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	Reference.com/Encyclopedia/Marcel Tabuteau
		Marcel Tabuteau (July 2, 1887 - January 4, 1966) was a French oboist who is generally considered the founder of the American school of oboe playing.
		Tabuteau was born in Compiegne, Oise, France, and was given a post with the city's orchestra at age eleven.
		Tabuteau served as principal oboist of the Philadelphia Orchestra from 1915 to 1954 and, just as importantly, he taught in Philadelphia at the Curtis Institute of Music.
	www.reference.com /browse/wiki/Marcel_Tabuteau (305 words)

	Marcel Tabuteau - Wikipedia, the free encyclopedia
		Marcel Tabuteau (July 2, 1887 - January 4, 1966) is known as the founder of the American school of oboe playing.
		Tabuteau was born in Compiegne, Oise, France, and was given a post with the city's orchestra at age eleven.
		Tabuteau taught Oboe, Woodwind Ensemble, Orchestral Winds and Percussion Class, and String Classes at the Curtis Institute of Music from its founding in 1924 until his retirement in 1953.
	en.wikipedia.org /wiki/Marcel_Tabuteau (163 words)

	ZoomInfo Web Summary: Marcel Tabuteau (Site not responding. Last check: 2007-10-09)
		Tabuteau was engaged by the Curtis Institute at its founding in 1924 and, until his retirement in 1954, he taught Oboe, Woodwind Ensemble, Orchestral Winds and Percussion Class and String Classes.
		Biography: Marcel Tabuteau Marcel Tabuteau, Principal Oboist of the Philadelphia Orchestra for 39 years and Professor of Oboe at the Curtis Institute of Music was the founder of our American Oboe School.
		Marcel Tabuteau Excerpts includes selections from one of the last acoustic recordings in 1924 until Stokowski's last recording before leaving the Philadelphia Orchestra in 1940.
	www.zoominfo.com /directory/Tabuteau_Marcel_6493686.htm (532 words)

	TWO V2.1: MARCEL TABUTEAU
		During the thirty years during which Tabuteau taught at the Curtis Institute of Music, he came to exercise a decisive influence on the standards of oboe playing in the whole United States, as well as raising the level of woodwind achievement in general.
		Even today, when reminiscences of Tabuteau are the subject of conversation, it is often the colorful insults or the jokes and stories that he told in ensemble classes, which are all recounted anew in various imitations of his inimitable accent.
		At the time I was at the Curtis Institute, Tabuteau conducted string ensemble classes as well as the woodwinds and these I attended in order to be able to listen without being under the pressure of having to try myself to produce the one or two notes which might satisfy him.
	idrs.colorado.edu /publications/TWOboist/TWO.V2.1/TWO.V2.1.Tabuteau.html (1931 words)

	Reed Making and the Philadelphia Oboe Legacy
		According to Laila Storch, who was the first woman oboist graduate of the Curtis institute of music and a student of Tabuteau's, foreign musicians, particularly French ones, started immigrating to the United States at the turn of the century.
		Marcel Tabuteau was a student of Georges Gillet at the Conservatoire de Paris and was one of his most gifted students.
		Other reasons which probably influenced Tabuteau were the fact that it was the beginning of the recording age, and having to perform in the larger concert halls of the United States.
	www.makingoboereeds.com /tabuteauarticle.htm (681 words)

	Marcel Tabuteau from a Different Angle
		Tabuteau moved to Paris to be near her sister and very shortly suffered a second stroke.
		Tabuteau was very nice to me, and I wonder if you might have any pictures or memorabilia relating to his time in Margaree that you could share with me. I will be happy to defray any costs incurred.
		In contrast to Tabuteau's long-preferred Midi of France with its dazzling sunshine and intense colors, Cape Breton is a land of cool, green rolling hills lying between the cold Atlantic and the Gulf of St. Lawrence.
	idrs.colorado.edu /Publications/DR/DR15.3/DR15.3.Storch.html (7244 words)

