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Topic: Margot Fonteyn


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In the News (Sat 5 Dec 09)

  
  Margot Fonteyn - Wikipedia, the free encyclopedia
In 1955 Fonteyn married Roberto Arias, a Panamanian diplomat.
Margot was arrested when her husband attemped a coup of the Panamanian government.
Fonteyn was knighted in 1954 at the age of 35.
en.wikipedia.org /wiki/Margot_Fonteyn   (1005 words)

  
 Margot fonteyn dancer - Wikipedia, the free encyclopedia
Margot Fonteyn was born on the 18th May 1919.
Margot Fonteyn was enrolled in the local dancing class in Surrey because her parents wanted her to have better posture.
Margot was put in Panama jail for 24 hours in 1959 because her husband was suspected of organizing a revolution against the government.
en.wikipedia.org /wiki/Margot_fonteyn_dancer   (577 words)

  
 Margot Fonteyn   (Site not responding. Last check: 2007-10-22)
When Markova, the company's first ballerina, left in 1935, Fonteyn worried with the rest of the dancers, and most of the audience, about who could ever replace her: over the next 3 years it became apparent that it would be she herself.
By the time she was 16 her promise was unmistakable, and this is not just hindsight: it seems as if everyone who ever went to the ballet in the 30s wrote a book about it, and accounts published even before she had tackled any of the great classic roles forecast greatness for her.
Fonteyn gave her final performance in the early 70s, and retired to Panama to live with her husband, who had been paralysed in a shooting incident.
www.backstagebedandbreakfast.com /margot.htm   (775 words)

  
 Margot Fonteyn - MSN Encarta
Margot Fonteyn (1919-1991), British ballet dancer, born in Reigate, Surrey, England, and named Margaret Hookham.
Fonteyn's dancing was characterized by technical proficiency and musical sensitivity.
Through the 1960s and 1970s, Fonteyn performed regularly with Soviet-born dancer Rudolf Nureyev during his tenure with the Royal Ballet.
encarta.msn.com /encyclopedia_761572685/Margot_Fonteyn.html   (214 words)

  
 Margot Fonteyn - Meredith Daneman - Penguin UK
Margot Fonteyn - born plain Peggy Hookham - was dreamed into existence by the architects of British ballet: Ninette de Valois, Frederick Ashton and Constant Lambert.
I must forgo 'Fonteyn' reluctantly, along with my own sense of propriety at doing so, and adopt the intimacy of her Christian name, which was also not hers to begin with, but into which she grew with her simple and instinctive grace.
The outer reflects the inner, and Margot's unity of physique was served by a deeply unifying mental approach to her work, an obedience and submission to the letter of each step which somehow imbued the smallest movement with an orderliness and unclutteredness that made it speak.
www.penguin.co.uk /nf/Book/BookDisplay/0,,0_0140165304,00.html?sym=EXC   (952 words)

  
 Margot Fonteyn's steely majesty
After all, seated at the foot of the king's throne, I was just a few feet away from Margot Fonteyn as she performed the role of Aurora and danced the Rose Adagio -- that exquisite test of princess-like delicacy and steely balance that was one of the hallmarks of her career.
Daneman wisely quotes Keith Money, Fonteyn's friend and photographer, on the subject: "I think Margot was a mystery to herself in a number of ways, and although her 'simplicity' of style and nature was widely remarked, it always seemed to me that she was an extremely complex -- indeed almost split -- personality.
Fonteyn and her fellow dancers, the pioneers of British ballet (long the preserve of Russians), made their way through all the hardships of World War II.
www.suntimes.com /output/books/sho-sunday-daneman14.html   (857 words)

  
 Show immortalizes dancer Margot Fonteyn - (United Press International)   (Site not responding. Last check: 2007-10-22)
Fonteyn (1919-1991) was a superstar in her own right when she made her U.S. debut at New York's Metropolitan Opera House in 1949, dancing the role of Princess Aurora in "The Sleeping Beauty" with the Sadler's Wells Ballet, which later became the Royal Ballet.
Fonteyn told intimates she had to keep dancing to pay for medical bills and living comforts for her adored husband, Roberto Arias of the Panamanian political dynasty, who had been left paralyzed by an assassination attempt.
Fonteyn not only danced the classical repertoire, she created roles in Ashton ballets and performed in revivals such as Michel Fokine's "Firebird" and "Petrushka." Details of her long career are recorded in three autobiographical books she wrote in the 1970s.
www.washtimes.com /upi-breaking/20040730-074505-4842r.htm   (569 words)

