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	Donella Del Monaco
		His pièce de résistance was Verdi's Otello, an opera which was considered almost unperformable, on account of the difficulties it presented both vocally and in terms of interpretation, and for the need for a broad and full dramatic vocalisation which is rarely found.
		The exceptional quality of Mario Del Monaco's vocal timbre has gone down in history; it was defined as golden, powerful and brilliant
		Del Monaco's musical career was splendid; after studying in Pesaro and making his debut in Milan in 1941 with Madame Butterfly, he was acclaimed in the most important theatres all over the world.
	www.donelladelmonaco.com /en/mariodm.php (199 words)

	NationMaster - Encyclopedia: Mario del Monaco (Site not responding. Last check: 2007-11-02)
		Mario del Monaco was born in Firenze on July 27 1915.
		Mario Del Monaco was in the years to follow to be called to military service and war service with the onset of World War II.
		In between his war duties, Del Monaco kept performing throughout Italy in La Traviata, La Boheme, Tosca, Manon Lescaut, Turandot, Lucia di Lammermoor, Un Ballo in Maschera and La Gioconda, apart from Zaza and the world premiere of Rota's Ariodante at Parma's Teatro Reggio 18 November 1942.
	www.nationmaster.com /encyclopedia/Mario-del-Monaco (776 words)

	Mario - Wikipedia, the free encyclopedia
		Mario is in many ways an undeveloped character, with numerous details of his accepted biography having been created through a complex lore spawned from the imaginations of comic book artists and cartoon writers.
		Mario also considers himself the biggest fan of Captain Lou Albano (another inside joke since Lou Albano himself was the one who portrayed Mario in the live action segments and provided his voice in the cartoon).
		Mario Williams, the #1 draft pick in the 2006 NFL Draft, was also given the nickname "Super Mario", as was pro-cyclist, Mario Cipollini.
	en.wikipedia.org /wiki/Mario (7097 words)

	Mario del Monaco - Wikipedia, the free encyclopedia
		Mario del Monaco (Florence July 27, 1915 - October 16, 1982 in Mestre) was an Italian tenor and is regarded as one of the loudest tenors of the 20th Century.
		Mario was born to a musical upper-class Florentine family.
		It is said that he performed this opera a remarkable 427 times.
	en.wikipedia.org /wiki/Mario_Del_Monaco (231 words)

	Mario del Monaco
		Mario del Monaco, tenor, with sopranos Clara Petrella and Renata Tebaldi, and baritone Giuseppe Taddei; various orch.
		Del Monaco and Petrella are the des Grieux and Manon in a 1951 Mexico City performance of Puccini's Manon Lescaut.
		I suspect that if Mario del Monaco were part of the current opera scene, he would be subject to the same kind of criticism he provoked in the 50s, 60s and 70s.
	classicalcdreview.com /monaco.htm (810 words)

	Opera Today : Mario Del Monaco at the Bolshoi
		The only person on the scene who could give Del Monaco tit for tat is the formidable Irina Archipova, though as a result she sometimes forces the voice and becomes rather vulgar.
		Therefore the coming of Del Monaco to Moscow was a major event in 1959 and the tenor met all expectations as he gave them what they thought was the one essential element of tenor singing: strong top notes, kept on as long as possible.
		Del Monaco must have felt he was returning to his early days.
	www.operatoday.com /content/2005/12/mario_del_monac.php (1912 words)

	Mario del monaco - Wikipedia, the free encyclopedia (Site not responding. Last check: 2007-11-02)
		Start the Mario del monaco article or add a request for it.
		Look for "Mario del monaco" in the Wikimedia Commons, our repository for free images, music, sound, and video.
		Promotional articles about yourself, your friends, your company or products; or articles written as part of a marketing or promotional campaign, may be deleted in accordance with our deletion policies.
	www.sciencedaily.com /encyclopedia/mario_del_monaco (188 words)

