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	Genders OnLine Journal - Memories of Bilitis: Marie Laurencin beyond the Cubist Context
		Apollinaire, Laurencin's romantic partner during some of these early years, published the first reviews of her work as early as 1912 and was the source of both of the two dominant framing devices for Laurencin's œuvre in the period prior to the Great War.
		Laurencin became a part of this extended family; she was one of the many artists drawn to Barney's orbit, just as, according to Louÿs's version of the story, Bilitis had become part of the circle of Sappho.
		For an understanding of Laurencin's work and of the experiments that she was engaged in, it is essential to investigate these persistent images of female intimacy and collaboration and the numerous themes of lesbian neoclassicism that she drew upon in her images.
	www.genders.org /g36/g36_otto.html (6491 words)

	Marie Laurencin
		Marie Mélanie Laurencin came from Land and was born on the 31
		Marie was recognized by her mother a few years after her birth.
		Marie Laurencin died from a stroke during the night of the eighth Hune 1956.
	www.gymnase-morges.ch /docs/Eleve/Laurencin.html (946 words)

	MyStudios -Artist Biographies Sponsored by Barewalls
		Marie Laurencin was born in Paris and attended the Lycee Lamartine until the age of twenty.
		Although both her mother and her drawing teacher encouraged her in her earliest attempts to draw, she was determined to become a painter and studied drawing at night before attending the Académie Humbert.
		Laurencin was very near-sighted, and this weakness may have caused her to omit details.
	www.mystudios.com /bios/Marie_Laurencin.html (332 words)

	More About Laurencin (Site not responding. Last check: 2007-09-10)
		Surely, a youthful artist could get no more damaging criticism of his world than did Marie Laurencin from one of her teachers: "You had better spend your time studying the mandolin." Like many another in those apocalyptic days in the Paris of the early twentieth century, she went her own way quietly but with determination.
		She was much talked about, often most irrelevantly, and Cocteau's impression of her as a "poor live doe, caught in a trap between the taules and the cubists" dramatizes a situation that existed chiefly in the poet's imagination.
		Marie Laurencin was born in Paris (1885) and died there (1956).
	www.laskerfoundation.org /about/art/a25t.html (476 words)

	Highbeam Encyclopedia - Search Results for Laurencin,
		Laurencin, Marie LAURENCIN, MARIE [Laurencin, Marie], 1885-1956, French painter and print maker.
		She studied under Carrière and was influenced by the fauvist and cubist movements.
		Laurencin Elected National Medical Association Speaker of the House of Delegates.
	www.encyclopedia.com /SearchResults.aspx?Q=Laurencin, (201 words)

	Marie Laurencin
		Laurencin studied porcelain painting at the Sèvres factory before studying painting at the Académie Humbert in Paris, where she met Georges Braque and Francis Picabia.
		Laurencin became known for her dreamy, delicate figurative paintings of feminine subjects, which seem unaffected by the modern movement's revolutionary zeal.
		Apollinaire, Laurencin's romantic partner during some of these early years, published the first reviews of her work as early as 1912 and was the source of both of the two dominant framing devices for Laurencin's
	www.higginsmaxwell.com /laurencin.htm (798 words)

	Marie Laurencin Biography
		Born on 31 October 1883 in Paris, the young Marie is sent to Sèvres in 1901 by her mother, where she gets familiar with porcelain painting.
		Being friends with the latter, she soon meets Picasso and Guillaume Apollinaire, who support her from this time on and integrate her into the discussions about art theory, which will soon lead to cubism.
		Laurencins own creative work, however, stays untouched by theoretical demands like this; it shows mainly lyrical motifs like gracile, dreamy young girls in pastel colouring and soft shading.
	www.marielaurencin.com (205 words)

	GRACIOUS SPLENDOR:
		Laurencin is most renowned for her portraiture, particularly her delicate images of women.
		During her years with Apollinaire, Laurencin was part of the avant-garde Bateau-Lavoir coterie and attended the legendary banquet Picasso gave in honor of Henri Rousseau in 1908.
		Laurencin’s masculine portraits tend to be more severe, straightforward likenesses that are less fanciful than her feminine effigies in which resemblance was not always a primary concern.
	www.artsbma.org /hulsey.htm (1920 words)

