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Topic: Marc Antoine Charpentier


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In the News (Mon 28 Dec 09)

  
 Marc-Antoine Charpentier - Wikipedia, the free encyclopedia
Marc-Antoine Charpentier (1643- February 24, 1704) was a French composer of the Baroque era.
Charpentier was appointed maitre de musique a la Sainte Chapelle in 1698; a post he held until his death in 1704.
Charpentier's compositions were catalogued by Hugh Wiley Hitchcock.
www.wikipedia.org /wiki/Marc_Antoine_Charpentier   (429 words)

  
 MARC ANTOINE CHARPENTIER, Biography, Discography
(1643- 1704) Marc-Antoine Charpentier was born in Paris, probably into a family of artists.
But many believe Charpentier to be the greater of the two, displaying in his work impressive breadth of range - from the pomp of the court and the flamboyance of the theatre to the intimacy of the private chapel.
Charpentier's early life is unclear, but it is known that in 1662, he travelled to Rome to study under the great Italian composer Giacomo Carissimi, famous throughout Europe for his sacred music.
www.goldbergweb.com /en/history/composers/10456.php   (502 words)

  
 Charpentier, Marc-Antoine Music Web Links
Charpentier, Marc-Antoine - Musical biography including studies and Italian influences, work among French royalty, analysis of style and substance of his works, and a summary list of compositions.
Musings on Marc-Antoine Charpentier and the Guises - Varied writings, essays, and speculative studies on the composer and his protectors and musical patrons.
Marc-Antoine Charpentier - English and French evaluations of his works, especially an extended study of his Te Deum and Missa Assumpta est Maria, including related composers from Classical Composers Database.
www.searchmusicnetwork.com /Composition_Composers_C_Charpentier,_Marc-Antoine.html   (2042 words)

  
 Next publication of Marc-Antoine Charpentier's facsimile
Circumstantial and stylistic evidence indicates that this work is by Marc-Antoine Charpentier, very probably composed during the mid 1680s for performance by the musicians of Mlle de Guise (d 1688); its attribution to him has been widely accepted.
Charpentier, Marc-Antoine: Sonate pour 2 flûtes allemandes, 2 dessus de violon, une basse de viole, une basse de violon à 5 cordes, un clavecin et un théorbe.
As such, the sonata is the earliest by a French composer, contemporary with the Roman trio sonatas of Corelli and predating the earliest Parisian ensemble sonatas of François Couperin and his circle; it makes striking use of contrasting solo and accompanying instruments and juxtapositions of French and Italian forms and idioms.
www.goldbergweb.com /en/news/suisse/2004/04/19667.php   (210 words)

  
 Marc Antoine Charpentier Biography / Biography of Marc Antoine Charpentier Biography Biography
The works of the French composer Marc Antoine Charpentier (1634-1704) are generally considered to be the epitome of the formal, learned style cultivated in French music in the late 17th century.
On Charpentier's return to Paris he collaborated with the playwright Molière on comedy-ballets after the latter's break with Jean Baptiste Lully; Charpentier was responsible for the music for La Mariage forcé (1672) and Le Malade imaginaire (1673).
Between 1686 and 1688 Charpentier served in a similar position in the establishment of Mademoiselle de Guise.
www.bookrags.com /biography-marc-antoine-charpentier   (513 words)

  
 Marc-Antoine Charpentier - Wikipédia
Marc-Antoine Charpentier (*1643à Paris -† 24 février 1704), fut compositeur français sous le règne du roi Louis XIV.
De H. Wiley Hitchcock, (H) « Les œuvres de Marc-Antoine Charpentier » Catalogue paru en 1982 chez Picard, à Paris.
En tout 28 livres avec plus de 500 œuvres que Charpentier a pris soin de copier et de classer lui-même. La moitié de son œuvre environ a été enregistrée.
fr.wikipedia.org /wiki/Marc-Antoine_Charpentier   (274 words)

