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Topic: Marco da Gagliano

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	Journal of Seventeenth-Century Music \| Vol. 6 No. 1 \| Strainchamps: Marco da Gagliano in 1608
		Gagliano even encouraged Ferdinando's compositional efforts to the point of accepting three of the prince/cardinal's arias for inclusion in La Dafne, though it could be speculated that had he not done so, there would have been less enthusiasm on the part of the Gonzagas for producing the opera.
		Gagliano's family was made up of his widowed mother, four sisters, and two brothers, one older and one younger; the younger, Giovanni Battista da Gagliano, to whom Marco was teacher and mentor, would in time have a successful career himself in Florentine music.
		Gagliano was put in the peculiar position of being at once the central figure in the affair—though one with little standing—but not a central actor.
	sscm-jscm.press.uiuc.edu /jscm/v6/no1/strainchamps.html (6137 words)

	HOASM: Marco da Gagliano (Site not responding. Last check: 2007-09-08)
		Gagliano was one of the most important early opera composers -- he wrote several apart from Dafnewhich do not survive complete.
		In the song Valli profondehe uses an arresting variety of moods to produce one of the finest monodies of the early Baroque.
		Gagliano's madrigals are more conventional, however, and his church music is distinctly old-fashioned.
	www.hoasm.org /VA/Gagliano.html (179 words)

	Marco da Gagliano - Wikipedia, the free encyclopedia
		Marco da Gagliano (May 1, 1582 – February 25, 1643) was an Italian composer of the early Baroque era.
		While the monody was a Baroque stylistic innovation, most of the madrigals are a cappella, and written in a style reminiscent of the late Renaissance (in the first decades of the 17th century, the continuo madrigal was becoming predominant, for example in the works of Monteverdi).
		This mix of progressive and conservative trends can be seen throughout his music: some of his sacred music is a cappella, again in the prima prattica style of the previous century, while other pieces show influence of the Venetian School.
	en.wikipedia.org /wiki/Marco_da_Gagliano (438 words)

	Recent Researches: B 124, B124
		Gagliano's madrigals from his first book are predominantly syllabic and often homophonic, and they are filled with expressive and declamatory motives.
		They may be seen as embodying many of the musical ideals of the Florentine camerate, especially that of the clear projection of text as an essential, even though they are manifested in a vocal ensemble.
		Largely unknown as a madrigalist today, Gagliano's work in the genre was well received and admired throughout Europe during his lifetime and after; and especially was this so in Florence, where he flourished as the city's leading composer for more than forty years.
	www.areditions.com /rr/rrb/b124.html (225 words)

	Fathom :: The Source for Online Learning
		More specifically it arose when the relationship between music and drama, which had always been close, was reassessed in the light of certain preoccupations and ideals--the neo-classic inspiration provided by Greek drama, the rediscovery of the affective powers of declamatory song, the cultivation of the pastoral.
		Cavalieri's publisher, Alessandro Guidotti, Rinuccini, Peri, and Gagliano all allude to the belief that Greek tragedy was 'sung in its entirety', and describe their own music-dramas as experiments to ascertain whether or not modern music could achieve similar effects.
		Gagliano was generous in his tribute to Peri's skill in this style: 'Signor Jacopo Peri discovered that artful manner of declaiming in song which all Italy admires...
	www.fathom.com /feature/122011 (2600 words)

	Love Letters from Italy
		Io vidi in terra - Marco da Gagliano
		"Io vidi la terra" is a text by a major Italian poet (Petrarch) set by the composer Marco da Gagliano (1582-1643), who also was the composer of one of the earliest operas, Dafne (1608).
		It is an early example of the high baroque dance suite so well known from the works of J.S. Bach and many others, and calls for a typical early cello scordatura tuning, C-G-D-G. Two temperaments were used in the performance of these pieces.
	www.artekearlymusic.org /love_letters_from_italy.html (924 words)

	Classics Today.com - Your Online Guide to Classical Music
		A variety of composers from both countries are featured, from the well known Claude Lejeune and Eustache du Caurroy to the relatively unknown Stefano Bernardi and Marco da Gagliano.
		All of the chosen works are terrific examples of court music of the period.
		Gagliano's Mass for Double Choir again shows the vocalists of Doulce Mémoire (what a cool name!) in top form, with the lead voices allowed to naturally rise above the harmony.
	www.classicstoday.com /review.asp?ReviewNum=2759 (433 words)

