| |
| | blog.myspace.com/78167834 (Site not responding. Last check: 2007-10-16) |
 | | Velez's tantrums were a particularly consistent part of this publicity, an aspect of her persona that brought together all the features of her immigrant identity that fed American fears of racial and cultural pollution: loudness, irrationality, rampant desire, the potential for violence, and infantile failures of self-control. |
 | | Lupe Velez, in her dramas, was a sort of tourist attraction for the newly mobile middle class of the 1920s and 1930s, often visited and appreciated by a white traveler from the United States or Europe but locked in her own cultural milieu. |
 | | Velez made some appealing and successful comedies but was never successful enough to convince any studio to offer her a long-term deal, and gradually her popularity faded until 1939, when she began working in the Mexican Spitfire series of "B" movies for RKO that would last until her death in 1944. |
| blog.myspace.com /78167834 (17049 words) |
|