Marnie (film) - Factbites

Marnie (film) - Factbites
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Topic: Marnie (film)

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	DVDBeaver.com - "Marnie" Review
		I also very much enjoyed the film extra " The Trouble with Marnie" in which cast members and production crew discuss the film making process and "Hitch".
		It is quite easily forgiven when we have as many masterful, typical Hitchcockian vignettes, like Marnie robbing the safe in Marks office with the deaf cleaner around the corner.
		Marnie Edgar (played by Tipp Hedren)is an extremely complex character.
	www.dvdbeaver.com /film/Reviews/marnie.htm (590 words)

	More Films of Alfred Hitchcock
		The last American film in which he seemed to be at the peak of his craft, Marnie left many critics and viewers cold during its inital release but steadily gained a cult following through repertory and TV screenings - and with very good reason.
		Marnie's unhappy home life stems from a dysfunctional relationship with her mother (Louise Latham), and her hatred of men drives her to seek escape by riding her beloved horse, Forio.
		Unfortunately for Marnie, the rich, young Mark Rutland (Sean Connery) recognizes her from a past job and offers a most unusual arrangement.
	www.mondo-digital.com /hitchcock2.html (1856 words)

	Marnie - Wikipedia, the free encyclopedia
		Marnie is a 1964 film directed by Alfred Hitchcock based on a novel by Winston Graham.
		The book is narrated by Marnie herself, a young con-woman with a dark secret in her past.
		The film starred Tippi Hedren and Sean Connery.
	en.wikipedia.org /wiki/Marnie (209 words)

	DVD Times - Marnie
		What's most impressive about 'The Trouble with Marnie' is that it isn't afraid to point out flaws in the final film, though it unsurprisingly shies away from Spoto's claims about Hitchcock's attitude towards Hedren, as I suspect they would have been a little too near the knuckle for an essentially celebratory documentary like this.
		Marnie (Tippi Hedren) is a compulsive thief and equally pathological liar, clearly with some deep-seated psychological problems (the sight of certain images, especially those dominated by reds, makes her feel faint).
		It was also arguably his last true 'Hollywood' film, shot almost entirely on a sound stage, with all the stylisation and artificiality that that implies (the clarity of the DVD does rather emphasise Hitchcock's fondness for back projection).
	www.dvdtimes.co.uk /content.php?contentid=3874 (977 words)

	DVD Verdict Review - Marnie
		The first is that the falseness of the surroundings is an extension of Marnie's psychosis and the film is conveying the world as she perceives it.
		The main extra of the disc is Laurent Bouzereau's excellent documentary, "The Trouble with Marnie." At 58 minutes, the feature gives a well-rounded overview of the film and is quite entertaining to boot.
		Working himself closer and closer to Marnie, Rutland realizes how disturbed the girl really is. Icy cold one minute, panic stricken at the sound of thunder the next, he also finds she has a pathological fear of the color red.
	www.dvdverdict.com /reviews/marnie.php (2316 words)

	Marnie
		Add 1964's Marnie to the list of good Hitchcock movies that just don't do a lot for me. For the most part, I found the film to be moderately compelling, but it seemed more like stock Hitchcock and lacked much of the flair of his other efforts.
		The psychoanalytic bent of Marnie also means that we're "treated" to scenes in which her male pursuer Mark (Sean Connery) runs Marnie through a series of psychological exercises such as free association.
		Marnie has to go through a wide variety of emotional states and Hedren simply wasn't up to the task.
	www.dvdmg.com /marnie.shtml (1636 words)

	Alfred Hitchcock's Marnie
		As the film progresses, the audience learns that Lil loves Mark, putting her and Marnie in constant conflict.
		Marnie is clutching the purse, so its color then symbolizes a self-destructive woman holding on to her destructive past.
		Red becomes the key to unlocking Marnie's childhood when she realizes that the color symbolizes the blood from a sailor--a man who she murdered when he attempted to rape her and her mother.
	communication.utsa.edu /mbatch/3413/site2x/rboettger/marnie.html (612 words)