	[No title]
		At an early date in operatic history the stirring story of Judith was found to lend itself admirably to dramatic presentation.
		Italian and German operas on this theme were written by Andrea Salvadori, Marco da Gagliano, Martin Opitz, and Joachim Beccau.
		In the nineteenth century the noted Russian pianist and composer, Anton Rubenstein, published The Maccabees, an opera of monumental proportions, the libretto of which was written by one of his collaborators, Dr. H.
	www.lycos.com /info/apocrypha.html (534 words)

	Marco da Gagliano: Madrigals
		Gagliano, a Florentine contemporary of Monteverdi and Gesualdo, published six books of madrigals in all.
		Gagliano has been largely neglected (there are very few recordings), and when he does get mentioned he tends to be labeled as conventional.
		Another excellent edition is Marco da Gagliano: The Complete Five Voice Madrigals (three volumes) edited by Suzanne Court, published by GAUDIA Music and Arts, Inc., New York (all six books of madrigals are included).
	a-babe.plala.jp /~wilbye/gagliano.html (207 words)

	SACI - Gian Luca Lastraioli
		Opere complete per viola da gamba, music by S. Ganassi and D. Ortiz, with ensemble Modo Antiquo, Gian Luca Lastraioli: lute and baroque guitar, CD TACTUS TC 490701.
		Balli e Balletti da Ballare, music by C. Negri and F. Caroso, with ensemble il Ballarino, Gian Luca Lastraioli: lute and theorbo, CD ADDA AD184.
		da Gagliano, Missa in assumptione Beatae Maria Virginis.
	www.saci-florence.org /academics/faculty/CVs/Lastraioli.htm (1645 words)

	ECS Publishing: Gaudia
		GM3228 Marco da Gagliano: The Complete Five Voice Madrigals Vol.
		GM3229 Marco da Gagliano: The Complete Five Voice Madrigals Vol.
		In all there are 29 madrigals for various combinations of mixed voices, 1 double choir SATB/SATB, 1 for seven voices SSSATTB, and an alternate version of the second madrigal of Book 6.
	www.ecspublishing.com /gaudia.html (1100 words)

	Festival Staff
		Jay Bernfeld is increasingly admired as a performer of great expressivity on the viola da gamba; the lyrical beauty of his playing the result of his deep love of the singing voice.
		He has taught extensively in Italy, France, Norway, Switzerland and the United States - the viola da gamba as well as instrumental and vocal repertoire spanning five centuries.
		He has held master classes on baroque style and technique at the Festival d'Art Lyrique Aix –en-Provence 's vocal academy, and at the Leipziger Bachtage on the theme of "Bach and French Music".
	www.miamibachsociety.org /festivalstaff.htm (793 words)

	Gagliano, Marco da: G at Canadian Content (Site not responding. Last check: 2007-09-08)
		"Marco da Gagliano in 1608: Choices, Decisions, and Consequences;" article in the Journal of Seventeenth-Century Music.
		Canadian Content also found "Gagliano, Marco da" elsewhere:
		Strange, we didn't find anything page mentioning this program on our site.
	www.canadiancontent.net /dir/Top/Arts/Music/Composition/Composers/G/Gagliano,_Marco_da (170 words)

	Gagliano, Marco da G Composers Composition Music Arts
		Gagliano, Marco da G Composers Composition Music Arts
		- "Marco da Gagliano in 1608: Choices, Decisions, and Consequences;" article in the Journal of Seventeenth-Century Music.
		Arts- Music- Composition- Composers- G- Gagliano, Marco da
	www.iaswww.com /ODP/Arts/Music/Composition/Composers/G/Gagliano,_Marco_da (75 words)

	AT&T Worldnet Service - Directory
		Directory Arts / Music / Composition / Composers / G / Gagliano, Marco da
		Two recordings of the opera, and a recording of Missa in Assumptione Beatæ Mariæ Virginis.
		The Open Directory is a listing of links and sites recommended by Internet users.
	www.att.net /cgi-bin/webdrill?catkey=gwd/Top/Arts/Music/Composition/Composers/G/Gagliano,_Marco_da (176 words)

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