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Topic: Maria Muldaur


  
  Maria Muldaur   (Site not responding. Last check: 2007-10-22)
To many listeners and music connoisseurs, the name Maria Muldaur is synonymous with her gold hit "Midnight at the Oasis", which climbed to the top of the charts and became one of the best selling singles ever.
Maria went solo with the release of "Maria Muldaur" which went Platinum and spawned her unforgettable hit "Midnight At The Oasis".
Maria Muldaur does several night club tours per year and is also available for private events and state and county fairs.
www.cwareno.com /maria.htm   (525 words)

  
 Maria Muldaur
Consequently, Maria sidesteps the easy trap of campiness -- which is as far from her style as the overt assault on a lyric of an R&B singer -- and substitutes an affection and affinity so deep that she creates an immutable link between past and present, the artist and her art.
Muldaur's vocal iciness is integral to its effectiveness; if she merely sang it with abandon the shock would be too much to withstand.
Like Ry Cooder, Maria Muldaur has found just the right balance between her commitment to the traditional material she favors and her ability to interpret it in a personal way.
www.superseventies.com /spmuldaurmaria.html   (1524 words)

  
 Maria Muldaur - Discography
Muldaur was a bona fide pop star commanding a national audience from the huge success of her sultry 1974 hit "Midnight At the Oasis"---a fortuitous last choice add-on to her debut solo album, MARIA MULDAUR.
Muldaur's 1996 album, Fanning the Flames (Telarc), was recorded deep in the bayou country of Louisiana and is steeped in the fervent blues traditions of the South.
Maria's longtime soul sister, Bonnie Raitt, pays tribute to her slide guitar mentor Mississippi Fred McDowell on McDowell's "It's a Blessing", while John Sebastian, founder of the Lovin' Spoonful, and with Maria, an alumnus of the Even Dozen Jug Band, plays on one of Maria's most-frequently requested tunes, Mississippi John Hurt's Richland Woman Blues.
www.mariamuldaur.com /discog.html   (5129 words)

  
 JS Online: CD Review: Maria Muldaur
Finally, after quite a few mixed efforts, Maria Muldaur is poised to reclaim her position as one of the roots world's important female voices.
Muldaur, who made her bones in 1974 with "Midnight at the Oasis," exhibits reverence and evocative vocals throughout the album.
Muldaur and band are especially vivacious (and swinging) on Leiber and Stoller's "Some Cats Know." Perhaps the biggest miscue is a duet with eccentric country-rocker Dan Hicks, but that's more because Muldaur's voice is vastly superior to his.
www.jsonline.com /onwisconsin/music/apr03/130481.asp   (242 words)

  
 Maria Muldaur   (Site not responding. Last check: 2007-10-22)
News: Maria Muldaur Returns With Sweet Lovin' Ol' Soul - Stony Plain Records has announced an August 2 release date for Maria Muldaur's Sweet Lovin' Ol' Soul (Old Highway 61 Revisited) the follow-up CD to her 2002 Grammy-nominated album, Richland Woman Blues.
CD release, February 2004: "Sisters & Brothers." Maria Muldaur, Eric Bibb and Rory Block come together to celebrate their family ties in a collection of thirteen tracks that reach into the various corners of the country blues and folk tradition.
"Maria Muldaur has been called one of the best singers of American roots music and her performance at this year's Festival will be a unique acoustic homage to the great blues pioneers of the '20s and '30s.
www.mariamuldaur.com   (927 words)

  
 Cosmik Debris Magazine Presents: Maria Muldaur, April 2003
A year later, Maria Muldaur (then D'Amato) would make her first recording with the Even Dozen Jug Band, and this year she marks her fortieth anniversary as a recording artist with a new tribute to Peggy Lee, A Woman Alone With The Blues, on Telarc Records.
A longtime Peggy Lee fan (Muldaur's signature song, "I'm A Woman" was the B-side of Lee's hit "Fever"), compiling a tribute album expanded her appreciation for the legendary performer.
In paying tribute, Muldaur also faced the challenge of bringing her own distinctive talents to bear on the music of a performer known for a singular style.
www.cosmik.com /aa-april03/maria_muldaur.html   (1250 words)

  
 MARIA MULDAUR
Muldaur had been singing blues her entire professional life, dating back to her stint in the Jim Kweskin Jug Band in the mid-'60s, but there was something about suddenly finding herself in the famed “cradle of the blues” that was profoundly moving for her.
Muldaur came away from her week in the South determined to record her own down-home tribute to the long-gone masters of the blues who had led her on her career path.
Muldaur and Jacob tracked so many songs for the project that a second disc is already partially done, and, once again, the singer is finding more than enough willing collaborators for this ongoing labor of love.
mixonline.com /mag/audio_maria_muldaur/index.html   (1701 words)

