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| | Paul Silverthorne // CD Reviews |
 | | With the exception of Luytens all the composers here are still vigorously active - and Luytens' influence is reflected in her two pupils, Saxton and Hawkins; most of the composers are British. |
 | | Sometimes, as in the case of Elisabeth Luytens and her Echo of the Wind, the response has been aggressive, testing player and instrument (a rich-toned Amati on loan from the Royal Academy of Music) to their limit. |
 | | Other examples, such as Robert Saxton's tribute to the Hassidic tradition, Invocation, Dance and Meditation, have been fruitful studies in collaboration between player and composer, or, in the case of John Hawkins's Blake-inspired Urizen, keen-eared responses to the instrument's potential for dark utterance through soulfully eloquent melody. |
| www.paulsilverthorne.com /cd_reviews/review01.html (2020 words) |
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