	Marie Laurencin's Biography
		Laurencin is distraught upon learning the news of Apollinaire’s death in 1918.
		At this time, Laurencin is much in demand as a costume and set designer, as well as a society portraitist, whose clients includes Coco Chanel.
		She is buried in the cemetery Père-Lachaise according to her wishes, dressed in white with a rose in one hand and Apollinaire’s love letters by her heart.
	www.artsci.wustl.edu /~artarch/womenartists/Modern/marie/laurencin_bio.html (630 words)

	Marie Laurencin's Selected Bibliography
		Using Laurencin’s femininity as an example, which was at the time alternately perceived as proof that women were not serious avant-garde painters, and as fiercely feminist, Elliott demonstrates the instability present in the gendered theories of the avant-garde.
		This comparison between Gertrude Stein and Marie Laurencin (Stein was Laurencin’s close friend as well as patron), provides important insight into the placement of women artists and writers within the context of modernism.
		Negotiating the complexities of a female genius in different ways—Stein the stereotype of the male genius, Laurencin the female sensibility—Stein insisted forcefully upon her own genius, while Laurencin refused to be assessed according to the male modernist conception of genius.
	artsci.wustl.edu /~artarch/womenartists/Modern/marie/laurencin_bib.html (923 words)

	glbtq >> arts >> Laurençin, Marie
		French painter, portrait artist, and set designer, Marie Laurençin had a number of affairs with men, including fellow cubist painter Guillaume Apollinaire, but she also had close friendships and affairs with women.
		An illegitimate child, Marie Laurençin was born in Paris in 1883 to a Creole mother who worked as a seamstress.
		In 1983, the Marie Laurençin Museum in Nagano-Ken, Japan was inaugurated to celebrate the centenary of her birth.
	www.glbtq.com /arts/laurencin_m.html (928 words)

	Marie Laurencin on artnet (Site not responding. Last check: 2007-09-10)
		Although originally trained to be a decorator of porcelain at the Sevres factory, Laurencin took lessons at the Académie Humbert in the early 1900s and in 1907 was introduced by Picasso to the poet Guillaume Appolinaire with whom she had a five year affair.
		Following a brief exile in Spain, Marie Laurencin returned to Paris in 1921 and for the next three decades continued to paint, write poetry and design sets and costumes for the theatre and Ballet Russes.
		Marie Laurencin died in Paris in 1956, she was buried in a white dress holding a rose in one hand and a love letter from Guillaume Apollinaire in the other.
	www.artnet.com /artist/150313/marie-laurencin.html (314 words)

	Marie Laurencin
		Marie Laurencin painted mainly the female French aristocracy, including female top designer Coco Chanel.
		Other famous paintings by Marie Laurencin include 'Head of a Young Woman', 'Spanish Dancers' and 'Women with Dog'.
		Marie Laurencin does not fit into one particular artistic style, which is why she exposed at the Salon des Indépendants.
	www.artinthepicture.com /artists/Marie_Laurencin (100 words)

	TIME.com: Pretty Girls -- Jul 21, 1952 -- Page 1
		One look was enough to convince Paris that Marie still belongs in the inner circle of French moderns and that her touch is as light and pleasure-bent as ever.
		All had Marie Laurencin's personal mark: smooth young faces with skimpy noses or none at all, skins the color of pale roses and eyes dark as fl cherries.
		Sometimes when commissions were slow, Marie got the concierge's young daughter to sit for an hour or so; at other times she just sat by a mirror and painted herself.
	www.time.com /time/magazine/article/0,9171,859895,00.html (624 words)

	Laurencin, Marie - HighBeam Encyclopedia (Site not responding. Last check: 2007-09-10)
		Laurencin, Marie, 1885-1956, French painter and print maker.
		By 1918 Laurencin had developed her elegant, highly personal style, which became extremely popular and which altered very little subsequently.
		It is characterized by extreme simplification of form, flat and decorative surface, and delicate pastel colors (e.g., The Assembly, 1910).
	www.encyclopedia.com /doc/1E1-laurenci.html (238 words)

