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	Marcantonio - LoveToKnow 1911
		MARCANTONIO [MARCANTONIO RAIMONDI], the chief Italian master of the art of engraving in the age of the Renaissance, and the first who practised it in order to reproduce, not designs of his own invention, as earlier craftsmen had commonly done, but those of other artists almost exclusively.
		Marcantonio received his training in the workshop of the famous goldsmith and painter of Bologna, Francesco Raibolini, usually called Francia.
		From that time until he disappears in the catastrophe of 1527, Marcantonio was almost exclusively engaged in reproducing by means of engraving the designs of Raphael or of his immediate pupils.
	www.1911encyclopedia.org /Marcantonio (1045 words)

	RAIMONDI, Marcantonio
		Raimondi worked as a silversmith before turning to engraving designs on metal plates for printing, the art in which he achieved fame.
		About 1510 Raimondi settled in Rome, and for ten years he worked in close association with the Italian painter Raphael, engraving Raphael's designs and paintings; these represent Raimondi's finest work.
		After Raphael's death in 1520, Raimondi engraved the works of Raphael's followers, chiefly those of the Italian Mannerist painter Giulio Romano.
	www.history.com /encyclopedia.do?articleId=220265 (157 words)

	Marcantonio
		Marcantonio, the chief Italian master of the art of engraving in the age of the Renaissance, and the first who practiced it in order to reproduce, not designs of his own invention, as earlier craftsmen bad commonly done, but those of other artists almost exclusively.
		Marcantonio received his training in the workshop of the famous goldsmith and painter of Bologna, Francesco Raibolini, usually called Francia.
		Marcantonio himself was among the foremost in this movement.
	www.nndb.com /people/063/000095775 (1072 words)

	Marcantonio Raimondi -- Facts, Info, and Encyclopedia article (Site not responding. Last check: )
		Marcantonio Raimondi (c.1480 - c.1534) was an (A native or inhabitant of Italy) Italian (A skilled worker who can inscribe designs or writing onto a surface by carving or etching) engraver.
		Later, Raimondi founded a successful engraving school in (Capital and largest city of Italy; on the Tiber; seat of the Roman Catholic Church; formerly the capital of the Roman Republic and the Roman Empire) Rome.
		Around 1524 Raimondi was briefly imprisoned for making erotic engravings, such as the (additional info and facts about I Modi) I Modi set.
	www.absoluteastronomy.com /encyclopedia/m/ma/marcantonio_raimondi.htm (147 words)

	Antiques Council
		By 1515, Marcantonio reached his second phase, which was characterized by the development of his systemized technique of engraving, in which he displayed an increasing experimentation with the chiaroscuro and atmospheric effects in an effort to reproduce the effect of the painting.
		Marcantonio's final phase, following the death of Raphael in 1520 until the sack of Rome, is evidenced by the prints he engraved after the modelli of Giulio Romano and others from Raphael's studio.
		Marcantonio's engravings remain of paramount importance today because of his close association with Raphael, one of the most influential artists to emerge from the Renaissance.
	www.antiquescouncil.com /acuni/0405childs.htm (1236 words)

	Marcantonio Raimondi - Wikipedia, the free encyclopedia
		After studying in Bologna with the goldsmith and painter Francesco Raibolini, called Francia, Raimondi moved to Venice, where he copied Albrecht Dürer's works (without Dürer's consent, who sued Raimondi).
		Later, Raimondi founded a successful engraving school in Rome.
		Around 1524 Raimondi was briefly imprisoned for making erotic engravings, such as the I Modi set.
	en.wikipedia.org /wiki/Marcantonio_Raimondi (109 words)

	CATHOLIC ENCYCLOPEDIA: Marcantonio Raimondi
		Raimondi left for Rome, stopping at Florence to sketch Michelangelo's (lost) cartoon "The Climbers", which he afterwards engraved in Rome (1510).
		Raimondi, never giving him a finished picture but a pencil or pen outline-drawing, knowing that the proper treatment and elaboration would come from his engraver; and hence there is often a marked discrepancy between an oil by Raphael and
		Raimondi opened up a new province of the burin — reproduction; he inspired the largest following that ever an engraver had, and he drew as well as da Vinci or Raphael.
	www.newadvent.org /cathen/12634b.htm (468 words)