  
 Club Cafe Calendar   (Site not responding. Last check: 2007-10-22)
Maria Muldaur was born Maria D'Amato on September 12, 1943, in New York.
Muldaur's next album, 1974's Waitress in a Donut Shop, featured a hit remake of her Even Dozen-era signature tune "I'm a Woman." Three more Reprise albums followed over the course of the '70s, generally with the cream of the L.A. session crop, but also with increasingly diminishing results.
Around 1980, Muldaur became a born-again Christian; she recorded a live album of traditional gospel songs, Gospel Nights, for the smaller Takoma label in 1980, and moved into full-fledged CCM with 1982's There Is a Love, recorded for the Christian label Myrrh.
www.clubcafelive.com /calendar.asp?id=3&year=2005&index=33   (956 words)

  
 Russian River Blues Festival: Maria Muldaur   (Site not responding. Last check: 2007-10-22)
Maria Muldaur went platinum in two years and forever enshrined Maria in the minds of baby boomers the world over.
In the eighties, Maria recorded two critically acclaimed jazz albums, two gospel albums and one album of swing tunes for “kids of all ages.” Sweet and Slow was a duet album with longtime collaborator Dr. John.
Maria Muldaur continued her lifelong musical odyssey with her debut album on Telarc Blues, Fanning the Flames.
www.russianriverbluesfest.com /blues/artists/maria_muldaur.html   (1264 words)

  
 Amazon.com: Richland Woman Blues: Music   (Site not responding. Last check: 2007-10-22)
As Maria writes in her extensive and interesting liner notes, this was "a labor of love." That's obvious from start to finish the way she carefully selected tunes and visiting artists to pay tribute to the blues of the 20s and 30s.
Muldaur has nearly always included what is now called "roots music," including Appalachian and classic blues, on her records, and they have generally been highlights of those records.
Maria is one of our generation's finest interpreters of this kind of material, and the album is among the best of her career.
www.amazon.com /exec/obidos/tg/detail/-/B00005AMNH?v=glance   (1518 words)

  
 Telarc International: Maria Muldaur
Born and raised in New York City’s Greenwich Village, Muldaur was surrounded by bluegrass, folk, jazz, blues and gospel, but her very first musical influences were from the records of country and western singers Hank Williams, Kitty Wells, Hank Snow and Ernest Tubb.
In the eighties, Maria recorded two critically acclaimed jazz albums, two gospel albums and one album of swing tunes for “kids of all ages.” Sweet and Slow, a duet album with longtime collaborator Dr. John, featured songs by Fats Waller, Duke Ellington and another of Maria’s blues heroines, Sippie Wallace.
Muldaur released A Woman Alone with the Blues in 2003 as a tribute to jazz icon Peggy Lee, who inspired her as far back as the early 1960s.
www.telarc.com /biography/bios.asp?aid=70   (1430 words)

  
 The Triple Door - Maria Muldaur
For better or worse, Maria Muldaur will probably always be best-known for her huge 70’s hit single, "Midnight At The Oasis".
Muldaur first appeared with the Even Dozen Jug Band, starting her career alongside John Sebastian and David Grisman, among others.
The Muldaurs went on to record two fondly-remembered records that were pioneering roots-oriented efforts of their day.
www.thetripledoor.net /event.aspx?eid=238   (242 words)

  
 Maria Muldaur - Dirty Water - The Boston Rock & Roll Museum   (Site not responding. Last check: 2007-10-22)
Maria Grazia Rosa Domenica D'Amato Muldaur grew up in Greenwich Village when it was a quiet brownstone place with Irish streets, Italian streets, bohemians walking their dogs, the art show twice a year and music in the park on Sundays.
The summer Maria turned 21, blues singer Victoria Spivey put together a group to do a jugband record for her label.
Maria moved to Cambridge and married Geoff Muldaur, whom she'd met when the Kweskin band played the Bitter End.
dirtywater.com /a2z/m/muldaurmaria   (822 words)

  
 Digital Interviews: Maria Muldaur
Maria Muldaur is a fierce vocalist who combines a variety of styles at every performance.
Muldaur holds an important place in the 1960's jug band revival movement.
Maria Muldaur: I could tune in a little country music station from Newark, New Jersey.
digitalinterviews.com /digitalinterviews/views/muldaur.shtml   (5223 words)