  
 France diplomatie - Une galerie de compositeurs
À l'occasion de la commémoration du tricentenaire de la mort de Marc-Antoine Charpentier en 2004, le Ministère de la culture et de la communication vient de publier un site internet dédié au compositeur.
Charpentier fut étroitement dépendant du pouvoir sans partage de Lully, et sa vie de compositeur se situe au coeur des querelles et rivalités qui opposèrent les tenants de la musique française à ceux de l'art italien.
Dans ce contexte, l'originalité du « sçavant » Charpentier fut sans doute d'opérer dans sa musique une synthèse entre les éléments italianisants chers à son temps et un véritable style français.
www.france.diplomatie.fr /culture/galerie_composit/charpent.html   (860 words)

  
 Embellishments 2: Marc-Antoine Charpentier (1643-1704)
Of seventeenth-century French composers, Marc-Antoine Charpentier stands out for the impressive legacy he left to future generations of musicians.
The diversity that Charpentier himself held to be essential to excellent music is at the core of his own works.
He was renowned in his day, and Charpentier's music continues to intrigue audiences and performers with its freshness and daring.
www.areditions.com /rr/embellish/1997_02/charpentier.html   (328 words)

  
 Marc-Antoine Charpentier
A comprehensive study of French composer Charpentier's approximately 550 compositions, offering discussion of his theoretical writings, a catalog and a chronological table of his works, classification of the works by scoring, and name and music indices.
Includes chapters on Charpentier's place in history, his early years in France and Italy, and his collaboration with Moli<`;e>re, plus bandw illustrations.
www.grainger.de /dbe/sbs/charpentm001.html   (58 words)

  
 Marc-Antoine Charpentier, composer, biography, discography
Thus does Charpentier introduce himself in his astonishing piece in Latin entitled Epitaphium Carpentarii, in which he himself appears on the stage: he imagines that he returns to earth after his death, in the guise of a shade, and looks over his life with a curious mixture of humility and bitterness.
La Tour and Charpentier share a deep religious sentiment, the Italian influence, and a love for the quotidian.
This circulation, quite exceptional, has allowed a reconsideration of Charpentier’s place within the western musical landscape.
www.goldbergweb.com /en/magazine/composers/2000/06/503.php   (370 words)

  
 Composer
From a very large number of compositions, the Messe de Minuit pour Noël may be singled out, with the second of Charpentier's Te Deum settings, impressively scored for forces that include woodwind, trumpet, timpani and strings.
CHARPENTIER: Messe des Morts / Litanies a la Vierge
CHARPENTIER: Messe de Minuit pour Noel / Te Deum
www.naxos.com /composer/btm.asp?fullname=Charpentier,+Marc-Antoine   (126 words)

  
 Marc-Antoine Charpentier - Classical Composers Database
No works better exemplify the character and style of the music of Marc-Antoine Charpentier (1643-1704) than the settings on this recording, both probably dating from his last years, when he was "maître de musique" at La Sainte-Chapelle in Paris.
Charpentier's D major setting is notable not only for its famous opening "rondeau", but also for the use of trumpets and timpani at significant moments in depicting the text.
Charpentier employs a vocal "petit choeur" of eight singers, two each of "dessus" (soprano), "hautecontre" (high tenor), "taille" (tenor) and "basse" (bass), with a "grand choeur" in the same four parts.
utopia.knoware.nl /~jsmeets/cgi-bin/ccd.cgi?comp=charpenm   (1778 words)

  
 Portraits around Marc-Antoine Charpentier
Pierre Charpentier, grand chapelain at the cathedral of Meaux, and Étienne Charpentier, praticien at Meaux, the brothers of Louis the Scrivener and the uncles of the composer
Gilles Charpentier, secretary to the Marquis of Saint-Luc, the son of Jacques the Notary
Denis Charpentier, maître mégissier of Meaux, the composer’s great-grandfather
www.ranum.com /pmr/portraits-toc.htm   (1161 words)

  
 HOASM: Marc-Antoine Charpentier
In 1672 he became Molière's musical collaborator when the latter broke with Lully; Charpentier composed prologues, entr'actes, and other music for the poet's Mariage forcé(1672) and Malade imaginaire(1673), and he continued collaborating with the Comédie-françaiseafter Molière's death in 1673.
During the 1680s Charpentier served as maître of the Jesuits' St. Louis church; he was also music teacher to Philippe, Duke of Chartres.
The position required him to compose a large number of sacred works and music for special occasions (a Te Deum and the Judicium Salomonis).
www.hoasm.org /VIIB/Charpentier.html   (302 words)