	Marie Laurencin - lithographs, etchings, and books
		Marie Laurencin is best known for her illustrations (etchings, lithographs, and illustrated books) of beautiful women that exude intelligent serenity and lyric seductiveness through their alluring dark eyes.
		Her etchings, lithographs, and books are catalogued by Daniel Marchesseau in the book "Marie Laurencin Catalogue Raisonne de L'Oevre Grave".
		The edition size of her signed etching and lithographs is quite small, usually around 100, although there are numerous works that are restrike impressions that are signed in the plate.
	www.lockportstreetgallery.com /laurenc.htm (145 words)

	AllRefer.com - Marie Laurencin (European Art, 1600 To The Present, Biography) - Encyclopedia
		Marie Laurencin, European Art, 1600 To The Present, Biographies
		Marie Laurencin[mArE´ lOrANsaN´] Pronunciation Key, 1885–1956, French painter and print maker.
		She studied under CarriEre and was influenced by the fauvist and cubist movements.
	reference.allrefer.com /encyclopedia/L/Laurenci.html (203 words)

	Marie Laurencin "La Ronde" - CentaurGalleries.com
		Marie Laurencin's La Ronde, an original 1926 etching, is a plate from the book Dix filles dans un pre, ballet imaginaire de Jean-Richard Bloch, Paris, published by Au sans Pareil.
		Marie Laurencin was a French painter born in Paris.
		In 1907, she met Apollinaire, the poet, and lived with him until the outbreak of the first World War, becoming a exhibiting member of the cubist group with Picasso, Braque and Gris.
	www.centaurgalleries.com /Main/Art.cfm?InvNo=38187 (229 words)

	La Joueuse de Flute. The Flute Player. by Marie Laurencin, 1885-1956
		The imagery is a perfect expression of the symbolism and poetic imagination which filled her very early works, and drew her into her liaison with Guillaume Apollinaire and her involvement in the Bateau Lavoir circle.
		The orange tree laden with fruit, the rhythmic lines of the background arches so much like a stage set, the pipe, the suggestion of the music and the swirl of the cloak around the nude figures create an atmosphere of highly charged emotion.
		It was drawn in 1904, three years before she joined the Bateau Lavoir group in Montmartre, and it underlines how much this early poeticism in her image-making was a product of her own spirit.
	www.williamweston.co.uk /pages/previous/single/954/157/1.html (328 words)

	Marie Laurencin ( - ) Artwork Images, Exhibitions, Reviews
		Marie Laurencin - Portrait of a Girl in a Hat c.
		Marie Laurencin - Jeune fille a la guitare c.
		Marie Laurencin - Head of a Young Woman 1926 Oil on canvas The Art Institute of Chicago French
	www.wwar.com /masters/l/laurencin-marie.html (505 words)

	Marie Laurencin Online
		Marie Laurencin in the Los Angeles County Museum of Art Database
		Marie Laurencin copyright requests handled by the Artists Rights Society.
		All images and text on this Marie Laurencin page are copyright 1999-2005 by John Malyon/Artcyclopedia, unless otherwise noted.
	www.artcyclopedia.com /artists/laurencin_marie.html (285 words)

	Portraits - Marie LAURENCIN (Site not responding. Last check: 2007-09-10)
		Peintre affectionnant les compositions brumeuses aux teintes pastel qui mettent en scène des femmes du monde ou des jeunes filles, Marie Laurencin, qui fut quelques années la maîtresse de Guillaume Apollinaire, a connu la gloire dans l'entre-deux-guerres.
		Laurencin est née à Paris en 1883 d'un père inconnu et d'une mère employée de maison (intrigue relativement banale en cette fin du XIXe siècle, de la jeune domestique séduite par un bourgeois marié).
		Laurencin fait des études exceptionnelles pour une fille de l'époque.
	www.cndp.fr /balletrusse/portraits/laurencin.htm (590 words)