	reedessay (Site not responding. Last check: 2007-10-09)
		Tabuteau, principal oboist of the Philadelphia Orchestra from 1915 to 1954, was the grandfather of American oboe playing and reed-making; every principal oboist of every major symphony orchestra from the 1940s through the 1960s was a student of his, and today, nearly every performing oboist can trace his lineage to Tabuteau.
		Deborah Gonter, Ball State University graduate of 1978, revealed in her thesis that the style of Lamotte was gradually being replaced by the style of Tabuteau by the late seventies, and today one seldom sees or hears a French-style reed.
		Marcel Tabuteau, pioneer of the oboe reed, truly changed the way America made music in the twentieth century and will continue to make for centuries to come.
	www.bsu.edu /web/easnyder/portfolio/mused100/honorsoboemidterm.html (1909 words)

	Joseph Robinson - Bio
		Following his famous predecessor Harold Gomberg, he was the last oboist in America to study directly with the legendary Marcel Tabuteau.
		It was during this post-graduate year in Europe that he met Marcel Tabuteau and became that great teacher’s first student in the ten years following Mr.
		A frequent public speaker, he has keynoted the Wyoming Governor's Conference on the Arts in Cheyenne and the Association of North Carolina Symphony Orchestras in Raleigh, and has lectured widely on orchestra governance as well as the interpretative art of music.
	www.oboejoe.net /Bio.htm (977 words)

	John Mack and the Oboe
		He was a student of Bruno Labate and Harold Gomberg at The Juilliard School and of Marcel Tabuteau at the Curtis Institute of Music,
		Joe studied with Marcel Tabuteau after he retired to France, and, given such remarkable training, he wanted a way for Tabuteau's methods and wisdom to be shared broadly.
		Joe approached him, seeking to establish a means for Tabuteau's technique to be taught to oboists from varied backgrounds.
	www.people.virginia.edu /~cpr4k/music/mack.html (226 words)

	Classics Today.com - Your Online Guide to Classical Music
		Marcel Tabuteau (1887-1966) became the Philadelphia Orchestra's principal oboist in 1915, and joined the Curtis Institute faculty in 1924, holding these positions until his retirement in 1954.
		Shortly before Tabuteau's death, oboist Wayne Rapier recorded his former teacher explaining and demonstrating his phrasing system in methodical detail.
		Tabuteau shaped phrases by applying a number to each note representing a specific dynamic level.
	www.classicstoday.com /review.asp?ReviewNum=5390 (217 words)

	Forum: trumpetherald.com
		During the class, Tabuteau would have us play at various dynamics by asking for ‘oboe, number five’ or ‘tuba, number three.’ It was magnificent training”.
		Since Jacobs was a student at The Curtis Institute in the 1930s and Tabuteau died in 1966 (the year that I was born), I never imagined that I would be able to “experience” a lesson with Marcel Tabuteau.
		But the kinds of artistic chances that Kincaid, and Tabuteau, and McClain, and Sol Schoenbach would take every time you'd come to something it would be a little different, and they would do incredible things to shade and color the sound and do something interesting to a phrase.
	www.trumpetherald.com /forum/viewtopic.php?t=29735 (1426 words)

	Bach Festival - Prades 1950 [JW]: Classical CD Reviews- June 2003 MusicWeb(UK) (Site not responding. Last check: 2007-10-09)
		The Philadelphia oboist, renowned Marcel Tabuteau, took his elevated place and Toscanini’s NBC principal flautist John Wummer was there as well.
		In the slow movement Schneider’s sweet toned playing is complemented by Tabuteau’s seemingly unselfconscious eloquence and also deepened by Casals’s excavation of the bass line; the Allegro section is robust, buoyant and expansive with a very expressive rallentando indeed.
		But it is worth persevering here for the quixotic use of Marcel Mule, one of the world’s premier classical saxophonists, whom Casals deploys instead of the trumpeter one would normally expect.
	www.musicweb-international.com /classrev/2003/Aug03/Bach_Festival_casals.htm (1082 words)

