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| | Robert Mapplethorpe and the Classical Tradition: Photographs and Mannerist Prints - New York Magazine Art Review |
 | | In contrast to the harmonious style of Raphael, the Mannerists, drawing particularly upon the later work of Michelangelo, emphasized theatrical exaggeration—contorted poses, elongated bodies, rippling muscles, and razzle-dazzle compositions. |
 | | In his pictures of a man inside a circular form, for example, the figure seems to be stopping the wheel instead of, as in the juxtaposed Mannerist print, flying off into space. |
 | | The Mannerist element in his art sometimes looks compensatory, as if he feared perfection was now an empty vessel—and idolatrous exaggeration and a heightened aestheticism were the only way he could attain something extraordinary. |
| newyorkmetro.com /nymetro/arts/art/reviews/12308 (965 words) |
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