| | New York Press - CHRISTIAN VIVEROS-FAUNE - |
 | | MOMA’s temporary move of its massive collection, staff and offices from its legendary headquarters in Manhattan to its newfangled home in a redesigned staple factory in Long Island City brings the museum closer, geographically at least, to recent developments in contemporary art. |
| | MOMA’s best hang alongside newer works by artists like Robert Gober and John Baldessari in a changing view of the museum’s collection–titled, rather prosaically, "To Be Looked At"–occupying the role of baseball greats stooping to play a group of youngsters in a sandlot game. |
| | There is Pipilotti Rist’s earthy, funny Mutaflor, a repeated round-trip voyage that goes in the artist’s mouth and exits her rosy rectum; and Douglas Gordon’s Monument to X, a video of a passionate kiss made epic by its length (14 hours) and the loop’s slow-motion duration (14 minutes). |
| www.nypress.com /print.cfm?content_id=6505 (1107 words) |
