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Topic: Marianne Brandt

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	Biography
		Marianne Brandt studied painting and sculpture at the Weimar Hochschule für Bildende Kunst from 1911 until 1918 with Fritz Mackensen, Richard Engelmann, and Robert Weise.
		At the age of thirty-one, Marianne Brandt enrolled at the Bauhaus in Weimar in 1924.
		In 1949 Marianne Brandt was invited to teach at the Hochschule der Bildenden Künste in Dresden and from 1951 to 1954 she taught in East Berlin at the Institut für angewandte Kunst.
	www.marianne-brandt.com (338 words)

	Marianne Brandt
		Marianne Brandt war born in Chemnitz as Marianne Liebe and married the Norwegian painter Erik Brandt in 1919, whom she divorced in 1935.
		She was at Bauhaus from 1924-1929 and took courses from Albers, Moholy, Klee, and Kandinsky.
		Marianne Brandt wurde als Marianne Liebe in Chemnitz geboren und heiratete 1919 den norwegischen Maler Erik Brandt, von dem sie sich im Jahre 1935 scheiden ließ.
	www.mscd.edu /~mdl/gerresources/frauen/mbrandt.htm (231 words)

	Brandt conscious.(Tempo, Tempo: The Bauhaus Photomontages of Marianne Brandt)(Book review) - HighBeam Encyclopedia (Site not responding. Last check: )
		Marianne Brandt (1893-1983) was one of the exceptions.
		Brandt, however, employed montage (the printed result of collage) in a figurative manner to comment on contemporary inter-war society especially the role of women, gender politics and the militarisation of technology.
		Brandt successfully worked as designer for various industries but her brilliant career was ended by a combination of the depression, new Bauhaus director Hannes Meyer (who combined the metal and cabinet-making workshops into an interior design department), and the rise of the Nazis who made sure no lefty Bauhaus product got any work.
	www.encyclopedia.com /doc/1G1-152633285.html (409 words)

	3. Marianne-Brandt-Wettbewerb 2007
		The apparent paradox clearly characterises the overall concept behind the creative work of Marianne Brandt and other Bauhaus artists: the most important aspect of an object's design is its function, usability and effective performance.
		In keeping with Marianne Brandt's visions, the contest is directed toward product designs which make use of advanced as well as simpler technologies in addition to unusual ideas in providing the user with a product of highest functionality in combination with independence and sensuality.
		Therefore, the photography category in the Marianne Brandt Contest is focussed on perfectly-executed independent imaginativeness which can be realised with high-tech apparatus as well as with a simple pinhole camera.
	www.marianne-brandt-wettbewerb.de /ausschreibung_eng.html (899 words)

	Modern Art of Metallwork
		Marianne Brandt herself has reported another reason: she later wrote that ”we were crazy about simple forms, because we were so much closer to the kitsch of historism then” (”auf einfache Formen versessen [...] weil uns der Kitsch der Gründerzeit [...] noch viel näher war.”).
		Perhaps Marianne Brandt had in mind to use the geometrical elements consequently as a sort of construction kit, as her colleagues in the Bauhaus pottery did: just leave away the functional components of the teapot, and you get an ashtray.
		Marianne Brandt started with an artistic idea, and finally succeded to create a fascinating and usable design, combining a certain naïvity with utmost radicality.
	www.broehan-museum.de /metallw93.htm (2500 words)

	Photographie \| Tempo, Tempo! \| The Bauhaus Photomontages of Marianne Brandt
		Marianne Brandt (1893—1983), a leader of the Bauhaus style, is best known as a Bauhaus designer and metal-worker.
		Much less well-known are the photomontages that constitute the critical complement to her metal works from the mid-1920s and early 1930s.
		It was in these photomontages that Brandt first focused her analytical gaze on contemporary society and politics, and, in particular, on the ominous and destructive aspects of modern technology so apparent in the First World War.
	www.photographie.com /?evtid=109818 (176 words)

	Marianne Brandt Ceiling lamp
		Marianne Brandt designed this ceiling lamp in 1926; it was produced in Berlin.
		The catalogues show that the metal parts were aluminium, but we have chosen plated nickel because untreated aluminium oxidizes rapidly and turns grey and lifeless.
		To view this catalog you need the Adobe Reader ®.
	www.tecnolumen.de /15/Marianne_Brandt_Ceiling_lamp.htm (95 words)

	3. Marianne-Brandt-Wettbewerb 2007
		Die Ansprache unserer Schirmherrin, der Oberbürgermeisterin Frau Barbara Ludwig, wurde vom Publikum und den Wettbewerbsteilnehmern sehr positiv aufgenommen.
		Ganz besonders interessiert verfolgt wurden die Darstellung einiger Lebensstationen von Marianne Brandt und die Beschreibung ihrer Wirkungsstätten.
		Der Videobeitrag von Franziska Ptak und Sylvia Steinhäuser „Wer weiß, ich nicht“ zeigte die emotionale Seite der Marianne Brandt und entstand auf der Basis ihrer lyrischen Gedichte und der Collage „Unsere irritierende Großstadt“.
	www.marianne-brandt-wettbewerb.de (457 words)