  
 Margot Fonteyn - Meredith Daneman - Penguin Group (USA)
The legend of Margot Fonteyn has touched every ballet dancer who has come after her, and her genius endures in the memory of anyone who saw her dance.
Daneman reflects on Fonteyn’s “lyricism and limpid purity of line, so potent with theatrical moment that even film cannot capture it” and the world of ballet from the birth of the British Royal Ballet to Rudolf Nureyev, her final partner and rumored lover.
And, perhaps, her high eyebrows, although one suspects the photographer of having retouched them in the high style of the day; for it was at the dawn of the 1920s that Margot Fonteyn was born - between 4 and 5 a.m., on 18 May 1919.
us.penguingroup.com /nf/Book/BookDisplay/0,,0_9780670843701,00.html   (2290 words)

  
 Fonteyn, Dame Margot. The Columbia Encyclopedia, Sixth Edition. 2001-05
Fonteyn was for many years prima ballerina assoluta of the Royal Ballet.
Fonteyn gained a reputation for expressive acting and versatility, creating such roles as Aurora in The Sleeping Beauty and Agathe in Les Demoiselles de la Nuit.
Fonteyn’s international reputation reached an unprecedented height after 1962, when she began her partnership with the Russian dancer Rudolf Nureyev.
www.bartleby.com /65/fo/Fonteyn.html   (204 words)

  
 DanceWorks SideSteps - People: Margot Fonteyn   (Site not responding. Last check: 2007-10-22)
Margot Fonteyn was born in England in 1919 - her real name was Peggy Hookham - and spent some of her childhood in China.
When Markova, the company's first ballerina, left in 1935, Fonteyn worried with the rest of the dancers, and most of the audience, about who could ever replace her: over the next three years it became apparent that it would be she herself.
Symphonic Variations and Cinderella followed, and the seal on her progress from national treasure to international star was set by her triumph in New York on the company's historic opening night in 1949.
www.danceworksonline.co.uk /sidesteps/people/fonteyn.htm   (768 words)

  
 The Mystery of Margot Fonteyn
Fonteyn’s main sexual partners were also her artistic mentors; the dipsomanic conductor Constant Lambert, the Parisian dancer Roland Petit and the insatiably homosexual RudolfNureyev.
Seeing Fonteyn dance in her own biopic is no worse, surely, than watching Jamie Foxx mime Unchain My Heart as the liquid voice of Ray Charles flows from his bobbling larynx in the recent movie, Ray.
When Rudolf Nureyev fell into her lap five years later, her waning appetite to expose her aching joints to further physical punishment was rekindled as much by his phenomenal memory for authentic routines as by his unbridled physical energy and his near-filial dependency on her love and her authority.
www.scena.org /columns/lebrecht/050407-NL-Margot.html   (1051 words)

  
 Side Effects (of living and being me) :: Margot Fonteyn :: October :: 2005   (Site not responding. Last check: 2007-10-22)
At the time of Margot Fonteyn’s memorial service in Westminster Abbey, four months after her death in 1991, I was compiling a Radio 3 programme about her.
The difficulty we both found was that Fonteyn’s generation (she was born in 1919) did not believe in airing any kind of linen in public.
Fonteyn was initially reluctant to perform with him, mutton dancing with lamb.
bellatryx.blogs.ie /2005/10/29/margot-fonteyn   (1382 words)

  
 Margot Fonteyn by Meredith Daneman: Reviews
Meredith Daneman's Margot Fonteyn is such a book: the author achieves an astonishing imaginative fusion with her subject.
Fonteyn's New York appearance in “Sleeping Beauty” in 1949 is thrillingly described.
The account of the shooting and crippling of Margot’s husband, Tito Arias, in 1964, in Panama, her reactions to it, the subsequent story up to his death and her own terrible illness is brilliantly done.
www.metacritic.com /books/authors/danemanmeredith/margotfonteyn   (572 words)

