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| | New York State Writers Institute - Fanny Film Notes (Site not responding. Last check: 2007-10-30) |
 | | Marcel Pagnol’s trilogy, Marius, Fanny, and Cesar is an epic of the ordinary, an affectionate portrait of the big routines and little sadnesses that are the landmarks of working men and women everywhere. |
 | | Ironically, they would reject Pagnol’s claim to membership in their pantheon of great directors, because his films, they said, were "filmed theater." Pagnol would have agreed, for he believed that the human voice, and the words it framed, were the very essence of drama, whether on the stage or on the screen. |
 | | The pleasures of Pagnol’s script are in the foibles and eccentricities of the older characters—Charpin is skillful as Panisse, and Raimu is once again wonderful, hiding his feelings behind his brusque exterior, trying to run everyone else’s business while barely managing his own. |
| www.albany.edu /writers.inst/fnf02n12.html (1068 words) |
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