  
 - Classical Music Dictionary - Free MP3
Charpentier was favoured by the Dauphin and the Jesuits who appointed him music master at their St. Louis church and later at the Sainte-Chappelle.
In particular the Messe de Minuit pour Noël and the second of Charpentier's Te Deum settings, impressively scored for forces that include woodwind, trumpet, timpani and strings.
A prolific composer, he was more appreciated for his church music than his secular compositions.
www.karadar.it /Dictionary/charpentier.html   (100 words)

  
 Charpentier, Marc-Antoine --  Britannica Concise Encyclopedia - The online encyclopedia you can trust!
For three decades designer Marc Bohan was one of the standard-bearers of elegant women's fashions.
U.S. pianist, playwright, and composer Marc Blitzstein was known for his unorthodox operas and plays.
French composer Gustave Charpentier is best known for his opera Louise.
britannica.com /ebc/article-9360408?tocId=9360408&query=null&ct=null   (755 words)

  
 Medee (Medea) (Marc-Antoine Charpentier)
Charpentier's opera contains stock ingredients in a mad scene for Creon, a magic scene for Medea and ballets for Love's prisoners and for spirits and demons.
Creusa dies in the poisoned robes Medea had given her, and she now confesses that she has killed her two children by Jason.
Medea is given arias that range from sorrow to fury.
www.naxos.com /NewDesign/fintro.files/bintro.files/operas/Medee(Medea)(Marc-Antoine_Charpentier).htm   (216 words)

  
 ArkivMusic Charpentier: Musique Sacrée, Bach, Handel / Goebel, Musica Antiqua Köln
Those familiar with the famous fanfare that begins Charpentier's Te Deum will delight in the equally celebratory Marche de triomphe pour les violons, trompettes, timbales, flutes, et hautbois that opens this program--a grand spectacular that the Köln musicians perform to the hilt.
Listeners used to the recent, comparatively mild-mannered approach exhibited by Ledger, Leppard, Malgoire, and even Christie and Niquet in their dabblings in Charpentier's orchestral music are in for a treat with Goebel's dynamically charged, roof-raising performance.
In fact, with the exception of the Messe pour plusieurs instruments au lieu des orgues (the only work featuring a vocal ensemble), most listeners would be hard pressed to identify religious associations in these works without a hint from their titles.
www.arkivmusic.com /classical/Playlist?source=WGMS&date=200503220527   (589 words)

  
 Salzburger Festspiele 2004 - MARC-ANTOINE CHARPENTIER
Almost everyone knows at least a few bars from the rich œuvre of Marc-Antoine Charpentier: the Prélude from his Te Deum H 146, used as a signature tune for broadcasts throughout the European Broadcasting Union for fifty years.
Reinhard Goebel and the Musica Antiqua Köln will do their best to rectify this with a morning concert of works by Charpentier.
After the death of the French Baroque composer on 24 February 1704 his works were completely forgotten and remained undiscovered until the 20th century.
www.salzburgfestival.at /pf_charpentier_04_e.html   (119 words)

  
 BBC - Radio 3 - Performance on 3 - Complete performance
Marc-Antoine Charpentier was actually master of music at the rival Sainte-Chapelle in Paris, where he produced a succession of glorious sacred works, praising God and celebrating national victories.
The Royal Chapel in Louis XIV's Chateau of Versailles is the magnificent setting for a choral concert by Le Concert Spirituel, one of France's foremost early music ensembles.
www.bbc.co.uk /radio3/performanceon3/pip/thp2w   (67 words)

