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| | White Panic or, Mad Max and the Sublime (Site not responding. Last check: 2007-10-09) |
 | | In Mad Max, apocalypse is present as a potential of the spectator's present; the film always begins 'a few years from now', in a world a little worse than the one we know, and ends, some time later, with Max en route to a world worse again. |
 | | Mad Max is not the only film to have made me flee the cinema (at a blundering run quite unlike the lucid 'walking out' that signifies distaste), but it is easily the most memorable; the first time, I didn't make it through Jess's headlong flight through the bush. |
 | | Max himself is a waverer, afraid of becoming one of the crazies he is meant to control which is exactly what he needs to do. |
| www.sensesofcinema.com /contents/01/18/mad_max.html (9410 words) |
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