	Marcel Tabuteau - TheBestLinks.com - France, July 2, January 4, Oboe, ...
		Marcel Tabuteau - TheBestLinks.com - France, July 2, January 4, Oboe,...
		Marcel Tabuteau, France, July 2, January 4, Oboe, 1966, 1887, Philadelphia...
		You can add this article to your own "watchlist" and receive e-mail notification about all changes in this page.
	www.thebestlinks.com /Marcel_Tabuteau.html (156 words)

	Robert & Sara Bloom
		Robert Bloom, son of a Pittsburgh cantor, was one of the first generation of wind-players to study free-of-charge at the Curtis Institute with the legendary Marcel Tabuteau, first oboist of the Philadelphia Orchestra.
		With the encouragement of that great orchestral colorist Leopold Stokowski, Tabuteau was responsible for changing the sound of the instrument from a bucolic double-reed often associated with shepherds and bag-pipers to one of the most vibrant and expressive singing instruments of the modern symphony orchestra.
		As was the case with his teacher, the great Tabuteau, it can now be said of Bloom that there is hardly an orchestra in America that has not employed or is not presently employing one of his pupils.
	www.cranberryisles.com /photos/robert_bloom.html (1418 words)

	Vanderbilt University Register: Pursuing the Perfect Reed
		"Tabuteau was a real innovator in oboe playing," said Taylor.
		Now, almost every American oboe player, with very few exceptions, is either a student of Tabuteau or a student of one of his students."
		DeLancie succeeded Tabuteau as principal oboist of the Philadelphia Symphony, and also taught at and was director of the Curtis Institute of Music in Philadelphia, long known as the premier school in the United States for woodwind players.
	www.vanderbilt.edu /News/register/Apr01_02/story1.html (739 words)

	Wayne Rapier Bio
		The following summer at NMC, he was voted "best musician of the year" and offered a scholarship to Eastman at the age of 16.
		He studied oboe with Earnest Harrison, Robert Sprenkle and Marcel Tabuteau.
		Wayne Rapier was offered the assistant Principal Oboe job in Chicago (Reiner) and the Principal Oboe jobs in Cleveland (Szell), Detroit, Dallas and the National Symphony.
	iwwf.org /rapier.php (346 words)

	About Us
		Gomberg was the youngest student ever to be accepted by the renowned oboe teacher, Marcel Tabuteau.
		Gomberg joined the Boston Symphony Orchestra as principal oboe and served with distinction until his retirement in 1987.
		He was a founding member of the Boston Symphony Chamber Players and taught at New England Conservatory and Boston University, where as Adjunct Professor he retired after fifty years.
	www.bwws.org /index_files/Page784.html (63 words)

	About Us
		Harold Wright was born in Wayne, Pennsylvania and began playing the clarinet at age twelve.
		He attended the Curtis Institute of Music, where he studied clarinet with the Philadelphia Orchestra’s principal clarinetist, Ralph McLane, and chamber music with that orchestra’s principal oboist, Marcel Tabuteau.
		Wright joined the Houston Symphony and a year later became principal clarinetist of the Dallas Symphony.
	www.bwws.org /index_files/Page906.html (159 words)

	Strauss's Oboe Concerto and John de Lancie (Gramophone correction) (Site not responding. Last check: 2007-10-09)
		Strauss instructed his publisher to give de Lancie the rights for the American premiere, but the honor was denied him when the Philadelphia's celebrated principal oboist, Marcel Tabuteau, threw a fit at the thought of being upstaged.
		Instead of giving the rights to Tabuteau, De Lancie conferred them on a friend of his in the CBS Symphony - the young oboist Mitchell Miller, later famous as the host of an American pops TV show, "Sing along with Mitch.".
		De Lancie eventually became principal oboist of the Philadelphia Orchestra, but he performed the Strauss with them only once in the late 1960s.
	www.bsherman.org /Straussoboist.htm (503 words)

	Basically, there are three styles of reeds: French, German, and American
		The American style of reeds (established by Frenchman Marcel Tabuteau, who was a principal oboist with the Philadelphia Orchestra) are longer and less evenly tapered compared to the French style, and particularly German style.
		Each style has its own characteristic, and has different advantages in variety of aspects.
		Marcel Tabuteau, a French born American, is the most important oboe player in
	course.lib.uci.edu /ar/music/fa2003/200/chen (2023 words)