  
 The Many Sides of Maria Muldaur
The average music listener may only think of Maria Muldaur as the singer who seductively rode her camel into the Top Ten with her 1974 hit, “Midnight at the Oasis,” a song that’s become a staple of “oldies” radio.
But there are many more musical sides to Maria Muldaur, sides that will be on display Saturday night at the Roper Performing Arts Center when she performs with the Joshua Wolf Trio as part of the Jazz on Granby series.
Maria Muldaur has been putting feeling into music for over 40 years, since she began singing in Washington Square Park and local coffeehouses in the Greenwich Village neighborhood in which she grew up.
www.jimnewsom.com /PFW-MariaMuldaurGranby.html   (898 words)

  
 Maria Muldaur CD Review
Maria Muldaur's musical career has been characterized by her ability to explore a wide variety of musical styles, starting with her beginnings in jug band/folk music to her explorations of pop, blues, jazz and country.
For her 2001 release, Richland Woman Blues, Muldaur was so moved by a visit to blues pioneer Memphis Minnie's gravesite in Walls, Mississippi, that she decided to record an album of blues music primarily from 20's and 30's.
Interestingly, Maria Muldaur's career has mirrored that of Peggy Lee in terms of her musical versatility and her work as a singer and songwriter.
www.mnblues.com /cdreview/2003/mariamuldaur-peggylee-dp.html   (703 words)

  
 Maria Muldaur: Maria Muldaur
Singer Maria Muldaur was born Maria D'Amato in New York City.
She found solo success with the sultry single "Midnight at the Oasis," which was featured on her debut solo album, Maria Muldaur, in 1973, and she followed with several similar albums, though her commercial success declined.
A version of track 5 on Maria Muldaur, Kate McGarrigle's "Work Song", was recorded with Garth Hudson on piano during the Maria Muldair sessions, but this take was not included on the album.
theband.hiof.no /albums/maria_muldaur.html   (297 words)

  
 Eric Bibb, Rory Block & Maria Muldaur + The Planet + 11/03/2005
A few decades ago, when they were teenagers, Maria Muldaur, Rory Block and Eric Bibb were living in New York City finding musical thrills in their individual discoveries of blues music.
In 2003, Maria, Rory and Eric got together and recorded the album "Sisters and Brothers" in a barn in Unity, Maine, with the excellent trio of pianist Chris Burns, bassist Michael 'Mudcat' Ward and drummer Per Hanson.
Maria, Eric and Rory work in different combinations on a repertoire that reflects a wide range of 'Blues', from Bill Withers "Lean on Me" to Eric and Maria’s minor swing fantasy on "Bessie (Smith’s) Advice".
www.abc.net.au /rn/music/planet/stories/s1311390.htm   (1021 words)

  
 Amazon.com: A Woman Alone with the Blues (Remembering Peggy Lee): Music   (Site not responding. Last check: 2007-10-22)
Muldaur should be much more well-known amongst the general public than she is but like any artist who has been pegged by a bit radio hit, such as Melanie with "Brand New Key" and Janis Ian with "At Seventeen", Muldaur is best remembered for "Midnight At the Oasis".
The songs were specially picked by Maria after immersing herself in Peggy Lee's music and it was difficult for her to choose a limited number of great songs made famous by Peggy Lee but her selections have proven to be the best for her own renditions.
Muldaur reveals herself to be a true fan and disciple, yet never subverts her own personality in the process.
www.amazon.com /exec/obidos/tg/detail/-/B00008MLSK?v=glance   (1787 words)

  
 Maria Muldaur | Music For Lovers   (Site not responding. Last check: 2007-10-22)
Maria Muldaur is blessed with a voice that's both supple and sassy.
Muldaur has tackled a lot of genres during her 57 years — everything from jug band music to bluegrass to rock to jazz to gospel to children's music.
Muldaur's attitude is pure Mae West, and her limber, distinctive voice compares favorably to her idol Bessie Smith's.
www.allaboutjazz.com /php/article.php?id=6368   (350 words)

  
 Maria Muldaur pays respects to the immortal Peggy Lee By WALLACE BAINE SENTINEL STAFF WRITER The song is the sassy ...
Muldaur will play selections from the album and other jazzy tunes Monday when she performs with a full band at the Kuumbwa Jazz Center.
Giving Peggy her due was Muldaur’s impetus for putting together the new album which includes such famous Lee material as "Fever," "Black Coffee" and "Moments Like This." "I’m a Woman" - a hit single for Lee in 1963 and for Muldaur in 1974 - is not included on the album.
Maria Muldaur was a young singer when Lee was a star and heard "I’m a Woman" on a jukebox.
www.santacruzsentinel.com /archive/2003/June/26/style/stories/01style.htm   (727 words)