	Opera - Reflections - Mario del Monaco
		Mario Del Monaco died on 16 October 1982 in Mestre, at the age of 67.
		Del Monaco takes on the role of Maurizio di Sassonia, which the historic tenors Caruso and Anselmi glorified at the turn of XX century.
		Del Monaco sings Maurizio in a lirico drammatico exhilarating vein: the powerful and sure emission, the infallible pronunciation and exemplary professionalism are all there.
	www.opera-gems.com /reflections/mario_del_monaco.htm (1920 words)

	Grandi Tenori.com :: View topic - Mario del Monaco: vocal machismo (Site not responding. Last check: 2007-11-02)
		Del Monaco was convinced that he was one of the greatest artists who ever lived on earth.
		Mario del Monaco was a dear friend fore me and in my heart will always be one of the most beautiful memories of my career.
		Curiosity: Mario del Monaco was fortunate as he was the first post-war singer who still had connections with the composers of the past, having studied with Giordano, Cilea, Mascagni, Zandonai.
	www.grandi-tenori.com /bbs/viewtopic.php?p=6613 (3289 words)

	Mondo del Gusto - Il blog sui gusti del mondo
		Il comune di Pavullo organizza nel Castello di Montecuccolo (riaperto per l’occasione dopo il restauro) e nel borgo medievale del paese una manifestazione di 5 giorni tesa a ricreare l’antica atmosfera del tempo.
		Dopo 50 anni, in un contesto socio-economico completamente cambiato, Bernie Ecclestone fece disputare l’undicesima prova del mondiale sull’impegnativo circuito dell’Hungaroring, suscitando grande clamore, mentre alla presenza di oltre 200.000 spettatori Nelson Piquet si aggiudicò quella prima storica edizione del GP d’Ungheria, dopo un appassionante duello con Ayrton Senna.
		La struttura del Sziget gestisce e coordina ben 1.000 spettacoli, 60 stages, 70.000 campeggiatori, 500.000 presenze durante i 7 giorni non-stop.
	www.mondodelgusto.it (1119 words)

	del Monaco (Site not responding. Last check: 2007-11-02)
		Monaco set the standard for the classification "dramatic tenor" or "tenore di forza" well into the early 1960’s.
		Due to the dearth of true dramatic tenors after the war, del Monaco was tempted to sing the role of Otello far more often than was perhaps good for his vocal health, and found himself forced to curtail his repertoire as his top tones receded and his voice took on a wooden timbre.
		With the rise of Franco Corelli at the Met, del Monaco confined his operatic appearances to Europe and Asia and made an occasional recording.
	www2.ups.edu /faculty/mdelos/del (724 words)

	Grandi Tenori.com: Mario del Monaco (Site not responding. Last check: 2007-11-02)
		Dubbed the "Brazen Bull of Milan," Mario del Monaco was the epithome of the Italian Tenore di Forza, his voice bright and brassy and with the most beautiful B-flat on stage, according to legendary tenor Giacomo Lauri-Volpi.
		He became the legendary Otello of the post war era, a role that he reportedly performed the stunning number of 427 times on stage and it was his wish the he would be burried in his Otello custom at his death.
		Mario del Monaco: The Brazen Bull of Milan.
	www.grandi-tenori.com /tenors/delmonaco (139 words)

	Monaco mario del monaco (Site not responding. Last check: 2007-11-02)
		When you're trying to find top-quality information about mario del monaco, it'll be complex separating superior information from foolish mario del monaco submissions and proposals so it is sensible to know how to judge the information you are offered.
		A great hint to follow when you're presented with help or advice concerning a mario del monaco webpage is to ascertain who owns the site.
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	www.europe-now.com /monaco/mario-del-monaco.htm (226 words)

	Del Monaco, Mario - Hutchinson encyclopedia article about Del Monaco, Mario (Site not responding. Last check: 2007-11-02)
		He studied at the Pesaro Conservatory and made his debut in Milan in 1941 as Pinkerton, but later served in the Italian army during World War II.
		A dramatic singer, one of his finest roles was that of Verdi's Otello, which he sang at the Royal Opera House, Covent Garden, London, in 1962.
		This information should not be considered complete, up to date, and is not intended to be used in place of a visit, consultation, or advice of a legal, medical, or any other professional.
	encyclopedia.farlex.com /Del%20Monaco,%20Mario (147 words)