  
 Tchaikovsky - Swan Lake / Margot Fonteyn, Rudolf Nureyev, John Lanchbery
Fonteyn also refused to have any closeups, a choice which might have hidden her wrinkles but has a distancing effect on the viewer.
Fonteyn actually churns out the fouettes, confirming something I've long suspected: that everyone looks at the fouettes, but Odette/Odile's real challenges are the balances, footwork, and leaps, and this is where you can see Fonteyn suffer.
Fonteyn is wonderful as Odette/Odile, such grace is rarely seen and Nureyev is in his prime - Nureyev always danced with passion and the pair always danced as if they were meant for each other.
www.dvdvan.com /info/B0007P0LPC/Tchaikovsky___Swan_Lake____Margot_Fonteyn__Rudolf_.html   (1850 words)

  
 DVD Empire - Item - Margot Fonteyn / DVD-Video
Up until 1989, Margot Fonteyn steadfastly refused to take part in any biographical television program; then, at long last, producer Patricia Foy persuaded the famous and much-loved ballerina to tell the full story of her life.
Fonteyn was filmed at home in Panama where she looked back on her past from her first dancing lesson when she was four years old through the career which took her to the peak of public performance and world acclaim.
There is archival film of Margot dancing many of her great roles and extensive newsreel coverage of the important events in her life.
www.dvdempire.com /Exec/v4_item.asp?item_id=16785&partner_id=29346865   (375 words)

  
 Margot Fonteyn - Free Music Downloads, Videos, CDs, MP3s, Bio, Merchandise and Links   (Site not responding. Last check: 2007-10-22)
Dame Margot Fonteyn (born: Margaret Hookham) was England's grand lady of ballet.
Fonteyn's skills as a dancer were apparent from an early age.
In 1954, Fonteyn became president of the Royal Academy of Dancing.
www.artistdirect.com /nad/music/artist/bio/0,,957367,00.html   (305 words)

  
 Amazon.co.uk: Margot Fonteyn - A Portrait [1989]: DVD   (Site not responding. Last check: 2007-10-22)
Just two years before she died in 1991, Margot Fonteyn finally allowed a documentary to be made about her life and legendary career as the most romantic prima ballerina of all.
But Fonteyn was that rarest of beings: a genuine celebrity who didn't appreciate her own authentic claim to greatness for many years.
Fonteyn was 42 when they first joined forces and she was anxious not to appear as "mutton dancing with lamb".
www.amazon.co.uk /exec/obidos/ASIN/B00005K2DZ   (535 words)

  
 Margot Fonteyn: bio and encyclopedia article   (Site not responding. Last check: 2007-10-22)
Margot Fonteyn (18 May 1919-21 February 1991) was a leading British ballet ballet quick summary:
(Fonteyn began an on-stage partnership with him which lasted until she retired.
Margot Fonteyn died in Panama City Panama City quick summary:
www.absoluteastronomy.com /encyclopedia/m/ma/margot_fonteyn.htm   (614 words)

  
 Amazon.com: Margot Fonteyn: DVD: Margot Fonteyn,Robert Helpmann,Frederick Ashton,Rudolf Nureyev,Patricia Foy   (Site not responding. Last check: 2007-10-22)
Up until 1989, Dame Margot Fonteyn steadfastly refused to take part in any biographical television program until producer Patricia Foy persuaded the famous and much-loved ballerina to tell the full story of her life.
Having been a fan of Margot Fonteyn since 1955, having seen 52 of her performances and having had lunch with her after she autographed a copy of her autobiography, I was delighted to see this DVD which I thoroughly enjoyed.
Margot Fonteyn as Herself, Robert Helpmann as Himself, Frederick Ashton as Himself, Rudolf Nureyev as Himself, Margot Fonteyn as Herself, Robert Helpmann as Himself, Frederick Ashton as Himself, Rudolf Nureyev as Himself...
www.amazon.com /exec/obidos/tg/detail/-/B00004W19J?v=glance   (1205 words)

  
 Dance Magazine: Fonteyn Draws Packed House Again - Dame Margot Fonteyn's belongings auctioned - Brief Article
Born in Britain in 1919, Fonteyn was considered one of the most talented ballerinas of the twentieth century.
Fonteyn enjoyed a legendary partnership with Russian dancer Rudolf Nureyev, despite being almost 20 years his senior, and was later awarded the rare title of prima ballerina assoluta by The Royal Ballet.
Married to Panamanian diplomat Roberto Arias, Fonteyn retired in the early 1970s to Panama, where she died in 1991.
www.findarticles.com /p/articles/mi_m1083/is_3_75/ai_70926834   (358 words)