  
 SoundStage! Maria Muldaur - Meet Me Where They Play the Blues
The name Maria Muldaur conjures up images of a ravishingly beautiful Italian-American whose quirky voice on the suggestive hit "Midnight at the Oasis" defined the discotheque sound of the ’70s before it became "disco." After smashing early success, which included four albums in five years, Ms.
Muldaur has been a working musician for over three decades, doing guest appearances and back-up vocals on dozens of albums.
Song selection is interesting (except for the first two cuts), the studio musicians are top-notch and Muldaur seems to have a grasp of "cool blues," as the album’s style of music is characterized.
www.soundstage.com /music/reviews/rev155.htm   (580 words)

  
 Maria Muldaur
Maria Muldaur made her earliest recordings with the Jim Kweskin Jug Band, the folks who taught folkies the meaning of ragged-but-right.
Muldaur renders tribute to people like Mississippi John Hurt, Memphis Minnie, Bessie Smith and Fred McDowell by echoing their early, acoustic settings.
Maria’s vocal solos are varied by duets with Alvin Youngblood Hart, Taj Mahal, Angela Strehli, Bonnie Raitt and Tracy Nelson, making this CD a collector’s item.
www.citypaper.net /articles/032201/mus.dq8.shtml   (159 words)

  
 Maria Muldaur: Touching the Hems of the Garments   (Site not responding. Last check: 2007-10-22)
Muldaur was introduced to Hawkins via a tape sent to her only last year by Andy Cohen, who is producing the Davis tribute album she had agreed to be on.
That city is a second home to her, and Muldaur has recorded and toured with a number of New Orleans piano greats including Dr. John and Jon Cleary.
Muldaur, ever the troubadour, diva and preacher, believes that blues music is transforming-that it moves a body, physically and spiritually.
www.digmusic.com /departments/01_dig.artists/muldaur/touching.the.hem.html   (2716 words)

  
 Maria Muldaur | A Woman Alone With The Blues…   (Site not responding. Last check: 2007-10-22)
Maria Muldaur, a steamy chanteuse who made her name in blues and roots music in the ‘60s and ‘70s and then successfully shifted to jazz in the ‘80s, has resurrected Lee's ethos for A Woman Alone...
Muldaur happily succeeds in taking both well-known and rare songs that Lee performed and making them her own.
If Muldaur ultimately isn't as distinctive as the legend she honors, she makes a strong case for the ongoing potency of Peggy Lee's legacy.
www.allaboutjazz.com /reviews/r0603_087.htm   (395 words)

  
 Maria Muldaur Tickets - Schedule, Information - Concert Ticket Broker
Orders for Maria Muldaur tickets that are no longer available will be cancelled or substituted at the customer's discretion.
If you would like to attend a performance of a Maria Muldaur show to see music live, or to see a tour schedule and information, Coast to Coast Tickets is your source.
Maria Muldaur tickets may be sold for more than the price listed on the ticket.
www.coasttocoasttickets.com /concerts/mariamuldaur_tickets.shtml   (391 words)

  
 Maria Muldaur: Love Wants to Dance - PopMatters Music Review
Without busting a lung over it, Muldaur's a big-voiced woman without many inhibitions: she calls (or whispers) (or moans) them as she sees them and, as of now, she simply hasn't come.
But Muldaur's Delta stylings have an oomph that most of Lee's contemporaries didn't; while the songs don't have as much wordplay as Arlen/Harburg, they do a better job of getting by on the character of Muldaur's voice.
And, when, in the middle of the album, Muldaur talks up the beauty of the moonlight and then suggests you meet her there, you're not likely to turn her down.
www.popmatters.com /music/reviews/m/muldaurmaria-lovewants.shtml   (814 words)

  
 Rambles: Eric Bibb, Rory Block & Maria Muldaur, Sisters & Brothers
After many years of hard work and dedication Bibb, Block and Muldaur enjoy successful solo careers, representing their distinct segments of the blues.
Muldaur jumps in for a verse with her sassy vibrato, then returns with Block singing chorus.
The album's finest duets come from Block and Muldaur; their first is the Withers classic, "Lean On Me." Block delivers a strong, soulful lead as Muldaur joins in with warm, soaring harmonies.
www.rambles.net /bibb_sisbros04.html   (868 words)

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