	Donella Del Monaco
		The soprano Donella Del Monaco in an 18th Century costume, accompanied by a trio (18th Century flute-'cello-guitar), performs arias and pieces from the Venetian School, including the delightful and amusing "Canzoni da Battello" (Boating Songs) which she came across in her personal research and which she performs in various musical arrangements.
		The "Canzoni" were admired even by Mozart during His stay in Italy, and were composed to enliven the parties held in the villas of the aristocracy, or the great public celebrations on boats and barges (from which they took their name).
		There is also a more theatrical version where Donella Del Monaco will be flanked by two figures of the 'Comedia de l'Arte' - a Harlequin and a Colombina who move with the age- old gestures characteristic of the two characters of the Theatre of the Venetian School.
	www.donelladelmonaco.com /en/canzonive (288 words)

	MUSICA: VENTI ANNI FA MORIVA IL TENORE MARIO DEL MONACO/ANSA
		Nato a Firenze il 27 luglio del 1915, Del Monaco studiò musica prima da autodidatta, poi dal 1934 al 1937 al conservatorio di Pesaro, che in quegli anni si chiamava "Liceo Rossini".
		Secondo Giancarlo Landini, che firma la prefazione al volume della Romagnolo, "Il forte appeal, un vero e proprio carisma, unito alla fenomenale rilevanza dela voce, impose Del Monaco come elemento di punta di quella grande pattuglia di artisti che negli anni Cinquanta tenne alti in tutto il mondo i colori della scuola italiana di canto".
		Del Monaco sapeva che il cantante lirico in un mondo moderno plasmato dalla tecnica cinematografica doveva affinare le sue doti sceniche.
	www.smilecity.it /divertimento/Cronaca&Attualita1425.html (509 words)

	Classics Today.com - Your Online Guide to Classical Music
		This recently discovered broadcast from 1946 is of great interest to admirers of Mario del Monaco, who did not record the role of Riccardo commercially.
		Even then, del Monaco rarely sang under mezzo-forte, but the general sound of the voice was less leathery and so it isn't as bothersome.
		In general it's a more lyrical, nimble del Monaco, with fleet singing in ensembles, enough giggling in "E scherzo ed I follie" to turn it into a show unto itself, and shallow if passionate emotions.
	www.classicstoday.com /review.asp?ReviewNum=7317 (351 words)

	Mario del Monaco
		That?s how I want to start talking about Mario del Monaco and his extraordinary career, that allowed him to know and to sing at theatres all around the world.
		By my point of view, del Monaco was mainly an intelligent and creative singer.
		Unfortunately, what was natural in Mario del Monaco usually is pathetic in light voices that try to appear such mascle, dark and drammatic like the great star used to sing.
	www.geocities.com /Vienna/7024/delmonaco.html (386 words)

	Grandi Tenori.com » OperaGems (Site not responding. Last check: 2007-11-02)
		In Opera-Gems for December Dr Fragala with Lynn Samohel recall the memory of Mario del Monaco, tenore drammatico e squillante.
		Mario had become the role model of the dramatic 'tenore squillante' or 'tenore di forza', which last up until the 1960s.
		Mario Del Monaco's official web site in four languages, managed by my very friend Roberto Scandurra, Esq., is www.mariodelmonaco.net.
	www.grandi-tenori.com /features/og/og_2004_12.php (1961 words)

	Mario Del Monaco
		In 1943 he made his first appearance at La Scala, transferred at the time to Como, and two years later sang in Lucia di Lammermoor in Florence.
		One of his favourite operas was Otello, which he sang over 400 times, though he also gave unforgettable interpretations of Fedora, La Forza del destino, Aida, Andrea Chénier, Tosca, Turandot, Norma, Ernani, Carmen, Pagliacci, La Fanciulla del West.
		A tenor of rare vigour and impetuousness, with a burnished timbre and stentorian phrasing, he was seen by many as the natural heir to Enrico Caruso.
	www.operaitaliana.com /autori/interprete.asp?ID=193 (165 words)