	Marcantonio Raimondi - Encyclopedia.com
		Raimondi's art of imitation was appreciated more by Raphael, who selected him to copy his designs and paintings.
		In the 16th century, there was a famous fight between Albrecht Durer and Marcantonio Raimondi over Raimondi's unauthorized use of Durer's imagery.
		Marcantonio Raimondi, Israhel van Meckenem and half a dozen other artists here show Lucretia standing naked with a dagger at her breast...
	www.encyclopedia.com /doc/1E1-Raimondi.html (933 words)

	Marcantonio Raimondi (1480 - 1527)
		Marcantonio Raimondi (c.1480 - c.1534) was an Italian engraver.
		After studying in Bologna with the goldsmith and painter Francesco Raibolini, called Francia, Raimondi moved to Venice, where he copied Albrecht Dürer's works (without Dürer's consent, who sued Raimondi).
		Around 1524 Raimondi was briefly imprisoned for making erotic engravings, such as the I Modi set.
	www.jahsonic.com /Raimondi.html (92 words)

	Marcantonio Raimondi (Italian, c. 1480-c. 1527): Engravings after Durer's Small Woodcut Passion, p. 1
		Marcantonio was the object of one of the earliest suits by an artist against those appropriating his work as their own.
		After leaving Venice, Marcantonio went first to Florence, then on to Rome, which became his home and where he found success working with Raphael as the head of a workshop of engravers (including Marco Dente da Ravenna and Agostino dei Musi (called Agostine Veneziano) whose copies made Raphael's work known through Europe.
		After Raphael's death from the plague in 1520, Marcantonio continued to work with the surviving members of Raphael's studio until the Sack of Rome in 1527, during which, according to Vasari, Marcantonio was taken prisoner and forced to sell everything he owned to ransom himself.
	spaightwoodgalleries.com /Pages/Marcantonio_Durer.html (749 words)

	Marcantonio Raimondi (1480 - 1527) Artwork Images, Exhibitions, Reviews
		Marcantonio Raimondi studied with a Bologonese painter before moving to Venice in 1506 to become an unofficial copyist for Albrecht Durer.
		Marcantonio Raimondi, The Lamentation of the Virgin, after the engraving by Marcantonio Raimondi from a design by Raphael, circa 16th century
		Marcantonio Raimondi, Martyrdom of St. Cecilia, after the engraving by Marcantonio Raimondi after the lost fresco (ca.
	wwar.com /masters/r/raimondi-marcantonio.html (732 words)

	MARCANTONIO [MARCANTONIO RAIMONDI] - Online Information article about MARCANTONIO [MARCANTONIO RAIMONDI]
		place in 15o6, and neither of the two series of woodcuts imitated by Marcantonio was published until 1511.
		Up till the year 1510 Marcantonio had lived entirely at Bologna, with the exception, it would appear, of a visit or visits to Venice.
		catastrophe of 1527, Marcantonio was almost exclusively engaged in reproducing by means of engraving the designs of Raphael or of his immediate pupils.
	encyclopedia.jrank.org /MAL_MAR/MARCANTONIO_MARCANTONIO_RAIMOND.html (1875 words)

	Art History 110, Spring 1999, Class Exhibit
		Marcantonio Raimondi's Saint Cecilia is one example of the many works that he made as a copy of an original work done by another artist.
		Marcantonio was able to develop his print of the Saint Cecilia after Raphael's painting through the use of Raphael's original sketch of the piece.
		Marcantonio's print also served the purpose of spreading the image of the altarpiece to people not indigenous to the area in which it was displayed.
	instruct1.cit.cornell.edu /Courses/arth110-spring99/marcus.htm (1809 words)