  
 Dancer Online :: JUNE 2006 - Media Center - Margot Fonteyn in America, A Celebration
But it was the arrival of Rudolf Nureyev, then a defector from Russia, who became her guest artist partner at the Royal, 1962 to mid-1970s, that won them international fame through their contrasting personalities: she, the elegant ballerina, he, the passionate partner.
Fonteyn became Dame Margot in 1950 and married Roberto Arias, in 1955, who became the Panamanian ambassador to the Court of St. James.
Fonteyn died in Panama, in 1991, of cancer.
www.danceronline.com /news/1246472421/502961   (439 words)

  
 PeoplePlay UK - Collections
Margot Fonteyn (1919 - 1991) was one of the greatest ballerinas of the 20th century.
Their partnership breathed new life into Fonteyn’s dancing at an age when many ballerinas retire.
She became President of the Royal Academy of Dancing in 1954 and was created Dame of the Order of the British Empire in 1956.
www.peopleplayuk.org.uk /collections/default.php?ter_id=384   (224 words)

  
 Margot Fonteyn   (Site not responding. Last check: 2007-10-22)
Margot Fonteyn was born in Reigate, Surrey, England 1919, as Margaret Hookham.
She had quick progress and in 1939 she had already danced Giselle, Odette-Odile and Aurora.
But her meeting with Rudolf Nureyev in 1962 gave the world the magic of their great partnership and her career continued until she was 58.
www.ballerinagallery.com /fonteyn.htm   (68 words)

  
 Theatre & Dance at CU - BACKSTAGE WITH MARGOT FONTEYN   (Site not responding. Last check: 2007-10-22)
"Backstage with Margot Fonteyn" will be performed by CU faculty member Robin Haig, a colleague of Fonteyn.
The theme of the production is the interaction between Fonteyn and Haig during their careers, and will include film and slides.
In 1962 Dame Fonteyn invited Haig to join an eight- member concert group known as the "Fonteyn Follies." Haig then became more acquainted on a personal level with Fonteyn who soon formed a dance partnership with Nureyev.
www.colorado.edu /TheatreDance/department/news/haigFonteyn.html   (426 words)

  
 Margot Fonteyn - Search Results - MSN Encarta
Margot Fonteyn - Search Results - MSN Encarta
Fonteyn, Dame Margot (1919-1991), British ballet dancer, born in Reigate, Surrey, England, and named Margaret Hookham.
Exclusively for MSN Encarta Premium Subscribers--quickly search thousands of articles from magazines such as Time, Newsweek, The Atlantic Monthly, and Smithsonian.
encarta.msn.com /encnet/refpages/search.aspx?q=Margot+Fonteyn   (97 words)

  
 AllRefer.com - Dame Margot Fonteyn (Dance, Biography) - Encyclopedia   (Site not responding. Last check: 2007-10-22)
Dame Margot Fonteyn[fontAn´] Pronunciation Key, 1919–91, English ballerina.
Sir Frederick Ashton created a number of major ballets especially for Fonteyn, among them Symphonic Variations (1946), Ondine (1958), and La Fille Mal GardEe (1960).
More articles from AllRefer Reference on Dame Margot Fonteyn
reference.allrefer.com /encyclopedia/F/Fonteyn.html   (277 words)

  
 Margot Fonteyn - Wikiquote
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Dame Margot Fonteyn (18 May 1919 - 21 February 1991) British ballet dancer; born Margaret Hookham, and nicknamed "Peggy".
Margot Fonteyn at PeoplePlay UK Review of a biography by Meredith Daneman at The Guardian (UK)
en.wikiquote.org /wiki/Margot_Fonteyn   (352 words)

  
 - Margot Fonteyn Film
Early in April Norman Lebrecht wrote one of his controversial articles on Margot Fonteyn and the problems of making a film of her.
I was interested in the Norman Lebrecht article because of the suggestion that Margot Fonteyn was not very good on film, and that all the old films do not show anything of her genius.
On the subject of the proposed film it would be almost impossible to show what was special about her dancing when somebody else will have to do the dancing.
www.ballet.co.uk /dcforum/happening/4992.html   (323 words)

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