	Marnie - VHS - Title M Shopping at dooyoo.co.uk
		"Marnie" is apparantley a quite complex film because of the psychology involved within it.
		I think "Marnie" is one of the lesser known Hitchcock greats.
		I watched it as part of my film studies course when we were doing a project on Hitchcock.
	www.dooyoo.co.uk /vhs-title-m/marnie (186 words)

	The Vertigo of Time
		Another notable loop work is Stan Douglas's immersive black and white film installation Subject to a Film: Marnie (1989), which atmospherically reconstructs a sequence featuring Marnie (Tippi Hedren) committing a robbery in an abandoned office building, and is installed in a dark cavernous room.
		Vertigo, which is arguably Hitchcock's most personal film, is, as Wollen reminds us, not only the director's own visual encyclopedia of psychopathology but also a film that transcends its detective/suspense generic configurations to become a haunting mystery tale of the fantastic.
		The seductive cubist-inflected spiralling title sequence to Vertigo, designed by Saul Bass and assisted by abstract filmmaker John Whitney, and accompanied by Bernard Herrman's peerless magnetic haunting score, is one of the high moments in the art of cinema titling as it symbolically presages Hitchcock's narrative itself.
	www.sensesofcinema.com /contents/00/6/time.html (4668 words)

	Neighbours: The Perfect Blend Out Of Erinsborough
		All scenes featuring Helen and Marco were interiors, filmed at the studio, explained in the story by Helen getting sick and having to stay indoors, and by Marco fleeing debt collectors early in their stay.
		However, at the end of 1995, when Debbie phoned home to announce that she’d be staying in New York longer than planned, scenes of Debbie on her mobile phone in America were filmed.
		Perhaps the actress was staying in New York at the time, and they arranged for a local film crew to film a few scenes for them.
	www.perfectblend.net /features/outof.htm (4668 words)

	702 Sydney Film Festival giveaways » ABC Sydney
		As well as giving away tickets to the opening night (hosted by Simon Marnie) and closing night (hosted by James O'Loghlin) of the festival, week 1 and 2 subscriptions and single-session tickets, 702 ABC Sydney this year has come up with some fun themed giveaways and events for our listeners.
		On WEEKENDS, join Simon Marnie for your chance to win a double pass to both the Opening and Closing Nights of the festival PLUS 5 double passes to screenings at the State Theatre for daytime sessions and Monday thru Wednesday evening screenings.
		Some of these links may be to sites outside the ABC and as such the ABC has no editorial control over such sites.
	www.abc.net.au /sydney/stories/s1117128.htm (457 words)

	HitchcockCinema
		Moreover, Marnie herself possesses the most striking and constant use of yellow in the film: her blonde hair is a constant warning to the audience that trouble is with her at all times and also serves as a reminder that the tribulations in her life are found in one's head.
		Marnie complains of being cold while in the bedroom with Mark and he even asks her frankly "are you cold, Margaret?" Marnie takes an emotionally difficult sense as the healing begins.
		Marnie, thinking that the sailor is hurting her mother, grabs a metal rod and hits the sailor hard on the head.
	www.geocities.com /vogler10/marnie.html (4464 words)

	DVD Review - Marnie
		"Marnie" is a slowly developing film that is steadily building its suspense.
		Marnie (Tippi Hedren) is a pathological thief and a compulsive liar.
		On the other hand the conflict Marnie is fighting out within herself is as powerful as anything else and the viewer is constantly trying to figure out what happened to her, and what she will do next.
	www.dvdreview.com /fullreviews/marnie.shtml (930 words)

	marnie mueller - Home
		Marnie Mueller lectures at high schools and universities, and in special interest venues on subjects related to her novels—the destruction of the rainforest in the Amazon region and the history of the internment of Japanese Americans during World War II.
		NOVELIST Marnie Mueller was the first Caucasian born in the Tule Lake Japanese American Segregation Camp in northern California where her father, a pacifist, and her mother, a teacher, were working during World War II.
		Marnie Mueller was a MacDowell Colony Fellow in 2001.
	www.marniemueller.com (615 words)