	Samson & Delilsh / Del Monaco (Site not responding. Last check: 2007-11-02)
		Risë Stevens, mezzo-soprano, (Dalila), Mario del Monaco, tenor, (Samson), Clifford Harvuot, baritone, (High Priest of Dagon), Ezio Flagello, bass, (Abimélech), Chorus and Orchestra of the Metropolitan Opera, Fausto Cleva, Conductor.
		Not only is del Monaco’s voice recorded particularly well, the tenor also offers one of his finest performances on commercial disc.
		While no one would mistake del Monaco’s French for that of a Georges Thill or José Luccioni, it is clear, and delivered with great feeling.
	classicalcdreview.com /sshts.html (549 words)

	Mario Del Monaco
		Sei in: www.fotomodellefamose.com => Celebrita' - M / Mario Del Monaco
		...egli Anni Novanta, professore di storia medievale colpito da una follia lucida, in "La Leggenda del Re Pescatore", con una spalla del calibro di Jeff Bridges.
		Mario Del Monaco tutte le pagine Pagina 1
	www.fotomodellefamose.com /mario_del_monaco.html (152 words)

	Mario del Monaco - Bedeutung, Definition, Erklärung im netlexikon
		Mario del Monaco - Bedeutung, Definition, Erklärung im netlexikon
		Bücher zum Stichwort "Mario del Monaco" bei Amazon.de
		Artikel zum Stichwort "Mario del Monaco" bei Ebay.de
	www.lexikon-definition.de /Mario-del-Monaco.html (127 words)

	Decca Music Group - New Release
		Legendary Italian tenor Mario del Monaco was born in Florence on 27 July 1915 and died near Venice on 16 October 1982.
		Del Monaco’s official debut took place at the Teatro Puccini in Milan in 1941 when he sang Pinkerton (in Puccini's Madama Butterfly).
		Del Monaco’s voice was one of thrilling power and excitement.
	www.deccaclassics.com /music/originalmasters/4757269.html (694 words)

	Amazon.com: Mario del Monaco: Music: Vincenzo Bellini,Leonard Bernstein,Georges Bizet,Nicholas Brodszky,Cesar ... (Site not responding. Last check: 2007-11-02)
		Though he doesn't have the sweet voices of the tenors around today, and he can be very histronic in his acting, Del Monaco is among one of my favorite opera singers simply because you can tell he loved doing it more than anything else.
		Unlike the recording in the same series for Di Stefano, Del Monaco is still in a good voice, and in roles that really suit the voice.
		If there's one thing i wish was on this recording, and which, if you haven't heard, go hear it, is Del Monaco's "Esultate" from Otello, a moment in Opera in whic Del Monaco's massive voice thunders from his throat.
	www.amazon.com /Mario-del-Monaco-Vincenzo-Bellini/dp/B00005ND3Y (691 words)

	Amazon.com (Site not responding. Last check: 2007-11-02)
		Verdi - Il Trovatore / del Monaco, Gencer, Bastianini, Barbieri, Clabassi, Previtali, RAI 1957
		Verdi - Otello / Del Monaco, Carteri, Capecchi, Mattera, Cesarini, Clabassi, Catalani, Ciaffi, Serafin, RAI
		Verdi - Il Trovatore / Del Monaco, Gencer, Bastianini, Barbieri, Clabassi, Londi, Previtali, RAI Milano
	www.bizave.com /cgi-bin/redirectnolist.cgi?mode=video&keyword=Mario%20Del%20Monaco&tag=bridgebooks&info=ArtistSearch (120 words)

	Otello - Starring Mario del Monaco, Rosanna Carteri, Renato Capecchi, RAI
		OTELLO (Verdi) The towering Otello of his time, Mario Del Monaco stars in this 1958 film of the opera.
		The RAI orchestra and chorus are under the direction of the legendary maestro Tullio Serafin.
		A stunning document of Del Monaco at the height of his vocal and dramatic powers.
	www.vaimusic.com /VIDEO/DVD_HCD4004_Otello.htm (90 words)

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