly influenced the subsequent development of painting in his native city and elsewhere, especially through his pupils, who included Guido Reni, Giacomo Cavedone, Francesco Albani, Domenichino and Alessandro Algardi.
		Carracci, §II: (3) Annibale Carracci, §I, 1(i): Paintings: Bologna, 1560–95
	www.artnet.com /library/01/0143/T014346.asp (529 words)

	Ludovico Carracci - Wikipedia
		Ludovico Carracci (Bologna, 21 aprile 1555 - 13 novembre 1619), fu un pittore italiano, cugino dei due fratelli Agostino e Annibale Carracci
		Nato a Bologna nel 1555 si formò presso Prospero Fontana, viaggiando a Firenze, Parma, Mantova, Venezia.
		E' il più anziano esponente della famiglia dei Carracci, cugino di Annibale.
	it.wikipedia.org /wiki/Ludovico_Carracci (395 words)

	artnet.com: Resource Library: Carracci (Site not responding. Last check: 2007-10-13)
		Three members of the family, (1) Ludovico Carracci and his cousins (2) Agostino Carracci and (3) Annibale Carracci, rose to artistic prominence in the last quarter of the 16th century.
		Among their many pupils were three younger members of the Carracci family.
		The other two, Ludovico’s younger brother Paolo Carracci (1568–1625) and Francesco or Franceschino Carracci (1595–1622), the son of Agostino’s and Annibale’s brother Giovanni Antonio Carracci, were mediocre talents who produced no works of importance to the history of art.
	www.artnet.com /library/01/0143/T014340.asp (300 words)

	eBay.co.uk - Ludovico, CDs, Sheet Music Song Books, Music items at low prices (Site not responding. Last check: 2007-10-13)
		Orlando Furioso Ludovico Ariosto English 1813 Epic Poem
		Cardinal Ludovico Trevisano - Mantegna - 24" CANVAS !!
		The Family of Ludovico Gonzaga - Mantegna - 24" CANVAS!
	search.ebay.co.uk /Ludovico_W0QQfclZ4QQfnuZ1 (204 words)

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