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| | Masters of the Boogie Piano: Albert Ammons, Meade Lux Lewis, Pete Johnson & Others |
 | | The history of jazz and blues piano is an interesting one, and it benefits from being told separately from the history of jazz musis in general. |
 | | Recorded in 1939, at the height of the boogie-woogie craze, this piece gives a good idea of the excitement that a boogie pianist could generate despite the relatively simple elements of the music. |
 | | Albert Ammons is, of course, one of the biggest of the originators of the boogie woogie piano style (others include Meade Lux Lewis, Pete Johnson, and Jimmy Yancey), and his “Hersal Blues,” (named after another of his influences, blues pianist Hersal Wallace) recorded in 1939, demonstrates why. |
| www.jazzitude.com /boogiepiano_delmark.htm (1353 words) |
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