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Topic: Manolete


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  an Spanish Matador: Manolete in CyberSpain
Manolete was always constant in his certainty and art at making the kill.
Manolete was also to impose a new kind of bull, a less powerful and more "anovillado" (young and noble) beast, which is not surprising, as the bloody Spanish civil war had left the people with little inclination to revive the cruelty of traditional bullfighting.
He falls in love with a young artist from La Mancha, a well-known and rather brazen girl called Lope Sino, who had been associated with other matadors of the day.As Manolete lies dying from his mortal goring,all access is forbidden to her for fear of a controversial deathbed marriage.
cyberspain.com /life/manoleteI.htm   (1121 words)

  
  an Spanish Matador: Manolete in CyberSpain
Cuando Manolete agonizaba tras su mortal cogida, a esta, la fue prohibido el acceso a su habitación para evitar un polémico matrimonio "in artículo mortis".
Manolete con su joven y bella novia Lupe Sino.
Tras la lidia y la muleta Manolete entra a matar hundiendo todo su acero en el lomo de la bestia, a continuación, el toro le clava profundamente un pitón en su muslo derecho.
www.cyberspain.com /life/manolete.htm   (940 words)

  
  Film to show doomed love of Spanish matador Manolete - Boston.com
Manolete's biographers wrote that Sino had a shady reputation and was said to be after his money, but underlying their words was a basic hostility to women in the bullfighting world -- described by Joselito, another legendary matador:
Manolete's mother and his professional circle disliked Sino, partly because of the bullfighting lore that women and bulls do not mix.
As Manolete bled to death after his fatal goring on August 28, 1947, Sino was barred from seeing him on "doctor's orders" in case the matador tried to marry her in his final moments.
www.boston.com /news/world/europe/articles/2006/08/30/film_to_show_doomed_love_of_spanish_matador_manolete   (1008 words)

  
 Museumkr@nt
Manolete treedt in 42 novilladas con picadores op - stierengevechten met jonge stieren - voordat hij op 2 juli 1939 'beroeps' wordt.
Manolete wordt beroeps wanneer de zogenaamde gouden era van het stierenvechten, de periode van Juan Belmonte en Joselito, rond de jaren '20, al enige tijd achter de rug is. Belmonte was verantwoordelijk voor de laatste grote vernieuwing in het stierenvechten te voet.
Het portret van Manolete, door Willem Wagenaar, is nog tot en met 29 juli te bekijken in projectkamer 7 van het Centraal Museum Utrecht.
www.museumserver.nl /museumkrant/editie43/artikel.php3?pagina=3   (723 words)

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