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| | Mafioso | Movie Review | Entertainment Weekly |
 | | Mafioso was actually released here briefly in the '60s, so technically it won't qualify for those year-end critics' lists. |
 | | Alberto Lattuada, the director of Mafioso, is known for codirecting Federico Fellini's debut film, Variety Lights, and the first half of Mafioso feels a lot like early Fellini a rambling, slightly precious yet bursting impasto of small-town life. |
 | | Nino thinks he's going on a hunting trip, but instead he's shoved into an airplane's cargo hold, packed into a dark crate, and let loose in New York City, which is shot, from startling low angles counterpointed by white-hot blasts of jazz, as a vision of sleek hell. |
| www.ew.com /ew/article/0,,20008786,00.html (642 words) |
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