	H-Net Review: Marion F. Deshmukh on Tempo, Tempo! Bauhaus-Photomontagen von Marianne Brandt
		Brandt was an important student and artist at the Bauhaus, a metal worker primarily known for her modernist teapots and lamps (still manufactured today).
		Brandt employed her mentor's conception of the "photogram." This ingenious method places objects on photographic paper, exposes the objects to light and thereby creates an artful image.
		The catalog is certainly a welcome addition to the growing number of works on women artists of Weimar and is important for several reasons.[3] First, Otto describes Brandt's creativity in variety of media--from metalwork to photography to painting.
	www.h-net.msu.edu /reviews/showrev.cgi?path=33461159994524 (933 words)

	Tempo, Tempo! The Bauhaus Photomontages of Marianne Brandt - Bauhaus Archiv, Museum für Gestaltung - absolutearts.com
		The Bauhaus Photomontages of Marianne Brandt - Bauhaus Archiv, Museum für Gestaltung - absolutearts.com
		Famed for her Tee-Extraktkännchen and other icons of Modernist metal design, only a few examples of the photomontages of Marianne Brandt (1893-1983) are known to the public.
		Brandt's photomontages also address such themes as the representation of masculinity in the wake of the lost war, the dynamism of metropolitan life; the fascination of film culture, or the militarization of technology.
	www.absolutearts.com /artsnews/2005/10/12/33376.html (441 words)

	Tempo, Tempo! - International Center Of Photography
		Marianne Brandt (1893–1983), a leader of the Bauhaus style, is best known as a Bauhaus designer and metal-worker.
		Much less well-known are the photomontages that constitute the critical complement to her metal works from the mid-1920s and early 1930s.
		It was in these photomontages that Brandt first focused her analytical gaze on contemporary society and politics, and, in particular, on the ominous and destructive aspects of modern technology so apparent in the First World War.
	www.icp.org /site/c.dnJGKJNsFqG/b.1706771/k.94C0/Tempo_Tempo.htm (190 words)

	Marianne Brandt's Cutout Images, Creating Cutting Commentary - New York Times
		The photomontage was made in 1927 by Marianne Brandt (1893-1983), then an associate at the Bauhaus, the progressive German design school founded in 1919 and wiped out by the Nazis in 1933.
		Brandt, who was solidly trained in figurative art, that a year earlier she had burned all her paintings.
		Brandt's skill at putting images together to provocative effect, which can now be appreciated by a wider audience.
	www.nytimes.com /2006/06/09/arts/design/09bran.html?ex=1307505600&en=74c3b76e609a6084&ei=5088&partner=rssnyt&emc=rss (1082 words)

	Down Tempo - artnet Magazine
		This sense is furthered by Brandt’s choices: She seizes on images of dancers, circus performers and movie stars of all kinds -- all people putting on a show, on stage, acting, not themselves.
		In the most vivid of Brandt’s war-themed collages, there’s a wheeling field marked with graves, soldiers being tossed through the air and a swooping plane -- but the work has a creeping lack of specificity, as if Brandt were distracted by the abstract rhymes of shape between the plane and the crosses.
		Brandt seems to have viewed her time at the Bauhaus as a golden age, but one whose promise had deserted her.
	www.artnet.com /magazineus/reviews/davis/davis8-3-06.asp (1467 words)

	Marianne Brandt ( - ) Artwork Images, Exhibitions, Reviews
		Marianne Loir - Presumed Portrait of Madame Geoffrin n.d.
		Brandt juxtaposes the familiar and the discrete in the strong presence of nature, making offhanded allusions to traditional standards of beauty and magnificence in context of the everyday, and the portraits become fleeting, temporary metaphors...
		Brandts work is familiar to viewers because he is the inventor of his style - the trademark grainy gray British ligh...
	www.wwar.com /masters/b/brandt-marianne.html (1499 words)

