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| | Daniel Pinkham: Composer |
 | | Pinkham recalls his father's view that wrestling and exposure to Old Testament narratives were the most meaningful parts of an Andover education; for Daniel however, it was to be music, though not without a similar exposure to the cadences of Scripture. |
 | | About this time, however, Pinkham was experiencing a gradual shift in his interests in the direction of Renaissance music, and the Brink-Pinkham duo finally curtailed its activities after Brink developed a hand affliction ("trigger finger") which necessitated refingering of the violinist's music, with a corresponding loss of tone and intonation. |
 | | The Motets are prime Pinkham and a catalog of his virtues as a composer: literary discrimination in the choice of texts, imagination, and utter professionalism in handling them musically, attractive melody, clear textures, grateful vocal lines, a sweet sincerity, and a true depth of feeling. |
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