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Topic: Manfred Bukofzer

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	Baroque Allegory
		Bukofzer further demonstrates this sort of independence with examples from Bach where distinctly different textual concepts are supported by one and the same musical device.
		Bukofzer suggests that indeed it had, and was.
		Bukofzer, Manfred, "Allegory in Baroque Music," Journal of the Warburg Institute, iii (1939-40) pp.
	www.montalbano.org /peter/Allegory.htm (2550 words)

	[No title] (Site not responding. Last check: 2007-10-13)
		The musical portion of the Bukofzer library, bequeathed to the University last spring, consists of approximately 1000 volumes, of which some 450 are books on music, 150 are miniature scores and 400 are miscellaneous scores and editions of music.
		The most valuable part of the collection for research purposes is the group of microfililms and record prints assembled by Professor Bukofzer in connection with his edition of the works of Dunstable and other studies of medieval and Renaissance music.
		The Music Library plans to shelve such materials in the Bukofzer Seminar Room in the new music library building, together with a complete set of the writings of this great scholar who played such an influential part in the development of the music collection at Berkeley.
	www.oac.cdlib.org /view/mets/dg/tf4c6004dg.mets.xml (670 words)

	TIME.com: Sumer Icumeth in Later -- Jan. 15, 1945 -- Page 1 (Site not responding. Last check: 2007-10-13)
		Poring over the original manuscript in the British Museum, Musicologist Manfred F. Bukofzer of the University of California discovered that the 19th-Century historians were guilty of some careless scholarship.
		Bukofzer pointed out that the section dated 1240 was not in the same handwriting, and hence might not have been written at the same time.
		He also noted that the type of musical notation in which Sumer is icumen in was written was not in use in England until nearly a century later.
	www.time.com /time/magazine/article/0,9171,775431,00.html (471 words)

	A wider definition of Baroque Music
		This statement may sound harsh and somewhat discouraging, but it’s the result of many studies done by Manfred Bukofzer, one the major musicologists of the nineteen-hundreds.
		Bukofzer’s theory explains that it is fundamental to distinguish time and place of every baroque musical piece.
		It’s not right, explains Bukofzer, to collocate a concert of Vivaldi with a Couperin’s ballade, or a Scarlatti’s sonata for harpsichord with one of Handel.
	www.classicalforums.com /articles/Baroque_Music.html (603 words)

	Manfred Bukofzer - Wikipedia, the free encyclopedia
		He taught at the University of California, Berkeley from 1941 until his premature death.
		"Manfred F. Bukofzer", The New Grove Dictionary of Music and Musicians, ed.
		This page was last modified 22:24, 17 October 2006.
	en.wikipedia.org /wiki/Manfred_Bukofzer (204 words)

	The Session: Shop - Product info
		Manfred Bukofzer's volume in the original series was written in 1947 - clearly, much has been discovered since then.
		Many others will argue over the relative weight of importance of some composers in the textbook (there are many second-tier Italian composers, and Bach only gets about 25 pages), but I believe that any professor worth his/her salt will be easily solve this difficulty by supplementing the text with a few other materials.
		Though I would not rank this book as the best in the series, I do think it is certainly an improvement from Bukofzer and Claude Palisca's Prentice Hall textbook (not bad, but much less thorough).
	www.thesession.org /shop/display.php/0393978001 (381 words)

	DoveSong.com -- 17th Century Sacred Music
		Manfred Bukofzer had this to say about this difference:
		It would be wrong to explain this preference by contending that the late baroque masters were "greater" than their predecessors; this interpretation would only confirm the lack of familiarity with the previous periods of baroque music.
		Manfred Bukofzer from Music in the Baroque Era
	www.dovesong.com /positive_music/archives/baroque/17th_Century.asp (215 words)

