
	Where results make sense

Topic: MUSICN

In the News (Sun 12 Oct 08)

Bank of America 500

Jeff Burton

Kimi Raikkonen

Robert Mugabe

Zaheer Khan

Angelina Jolie

Brett Myers

Manmohan Singh

Charlie Manuel

Japanese Grand Prix

	MIDI and computer music
		Modern musicn derivatives such as csound, developed by Barry Vercoe at MIT, are available in versions adapted to a variety of computers from sophisticated work stations to personal computers.
		In the case of musicn programs, each integral grouping of these components is identified as an ‘instrument’, broadly analogous to the individual instruments of a traditional orchestra.
		As a result, many software synthesis programs, including the musicn family, now provide sophisticated facilities for the processing of externally generated sound material, and such modes of operation are gaining in popularity.
	www.kunstderfuge.com /theory/midi.htm (4512 words)

	MusicDspWiki - Music N (Site not responding. Last check: 2007-10-31)
		One of the results of this research was the Music-N series of computer music languages (where N is a positive integer from 1 to 5).
		The main features of MusicN style languages are instruments (synthesis patches) comprising UnitGenerators connected by buffers.
		Static buffers containing waveforms or mathematical functions were used to accelerate synthesis.
	www.musicdsp.org /phpWiki/index.php/MusicN?PHPSESSID=75f99a1e999466514607b6004057884f (101 words)

	1. The Problem (Site not responding. Last check: 2007-10-31)
		While it is important and necessary for computer music researchers to investigate concurrent hardware, many underestimate the importance of new software abstractions to control these new machines.
		Almost all sound synthesis software is written in a procedural language -- either FORTRAN or C. These applications (known collectively as the MUSICN languages specify timbres by plugging together instances of unit generators from a pre-compiled library.
		This scheme emulates the analog synthesizers which were controlled by connecting hardware modules like filters and oscillators together with wires, a view of th e synthesis problem well-matched to the object-oriented programming model of C++ or Smalltalk-80.
	www.shout.net /~walker/papers/progmodels/section1.html (237 words)

	America II's Corporate Sportsfest 2006 - Prizes and Awards (Site not responding. Last check: 2007-10-31)
		To qualify for the drawing, simply make sure your $200 "discounted company entrance fee" is paid by our April 2nd Captains Dinner Party.
		The drawing will be held that evening, while you enjoy live musicn dancing and a well-deserved gourmet dinner with your guest at Crabby Bills Beach Club in the Radisson on Rocky Point.
		Save your Company $100 off the $300 Company Entrance Fee, have a delicious evening on us, socialize with our other enthusiastic Team Captains...
	www.sportsfest.com /prizes.htm (341 words)

	Artist Bios (Site not responding. Last check: 2007-10-31)
		Since 1987, Jon has been focusing on his work as a producer, composer, arranger and engineer at his own studio facility, Jon Gordon Productions.
		He has worked on projects for such clients as Avon Corp, Fox Network, The American Heart Assoc., Weight Watchers, Simon and Schuster Audio, Warner-Chappell Music, E3rielle Music, Billy Straus Musicn In-Common Music, NJJ Music, Seiter and Miller, Patty Scialfa-Springsteen, The Uptown Horns and Lisa Loeb.
		Most recently, Jon has added CD-R Mastering capability to the well-honed arsenal of music production services he offers at his facility.
	www.tonybarca.com /jon.htm (285 words)

	DISSCO - Digital Instrument for Sound Synthesis and Composition » LASS: Library for Additive Sound Synthesis
		LASS has also benefitted from their experience with two other additive synthesis systems, DIASS_M4C and DISCO.
		Unlike its predecessors, LASS is not a MusicN type of program: it uses function evaluations instead of table look-ups and does not require a “score”;.
		Instead, it produces an XML file which is used only as a record and not as input.
	ems.music.uiuc.edu /wp/wordpress/?page_id=2 (386 words)

	Patchwork (Site not responding. Last check: 2007-10-31)
		Patchwork was originally written by Keith Lent as a Macintosh front end for MUSIC56000, his real-time DSP synthesis language for The University of Texas at Austin Accelerando System (see Lent, Pinkston, Silsbee.
		1995 Computer Music Journal Volume 13:4), but he designed the program in such a way that it can be used as a front end for any MUSICn style language (MUSIC4bf, MUSIC5, MUSIC11, MUSIC360, etc.).
		Lent subsequently ported Patchwork to the Next machine and created a preliminary version for Windows.
	ems.music.utexas.edu /composers/rfp/research/patchwork/patchwork.html (242 words)

Try your search on: Qwika (all wikis)