	Marie Laurencin [1885-1956] - Featured Artist on Artfact.com (Site not responding. Last check: 2007-09-10)
		laurencin, sa vie, son oeuvre, illustrees de tableaux, histoire de...
		Marie Laurencin French, 1885-1956 La toilette des jeunes filles...
		Offline seznam personÃÂ¡lnÃÂch autorit - Laurencin, Marie 1885...
	www.artfact.com /features/viewArtist.cfm?aID=22778 (290 words)

	Marie Laurencin: rare original painting for sale (Site not responding. Last check: 2007-09-10)
		Marie Laurencin, 1885-1956, is a well-regarded artist who produced numerous works during the first half of the twentieth century.
		Jenny Buhayar was a contemporary of Marie Laurencin, and purchased a number of Marie Laurencin's works directly from the artist.
		As well as discussing the original oil painting, La Confidence, this site is intended to provide biographical information about Marie Laurencin, an examination of her body of work, and additional resources about Marie Laurencin.
	www.marie-laurencin-art.com (208 words)

	eBay - marie laurencin, Prints, Paintings items on eBay.com (Site not responding. Last check: 2007-09-10)
		Marie Laurencin by Charlotte Gere BOOK SB 1977 ART
		Marie Laurencin Canvas Art Repro House for Rent
		Alice In Wonderland Marie Laurencin Lewis Carroll 1/300
	search-desc.ebay.com /search/search.dll?query=marie+laurencin&...&krd=1 (285 words)

	Shopping.com - Shopping made simple
		Marie Laurencin 1924 by French Photographer Giclee Print 18x24
		Posters, prints and framed art, plus Christmas presents for everyone on your list Marie Laurencin 1924 prints available at Art.com.
		Elizabeth Louise Kahn - Marie Laurencin: Une Femme Inadaptee in Feminist Histories of Art
	www.shopping.com /xGS-Marie_Laurencin (458 words)

	Marie Laurencin - Wikipedia, la enciclopedia libre
		Marie Laurencin (París, 31 de octubre de 1883 - 8 de junio de 1956) fue una pintora y grabadora.
		Asociada con Sonia y Robert Delaunay gracias a un encuentro organizado por Francis Picabia, Marie Laurencin compuso varios poemas para revistas artísticas durante 1917.
		Convertida en retratista oficial del mundo del estilismo femenino (Nicole Groult, Coco Chanel) desde 1920, Marie Laurencin ejerció además como decoradora para el ballet Las ciervas (1924), de Francis Poulenc, y también para las compañías de L' Opéra-Comique, La Comédie Française y los ballets de Roland Petit en el Teatro de los Campos Elíseos.
	es.wikipedia.org /wiki/Marie_Laurencin (270 words)

	Marie Laurencin - "Jeune femme au chien" or "la Mariée" (Site not responding. Last check: 2007-09-10)
		Marie Laurencin - "Jeune femme au chien" or "la Mariée"
		JavaScript is disabled within your browser, several site items like the menu will not show up correctly.
		D.Marchesseau, Marie Laurencin, Catalogue raisonné de l’uvre peint, Tokyo, 1986, p.122, illustré n° 198
	www.artnet.com /artwork/424212417/marie-laurencin-jeune-femme-au-chien-or-la-mariee.html (115 words)

	Marie Laurencin Books - Signed, used, new, out-of-print
		Marie Laurencin Books - Signed, used, new, out-of-print
		by Douglas Hyland, Marie Laurencin, Heather McPherson, Ala.) Birmingham Museum of Art (Birmingham, Dixon Gallery and Gardens
		We guarantee the condition of every book, new or used.
	www.alibris.com /search/books/author/Marie_Laurencin (146 words)

	Marie Laurencin : Bouquet, 1922 - SHOP.COM
		Find the perfect gift for that special someone in
		Marie Laurencin : Bouquet, 1922 Size: 10 1/4 x 8 1/4 in.
		This is a museum quality fine art print published on heavy archival paper.
	www.shop.com /op/aprod-p11525403 (194 words)

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