	SoundtrackNet : Marnie Soundtrack
		Marnie is a typical Hitchcock film involving a woman (Marnie, played by Tippi Hedren) who is a habitual thief that also has serious psychological problems (no big stretch for Hitchcock!).
		I think that Marnie might be better served (as listening experiences go) as a shorter 20-minute suite as part of a larger compilation album.
		The album runs 50-minutes over 41 tracks, and due to the minimal amount of variations and themes, one might find that the album is repetitive to listen to.
	www.soundtrack.net /soundtracks/database?id=2611 (316 words)

	BHS: Review: Marnie
		Joel McNeely here follows his modern re-recordings of Bernard Herrmann's The Trouble With Harry, Psycho, Vertigo and Torn Curtain and with the complete music from the last Alfred Hitchcock film actually released with a Herrmann score; Marnie (1964).
		In this context Marnie really marks a transitional point; Hitchcock less than successfully retreating to the world of Vertigo, then attempting to join the Bond bandwagon with Torn Curtain, sacrificing Herrmann along the way.
		Propulsively driven by the romantic main theme, Herrmann keeps returning to the scene of the crime, unresolved figures repeated over and again establishing the neurotic, compulsive world of Marnie, an almost hallucinatory nightmare for Hitchcock's characters, a luxurious dream for the listener.
	www.uib.no /herrmann/articles/reviews/marnie001 (488 words)

	Marnie
		Marnie is a 1964 film directed by Alfred Hitchcock based on a novel by Winston Graham.
		Woodrow, Marnie Journal of a Canadian author and journalist.
		The book is narrated by Marnie herself, a young con-woman with a dark secret in her past.
	www.serebella.com /encyclopedia/article-Marnie.html (488 words)

	PULP : : The Manga Magazine : : 5.10 Jeff Altman
		Of course, Cronenberg's film is about a male reaction to forbidden sexual imagery: a whip-flogged Debbie Harry in a red dress leads to a throbbing television screen that gives head, which leads to a vagina-holster in James Wood's stomach, custom-cut to engulf his fleshy, veiny handgun.
		Frame flickers and bits of burning celluloid are meant to suggest an "experimental film" edginess, and cartoony music fills–xylophone arpeggiations, synth-mimicked slide whistles–underscore the irony of it all.
		She wants to be seen, you see, much like Hitchcock's ice princess Marnie–a strolling vortex of cuneiform hairstyles and vulvactic pocketbooks–wants to be "caught." Ito wilefully envisioned randy schoolboys as increasingly slime-soaked supersnails whose adolescent tumescences take the form of eyes-on-stems–and are sometimes climactically severed.
	www.pulp-mag.com /archives/5.11/uzumaki.shtml (998 words)

	Film and Television Music
		Includes arrangements used in CBS Crime Classics radio show and music from the following films: Battle of Neretva, Jason and the argonauts, The Kentuckian, Marnie, North by northwest, Psycho, The snows of Kilimanjaro, and The trouble with Harry.
		Music scores for film and television by Paul Sawtell, and other documents and photographs relating to his life and career.
		Films include: Weekend of terror (1979), Runaway (a/k/a Operation runaway, 1978) and Doctors' private lives (1978); pilots include Spanner's key (1978), Joe Forrester (1975) and Standing tall (a/k/a Legend at sundown, 1977).
	unitproj.library.ucla.edu /music/mlsc/ftma.cfm (2147 words)

	Film Comment
		At first, the film focuses on Marnie's pursuit of the evasive Alex; later she finds herself in Alex's position when Mitchell, a fellow temp worker (played by Bujalski himself, sporting thick glasses, a terrible haircut, and burdened by a profound adenoidal problem) pursues her.
		He shapes his narrative around character rather than plot and builds the film as a series of extended, pretty much real-time scenes, where crossed purposes are the rule, but everyone survives the excruciating positions in which they put themselves so that they can screw up, but perhaps not as badly, the next time around.
		Every single shot in both films is shot from the extremely steady shoulder of the brilliant dp, Matthias Grunsky.
	www.filmlinc.com /fcm/artandindustry/funnyhaha.htm (3881 words)