	Baroque Artists of Champaign-Urbana
		Its first use as a stylistic term was in architecture, where it applied to the exuberant and ornate buildings found in Continental Europe during after the classicism of the Renaissance.
		The period 1600—1750 was first defined as the baroque era in musical history by American musicologist Manfred Bukofzer in his still valuable book "Music of The Baroque Era" (1947).
		Baroque music sprang from the humanism of the 16th century and the study of the rhetorical principles of ancient Greece and Rome.
	www.baroqueartists.org /guide.asp (956 words)

	Edgar H. Sparks
		He had to relinquish the last one because of the war and he served in the Navy from 1942 until 1946.
		He then returned to the University of California to resume study on his Ph.D. and received the degree in 1950, completing a dissertation on cantus firmus treatment in fifteenth century music under the direction of Manfred Bukofzer.
		In 1948 he was appointed a lecturer in music at the University of California, became a full professor in 1960, and retired in 1974.
	www.universityofcalifornia.edu /senate/inmemoriam/EdgarH.Sparks.htm (438 words)

	Music from the Renaissance and Baroque
		Manfred Bukofzer, Music in the Baroque Era (New York: W.W. Norton, 1947).
		This work is still a mainstay of the period, written by one of the foremost experts.
		Bukofzer's Germanic bias is apparent, however, and he doesn't explore opera quite as thoroughly as Bianconi.
	www.fathom.com /course/10701021/session5.html (1234 words)

	Working Dogs Book Store - Music in the Baroque Era, from Monteverdi to Bach. (Manfred F. Bukofzer) (via CobWeb/3.1 ... (Site not responding. Last check: 2007-10-13)
		More than just a chronology or lists of dates and names, there is a great deal of focus on style that helps us understand what the people of those years said they were trying to achieve with their music and art.
		Bukofzer is also excellent in pointing out the differences in the aesthetics of various countries.
		It was not like our time where everything is broadcast at once by the media or produced in vast quantities by huge manufacturing concerns.
	www.workingdogs.com.cob-web.org:8888 /bookstore/us/product/0393097455.htm (529 words)

	UC Berkeley Music Library, Bibliographic and Full-Text Reference Sources
		But in the end Duckles went far beyond purchasing the standard tools of the scholarly trade and created an extraordinary storehouse of rare books and manuscripts that has enriched the lives of generations of students and faculty and drawn scholars from around the world.
		Critical early acquisitions were the personal libraries of two eminent German musicologists, Manfred Bukofzer (who taught at Berkeley from 1941 to 1955) and Alfred Einstein.
		From his teacher Bukofzer he had inherited a belief in the importance of giving graduate students in music history an opportunity to work directly with original documents rather than making do with photographic copies and modern editions.
	www.lib.berkeley.edu /MUSI/roberts.html (1777 words)

	TME, 15th-Century Files
		Source: Manfred Bukofzer, Geschichte des englischen Diskants und des Fauxbourdons nach den theoretischen Quellen, Sammlung musikwissenschaftlicher Abhandlungen, Band 21 (Strassbourg: Heitz, 1936), 137-38.
		Source: Manfred Bukofzer, Geschichte des englischen Diskants und des Fauxbourdons nach den theoretischen Quellen, Sammlung musikwissenschaftlicher Abhandlungen, Band 21 (Strassbourg: Heitz, 1936), 146-53.
		Source: Manfred Bukofzer, Geschichte des englischen Diskants und des Fauxbourdons nach den theoretischen Quellen, Sammlung musikwissenschaftlicher Abhandlungen, Band 21 (Strassbourg: Heitz, 1936), 141-43.
	www.chmtl.indiana.edu /tme/15th/15th.html (953 words)

	Journal of Seventeenth-Century Music \| Vol. 6 No. 1 \| Holzer: Response to Noel O'Regan
		Risorgimento thinkers and their heirs, who found in Trent the source of all their woe, cast the period into the fiery historiographical pit.
		Likewise, those Catholics who hoped to square their faith with Liberalism had no use for the Curia's excessive temporal pretensions, a failing they also blamed on the Jesuits.
		See Manfred Bukofzer, Music in the Baroque Era from Monteverdi to Bach (New York: W. Norton, 1947), 68, quoted in Graham Dixon, "Progressive Tendencies in the Roman Motet during the Early Seventeenth Century," Acta musicologica 53 (1981): 205.
	sscm-jscm.press.uiuc.edu /jscm/v6/no1/Holzer.html (3241 words)