	Marcantonio Raimondi Online
		Marcantonio Raimondi at the Detroit Institute of Arts, Michigan
		Marcantonio Raimondi at the Metropolitan Museum of Art, New York City
		Marcantonio Raimondi in the Los Angeles County Museum of Art Database
	www.artcyclopedia.com /artists/raimondi_marcantonio.html (257 words)

	Marcantonio Raimondi (Getty Museum) (Site not responding. Last check: )
		Marcantonio Raimondi pioneered the reproduction of artwork in prints.
		After studying with a Bolognese painter, Raimondi was in Venice by 1506.
		Following this disgrace, Raimondi was forced to ransom himself from the Spaniards during the Sack of Rome in 1527.
	www.getty.edu /art/collections/bio/a3669-1.html (191 words)

	AllRefer.com - Marcantonio Raimondi (European Art To 1599, Biography) - Encyclopedia
		In Venice he was influenced by DUrer to such an extent that he plagiarized the German master's series, Life of the Virgin and the Passion.
		Raimondi's art of imitation was appreciated more by Raphael, who selected him to copy his designs and paintings.
		Raimondi made engravings after other artists, including Michelangelo, Giulio Romano, and Baccio Bandinelli.
	reference.allrefer.com /encyclopedia/R/Raimondi.html (254 words)

	Marcantonio Marcantonio Raimondi [italian Engraver, Ca.1475-1534] Guide To Pictures Of Works By Marcantonio R (Site not responding. Last check: )
		Vito Marcantonio, a Congressman from East Harlem from 1935 to 1950, was known for his undying commitment Vito Marcantonio defied the truism of American politics that in the United.
		Artist: Marcantonio Raimondi (1480 - 1527) Biography: Marcantonio Raimondi studied with a Bologonese painter before moving to Venice in 1506 to become an.
		MARCANTONIO, Vito Anthony, (1902 - 1954) MARCANTONIO, Vito Anthony, a Representative from New York; born in New York.
	www.99hosted.com /names12277.html (377 words)

	Marcantonio Raimondi, designed by Raphael (Raffaello Sanzio or Santi): The Judgment of Paris (19.74.1) \| Object Page \| ...
		While Marcantonio sometimes worked from drawings created for other projects, in this case Raphael created the drawing for the sole purpose of having it engraved by Marcantonio.
		Marcantonio's controlled and systematic line, curving around the figures, beautifully conveys the sculptural quality that Raphael sought.
		the lines, Marcantonio roughened the metal plate with pumice, so that all areas not later burnished smooth hold some of the ink in their textured surface.
	www.metmuseum.org /TOAH/ho/08/eusts/hod_19.74.1.htm (312 words)

	Marcantonio Raimondi: Apollo Belvedere (49.97.114) \| Object Page \| Timeline of Art History \| The Metropolitan Museum of ...
		Raimondi's print became an important vehicle through which knowledge of the statue was transmitted far beyond the Vatican.
		Here, Raimondi's mastery for replicating the effects of light on marble produces a convincing impression of the statue's form.
		Many artists incorporated the Apollo's much-lauded pose into their own work.
	www.metmuseum.org /toah/hd/clan/hod_49.97.114.htm (276 words)

	AbeBooks: Search Results - Antony De Witt and Marcantonio Raimondi Incisioni
		Marcantonio Raimondi was the famous Bolognese etcher of the 16th century.
		Meist in Originalgröße geben die Abbildungen einen eindrucksvollen Einblick in das vielfältige Werk Raimondis (1480-1530).
		Marcantonio Raimondi (Bologna, 1480 ca.-1534 ca.) fu il più celebre incisore del Cinquecento italiano, allievo del Francia.
	www.abebooks.co.uk /search/sortby/3/an/Antony+De+Witt+/tn/+Marcantonio+Raimondi+Incisioni+ (341 words)

	Marcantonio Raimondi -- Britannica Concise Encyclopedia - Your gateway to all Britannica has to offer!
		Marcantonio Raimondi -- Britannica Concise Encyclopedia - Your gateway to all Britannica has to offer!
		He trained in Bologna under Francesco Francia, but his energetic lines and use of cross-hatching in modeling were influenced by Albrecht Dürer.
		More results on "Marcantonio Raimondi" when you join.
	concise.britannica.com /ebc/article-9376412?tocId=9376412 (94 words)