	Harvard University Art Museums - Current Exhibitions
		Marianne Brandt (1893-1983) is celebrated for her iconic metalwork designs for the Bauhaus, including teapots, ashtrays, and bowls.
		Much less well known are her witty and incisive photomontages, created in the mid-1920s and early 1930s, in which she drew on the vast array of visual material made available by the period's burgeoning illustrated press.
		Photomontage is increasingly recognized as a quintessentially modern medium, and this exhibition offers an unprecedented opportunity to discover, enjoy, and evaluate an overlooked body of work by one of Germany's leading artists during the Weimar Republic.
	www.artmuseums.harvard.edu /exhibitions/busch/tempo_tempo.html (237 words)

	exposition marianne brandt au bauhaus
		Connue pour son "Tee-Extraktkännchen" et autres icônes du design moderne, Marianne Brandt (1893-1983) est également l’auteur de photomontages dont seulement quelques uns sont connus du grand public.
		Les photomontages de Marianne Brandt interrogent également la représentation de la masculinité dans le sillage de la guerre perdue, le dynamisme de la vie métropolitaine, la fascination de la culture cinématographique ou la militarisation de la technologie.
		Marianne Brandt Selbstporträt mit Schmuck zum Metallischen Fest,
	www.galerie-photo.com /exposition-marianne-brandt.html (354 words)

	3. Marianne-Brandt-Wettbewerb 2007
		Zum dritten Mal ehrt Chemnitz seine große Tochter Marianne Brandt mit einem Wettbewerb, der sich an junge Gestalter aus ganz Europa richtet.
		Das scheinbare Paradox umreißt treffend, was für Marianne Brandt und viele andere Bauhaus-Künstler die Maxime des Schaffens war.
		So ist es kein Widerspruch, dass Marianne Brandt in Handarbeit edle Objekte wie das berühmte Teeextraktkännchen ausführte – dabei die Ästhetik des Seriellen auswies – und zugleich für Firmen wie Kandem Industrieprodukte in Großserie entwarf.
	marianne-brandt-wettbewerb.de /ausschreibung.html (763 words)

	New Dimension for Marianne Brandt Contest Third Challenge for Young European Creatives \| Dexigner
		In encore to 2001 and 2004, the Villa Arte art association and the Saxon Museum of Industrial History announce the third competition named in honour of the Bauhaus representative Marianne Brandt (1893-1983) in her own hometown for 2007.
		At the heart is the functionality of the object to be created, its user-friendliness and its expedient function.
		The traditional categories of product design and photography pay homage to Marianne Brandt's most noted creative fields while the third category is chosen new each time.
	www.dexigner.com /product/news-g9490.html (299 words)

	Marianne BRANDT Lamp Germany 1939
		Marianne Brandt working with Hin Bredenieck, in 1927 created the definitive form for small adjustable bedside and desk lights, with bell-shaped lacquered steel shades (intended to give a directional focused and evenly distributed source of light), gently curved necks and wedge-shaped feet from which the cord disappears neatly out of at the rear.
		Brandt studied painting and sculpture at the Grand Ducal College of Fine Arts in Weimar.
		In 1928 Brandt became temporary head of the metal workshop.
	www.goantiques.com /detail,marianne-brandt-lamp,906374.html (472 words)

	RIBA Bookshops - : Tempo, Tempo!the Bauhaus Photomontages of Marianne Brandt .
		RIBA Bookshops - : Tempo, Tempo!the Bauhaus Photomontages of Marianne Brandt.
		Marianne Brandt, like Walter Gropius and Fritz Lang, is an iconic presence when considering the artistic achievements of the Weimar Republic.
		When Brandt wasn't designing the beautiful, mass-reproducible metal home furnishings - including lamps and teapots still in production today - with which she and her compatriots revolutionised modern interior space, she was cutting and pasting newly abundant magazines and printed material into these witty, politically and artistically savvy photomontages.
	www.ribabookshops.com /site/viewtitle.asp?EmailID=247&ID=13576&Type=HTML&pid=6716&EmailProductID=6716 (319 words)

	Bauhaus Photomontages of Marianne Brandt \| Art Knowledge News (Site not responding. Last check: )
		Famed for her Tee-Extraktkännchen and other icons of Modernist metal design, only a few examples of the photomontages of Marianne Brandt (1893-1983) are known to the public.
		Brandt's photomontages also address such themes as the representation of masculinity in the wake of the lost war, the dynamism of metropolitan life; the fascination of film culture, or the militarization of technology.
		The Bauhaus Photomontages of Marianne Brandt will offer viewers a retrospective look at Brandt's interwar photomontages in relation to the constellations of ideas essential for interpreting these works.
	www.artknowledgenews.com /node/995 (409 words)

	BOL \| Bücher: Tempo, Tempo! Bauhaus-Fotomontagen von Marianne Brandt von Elisabeth Otto
		illustrierten Presse ihrer Zeit bezieht Brandt das Rohmaterial für
		präsentiert, dokumentiert und analysiert erstmals die ganze Bandbreite der Photomontagen von Marianne Brandt ¿ ein künstlerisches Medium, das erst langsam als grundlegende Äußerung der Moderne entdeckt wird.
		Geben Sie hier die erste Bewertung zu diesem Produkt ab.
	www.bol.de /shop/home/artikeldetails/tempo_tempo_bauhaus_fotomontagen_von_marianne_brandt/elisabeth_otto/ISBN3-936314-55-1/ID6604973.html (187 words)

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