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| | The Criterion Collection: Mamma Roma |
 | | Mamma Roma, Pasolini’s second feature, and, in its antic way, the thirty-five minute La ricotta, which immediately followed it, are among Pasolini’s most audaciously shaped and satisfying movies. |
 | | Mamma Roma is the story of a prostitute who rises from the subproletariat to the lower middle class, reclaims her son, Ettore, after an absence of many years, and moves him to Rome with her, where she tries to transcend her past while concealing it from him. |
 | | Mamma Roma’s attempt to give her son a better life has, thanks to Magnani’s grandiloquent acting, the flavor of tragic opera. |
| www.criterionco.com /asp/release.asp?id=236&eid=362§ion=essay (434 words) |
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