	After Marcantonio Raimondi / Galatea, after Marcantonio Raimondi's engraving after the fresco by Raphael, Rome, Villa ...
		After Marcantonio Raimondi / Galatea, after Marcantonio Raimondi's engraving after the fresco by Raphael, Rome, Villa Farnesina.
		Galatea, after Marcantonio Raimondi's engraving after the fresco by Raphael, Rome, Villa Farnesina.
		This image is one of over 108,000 from the AMICA Library (formerly The Art Museum Image Consortium Library- The AMICO Library™), a growing online collection of high-quality, digital art images from over 20 museums around the world.
	www.davidrumsey.com /amico/amico713875-57779.html (318 words)

	Michelangelo Buonarotti (Florence 1475-1564 Rome)
		Cherubino Alberti / Michelangelo Buonarotti (After) / Annibale Carracci / Parmigianino (after) / Marcantonio Raimondi, Giulio Romano / Andrea Schiavone / Tintoretto / Titian (after) / Veronese School / Federico Zuccaro
		1500 / Raphael School / Giovani Jacopo Caraglio / Marcantonio Raimondi / The Master of the Die / Anea Vico / Agostino Veneziano / Michelangelo Buonarotti (After) / Titian (after) / Tintoretto (after) / Parmigianino / Annibale Carracci / Simone Cantarini
		Marcantonio's work is based on Michelangelo's now destroyed painting of the Battle of Cascina.
	www.spaightwoodgalleries.com /Pages/Michelangelo_after.html (628 words)

	Raphael, Durer, and Marcantonio Raimondi: Copying and the Italian Renaissance Print (Site not responding. Last check: )
		Rather than a life of the Italian printmaker, this text seeks to describe and define the process used by Marcantonio Raimondi to produce prints by copying paintings (in the case of Raphael) or other prints, as when he produced a set of engravings based on Dürer's Life of the Virgin woodcut cycle.
		In her discussion of this selection of Marcantonio's prints, Pon (associate curator of academic programs, Davis Museum and Cultural Center, Wellesley College, Mass.) considers the notion of an artist's signature, the nature of a copy, and how best to define and understand the process, production, and authorship of prints based on copies.
		A final chapter analyzes Vasari's biographies of Marcantonio and others to demonstrate his (Vasari's) attitude towards prints and their manufacture.
	www.booksmatter.com /b0300096801.htm (177 words)

	Raimondi, Oberhuber and Bartsch (1978) The works of Marcantonio Raimondi and of his school
		Raimondi, Oberhuber and Bartsch (1978) The works of Marcantonio Raimondi and of his school
		The works of Marcantonio Raimondi and of his school
		To view the the latter's ratings, click on Chapters/Papers/Articles in the STATISTICS box, select a publication from the list that appears, and then click on either Quality or Interest in that publication's STATISTICS box.
	www.getcited.org /?PUB=100385748&showStat=Ratings (98 words)

	Marcantonio Raimondi
		Cecilia, after the engraving by Marcantonio Raimondi after the painting by Raphael in the Pinacoteca Nazionale, Bologna, circa 16th century
		Paul preaching at Athens, after Marcantonio Raimondi"s engraving after the design by Raphael for the Sistine Chapel tapestries, 16th century
		- Martyrdom of St. Cecilia, after the engraving by Marcantonio Raimondi after the lost fresco (ca.
	wwar.com /masters/r/raimondi-marcantonio-works.html (1080 words)

	Prints of MA Raimondi (Site not responding. Last check: )
		, Apollo Hyacinth and Amor:detail of Amor, Mythology, 37, Marcantonio Raimondi
		, Christ in the House of Simon the Pharisee:detail, NewTestament, 277, Marcantonio Raimondi
		, Massacre of the Innocents, NewTestament, 110, Marcantonio Raimondi
	rubens.anu.edu.au /htdocs/bytype/prints/raimondi (167 words)

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