	[No title] (Site not responding. Last check: 2007-10-09)
		Caldwell’s principal job at Oberlin is, of course, teaching and his students are in orchestras and in teaching positions all over the world.
		He is passionate about passing on the styles, traditions and standards of the Philadelphia School started by Marcel Tabuteau in the early 20th century.
		Caldwell also has a strong artistically creative side which has showed itself in the guises of bonsai, garden design, computer art, music composition, jewelry design and the recent completion of a very contemporary house, designed with much input from him.
	www.bostonrecords.com /images/JCaldwell.html (599 words)

	Amazon.ca: Marcel Tabuteau Excerpts [Import]: Music (Site not responding. Last check: 2007-10-09)
		Igor Stravinsky (Composer), Johannes Brahms (Composer), Ludwig van Beethoven (Composer), Franz Schubert (Composer), Pyotr Il'yich Tchaikovsky (Composer), Richard Strauss (Composer), Leopold Stokowski (Conductor), Marcel Tabuteau (Performer)
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	www.amazon.ca /exec/obidos/ASIN/B000006A6H (260 words)

	Marcel Tabuteau Excerpts / Stokowski, Philadelphia Orchestra by Marcel Tabuteau CD
		Marcel Tabuteau Excerpts / Stokowski, Philadelphia Orchestra by Marcel Tabuteau CD Composer
		Marcel Tabuteau Excerpts / Stokowski, Philadelphia Orchestra CD
		Remember to focus your comments on Marcel Tabuteau Excerpts / Stokowski, Philadelphia Orchestra CD.
	cduniverse.com /search/xx/music/pid/1462802/a/... (305 words)

	Marcel Tabuteau CD (Site not responding. Last check: 2007-10-09)
		Marcel Tabuteau CD Marcel Tabuteau CD Follow Ups ] [ Post Followup ] [ TubeNet BBS ] [ FAQ ]
		I just bought the Marcel Tabuteau Lessons CD.
		I recall a class I took with Ray Still being incredible for exhancing the artistic dignity of performance, but Tabuteau seems to unravel the mystery in developing a phrase.I especially like the last few sentences on the CD, "Don't give away my secrets to anyone!
	www.chisham.com /tips/bbs/mar1999/messages/9240.html (176 words)

	University of Maryland School of Music
		He studied the flute with Marcel Moyse at the Marlboro School, with William Kincaid at the Curtis Institute, and with Richard Morse at Cornell College of Iowa; and he studied chamber music with Marcel Tabuteau at the Curtis Institute and with Adolph Busch at the Marlboro School.
		He is Chairman of the National Flute Association William Kincaid Memorial Committee and is a member of the Board of Directors of the Marcel Moyse Society.
		He earned the B.M.E. degree in music education from Cornell College of Iowa, as well as the M.M. degree in flute performance and theory and the Ph.D. degree in historical musicology from the Catholic University of America in Washington, DC.
	www.music.umd.edu /faculty/music_directory/wind_and_percussion/william_montgomery (446 words)

	David Schast Reed Service & Supply: Marcel Tabuteau Lessons CD
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		Marcel Tabuteau, explains and demonstrates his "American Oboe School" phrasing.
	www.reedmaster.com /Merchant2/merchant.mvc?Screen=PROD&Store_Code=DSRSS&Product_Code=168 (112 words)

	The Oboe BBoard
		Think of this; the reed opening is so small that we never adequately expell all of the air in our lungs and we often have a back up of stale air that needs to be exhaled before we can take a 'nourishing' oboe breath.
		You could be, as Tabuteau says, suffocating from too much air and you feel as though you need more air, when you probably need to get rid of some air.
		Experiment with getting rid of some air before you play a phrase and see if you can still play and are not gasping at the end of the phrase.
	test.woodwind.org /oboe/BBoard/read.html?f=10&i=1458&t=1404 (330 words)

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