	Baroque - Wikipedia, the free encyclopedia
		It should be noted that the application of the term "Baroque" to music is a relatively recent development.
		The first use of the word "Baroque" in music was only in 1919, by Curt Sachs, and it was not until 1940 that it was first used in English (in an article published by Manfred Bukofzer).
		Even as late as 1960 there was still considerable dispute in academic circles over whether music as diverse as that by Jacopo Peri, François Couperin and J.S. Bach could be meaningfully bundled together under a single stylistic term.
	en.wikipedia.org /wiki/Baroque (3651 words)

	Books by Manfred F Bukofzer - Book Cost (via CobWeb/3.1 planetlab2.isi.jhu.edu) (Site not responding. Last check: 2007-10-13)
		Books by Manfred F Bukofzer - Book Cost (via CobWeb/3.1 planetlab2.isi.jhu.edu)
		Manfred F. Bukofzer - W W Norton & Co Inc
		Manfred F Bukofzer - University of California Press
	www.bookcost.com.cob-web.org:8888 /author/manfred-f-bukofzer (130 words)

	MUS 232: Music in the Renaissance (Wegman) (Site not responding. Last check: 2007-10-13)
		Manfred F. Bukofzer, "Caput: A Liturgico-Musical Study," in id., Studies in Medieval and Renaissance Music (New York: W. Norton & Co., 1950), 217-310 [read only pp.
		Manfred F. Bukofzer, "Caput: A Liturgico-Musical Study," in id., Studies in Medieval and Renaissance Music (New York: W. Norton & Co., 1950), 217-292.
		Manfred F. Bukofzer, "Caput: A Liturgico-Musical Study," 292-310.
	www.princeton.edu /~rwegman/mus232.html (2948 words)

	Amazon.com: Music in the Baroque Era, from Monteverdi to Bach.: Books: Manfred F. Bukofzer (Site not responding. Last check: 2007-10-13)
		Amazon.com: Music in the Baroque Era, from Monteverdi to Bach.: Books: Manfred F. Bukofzer
		Join Amazon Prime and ship Two-Day for free and Overnight for $3.99.
		His revelatory insights into the origins and details of Baroque style have set standards respected and imitated by generations of scholars.
	www.amazon.com /Music-Baroque-Era-Monteverdi-Bach/dp/0393097455 (1114 words)

	THE BROOKLYN RAIL - MUSIC
		Forget the power of love, this is the power of yodeling.
		Well, yes and no. Manfred Bukofzer, in his 1936 Magic and Technique in Alpine Music, described the magical powers of various Alpine tones when combined with certain mystical words.
		Meanwhile, seventeenth-century tales describe Swiss mercenaries suffering from heimweh (homesickness) who, upon hearing certain Alpine songs, would go AWOL, go berserk, or even die.
	www.thebrooklynrail.org /music/nov03/yodel.html (1175 words)

	Music in the baroque era. From Monteverdi to Bach. - BUKOFZER, MANFRED F. (Site not responding. Last check: 2007-10-13)
		BUKOFZER, MANFRED F. Music in the baroque era.
		Offered by: 't Boekwerk - Book number: 9057
		They offer full satisfaction and normal prices - no markups, no hidden costs, no overcharged shipping costs.
	www.antiqbook.nl /boox/bkw/9057.shtml (47 words)

	Today's Classical Music News - October 29th, 2005 (Site not responding. Last check: 2007-10-13)
		Read the income tax act, although any accounting text will work almost
		When I was at university the reccommended text was Manfred Bukofzer
		Read the income tax act, although any accounting text will work
	www.groupsrv.com /hobby/ntopic222606.html (1174 words)

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