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| | dik-dik |
 | | In the epistolary dialogue with Lyn Hejinian that prefaces the book, Tardos explains her approach as being one of uncertainty: "Maybe it's a question of creating a condition of not knowing what one is about to do. |
 | | Or should I say it takes enormous discipline and control to surrender control." Reflecting her nomadic European roots, |
 | | The meld of play, the sights and sounds, the wit of congruent edges, places to go, things to see, always each its own insistent possibility... |
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