  
 Best in baroque from Florissants - The Washington Times: Entertainment
Now in its 25th year, the much-recorded troupe made an all-too-brief appearance at the Kennedy Center's Eisenhower Theater on Tuesday evening, highlighting two rarely performed short operas of Marc-Antoine Charpentier as part of the center's ongoing Festival of France.
Rightly or wrongly, Charpentier (1643-1704) is sometimes regarded as an also-ran in the classical music firmament.
Clearly for Charpentier, the Sun King, by squashing all domestic and external threats, has enabled a quiet place for the arts to blossom unhindered.
www.washtimes.com /entertainment/20040204-092033-9673r.htm   (641 words)

  
 CHARPENTIER, Marc-Antoine :Gilder-MusicWeb Dictionary of composers
Marc-Antoine Charpentier wrote: eleven masses; eighty-four psalms and much other church music; thirty-five oratorios; eight cantatas; fifteen pastorals and operas; many sacred and secular instrumental works
After Moliere's collaboration with Lully ended in 1672 Charpentier worked with Moliere in his theatre, composing music for plays and ballets.
By 1680 he was employed by the Grand Dauphin as musical director, and in 1680 he became composer to the principal Jesuit church in Paris.
www.musicweb-international.com /Classpedia/CharpentierM.htm   (111 words)

  
 Marc-Antoine Charpentier
Charpentier réalisa également des commandes pour l'Académie française, l'Académie royale de sculpture et de peinture et pour l'abbaye de Port-Royal.
Charpentier poursuivit sa collaboration avec le Théâtre français jusqu'en 1685 avec Polyeucte, Médée et Andromaque de Pierre Corneille, Circé, l'Inconnu, la Pierre philosophale de Thomas Corneille.
Avec Orphée descendant aux Enfers (1683), Charpentier donna un caractère profane à ses cantates et des formes spécifiques que reprirent ses successeurs, Nicolas Bernier (1665-1734), claveciniste, organiste et maître de musique à la Sainte-Chapelle à Paris, auteur de motets et de nombreuses cantates profanes et André Campra.
perso.wanadoo.fr /jean-claude.brenac/CHARPENTIER.htm   (763 words)

  
 Marc-Antoine Charpentier (1643-1704)
Molière turned to Marc-Antoine Chapentier, a young composer best known for his sacred music, though he was also the author of some pastoral works.
Charpentier n’était alors connu que pour sa musique sacrée et quelques pastorales, mais il collabora tout de même avec Molière sur sa dernière comédie.
This site offers four examples of Charpentier’s music for
www.site-moliere.com /ressources/charpent.htm   (121 words)

  
 Marc_antoine_charpentier
Charpentier: In Nativitatum Domini Canticum H416; Judicium Salomonis H422
It briefly reappeared as a budget reissue on Ricercar In Ecco, and now appears on Assai...
music.mysic.co.uk /Artist/Marc_Antoine_Charpentier   (66 words)

  
 Online and Local Price Comparison: Spot Cost
« previous more music by marc antoine charpentier »
www.spotcost.com /artist/marc-antoine-charpentier-p3   (37 words)

  
 Google Directory
> C > Charpentier, Marc-Antoin could not be found.
It is likely that this category has been moved to another location within the directory.
gogle.com /alpha/Top/Arts/Music/.../C/Charpentier,_Marc-Antoine   (52 words)

  
 Gallileus - Marc-Antoine Charpentier
Translator: Glasow, E. ThomasA comprehensive study of French composer Charpentier's approximately 550 compositions, offering discussion of his theoretical writings, a catalog and a chronological table of his works, classification of the works by scoring, and name and music indices.
www.gallileus.info /search/lob_detail?isbn=0931340802   (205 words)

  
 Marc-Antoine Charpentier News
News about Marc-Antoine Charpentier continually updated from thousands of sources around the net.
Neglected for centuries, Charpentier has recently emerged as one of the greatest French composers of sacred music in the seventeenth century, arguably...
Magnificat, the early-music ensemble led by Artistic Director Warren Stewart, will perform 17th century works by Italian, French and German masters during its 2004-05 season.
www.topix.net /who/marc-antoine-charpentier   (99 words)

  
 Marc-Antoine Charpentier and His World, Birmingham, April 2004
Marc-Antoine Charpentier and His World, Birmingham, April 2004
www.sun.rhbnc.ac.uk /Music/Conferences/04-4-mac.html   (8 words)

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