	Amazon.com: Marnie (1986) : Video
		Even if you didn't know this was a Hitch film, if you know his style, by 5 minutes in you would recognize this as definitive Hitch.
		Film Fest: Flasback to the films of the 60's(If You Dare!): A list by L.
		The viewer has to become absorbed and drawn into the film's sights and sounds.
	www.amazon.com /exec/obidos/tg/detail/-/B0002IXSVI?v=glance (1046 words)

	TMe: Marnie Film Review
		The first day of filming was delayed as that Monday had become a national holiday in memory of JFK -- who was slain over the weekend.
		Spoto wrote that Hedren rejected an overt proposition by the director but whatever may have happened behind close doors, the two had a major falling out during the filming and by the end, Hitch was directing her through intermediaries.
		A screen adaptation of the novel (by Winston Graham), the story begins with the character of Marnie (Tippi Hedren) who casually floats from town to town, in varying identities, calmly robbing her employer and then disappearing without a trace.
	www.teako170.com /dial49.html (577 words)

	Marnie Marnie (1964) - Cast, Crew, Reviews, Plot Summary, Comments, Discussion, Taglines, Trailers, Post
		Because of its subject matter and themes, Marnie was a different kind of Hitchcock film and for that commercial and critical flop.
		Marnie has been a teacher, lecturer, judge and designer of the art form known as Embroidery for over Over the years Marnie has taught across the country for guilds and.
		Marnie (1964) - Cast, Crew, Reviews, Plot Summary, Comments, Discussion, Taglines, Trailers, Posters, Photos, Showtimes, Link to Official Site, Fan Sites Marnie was made after a string of knock-out masterpieces by possibly the greatest director ever made some very interesting narrative.
	www.99hosted.com /names3267.html (577 words)

	Gerald Peary - film reviews - Alice and Martin
		Critic Robin Wood has made a persuasive case that the greatest films – Alfred Hitchcock's Marnie, John Ford's The Searchers, for example – are cathartic and salutary, moving from darkness to hope, from pathology and dysfunction to some evidence of mental health.
		But she holds on, until (a long flashback), he confesses his secret: he'd murdered his father, though the death was ruled accidental, by pushing the mean old man down a stairs.
		The movie opens at his age ten, when Martin is shuffled from the comforting home of his single mom (Pedro Almodovar's Carmen Maura) to the estate of his gruff, hard, capitalist dad (Pierre Maguelon).
	www.geraldpeary.com /reviews/abc/alice_and_martin.html (538 words)

	Marnie Reece-Wilmore - Wikipedia, the free encyclopedia
		Marnie Reece-Wilmore (born 10 January 1975 in Sydney, Australia) is an Australian actress, best known for playing Debbie Martin in the Australian soap opera, Neighbours, from 1992-1994 and again from 1996-1997.
		Marnie, still remains close friends with her former Neighbours co-star, Kym Valentine and Marnie was the only Neighbours cast member, who attended her wedding.
		She also appeared as an LA Groupie in the 2002 film, Queen of the Damned.
	en.wikipedia.org /wiki/Marnie_Reece-Wilmore (538 words)

	Guardian Unlimited Film Features Air craft
		For Hitchcock, however, The Birds was his last unarguable success - its follow-up, Marnie (1964), also starring Hedren, was a box-office failure.
		Hence the film acts an attack on the props of Eisenhower-era femininity, one of Hitchcock's long-term preoccupations.
		How book and film compare: According to Hunter, Hitchcock told him: "We're throwing away everything except the title, and the notion of birds attacking human beings." The original's austerity-era English setting was changed to the Californian resort of Bodega Bay, just north of San Francisco.
	film.guardian.co.uk /adaptation/story/0,12830,1277788,00.html (550 words)

	Film Comment
		At first, the film focuses on Marnie's pursuit of the evasive Alex; later she finds herself in Alex's position when Mitchell, a fellow temp worker (played by Bujalski himself, sporting thick glasses, a terrible haircut, and burdened by a profound adenoidal problem) pursues her.
		He shapes his narrative around character rather than plot and builds the film as a series of extended, pretty much real-time scenes, where crossed purposes are the rule, but everyone survives the excruciating positions in which they put themselves so that they can screw up, but perhaps not as badly, the next time around.
		Her performance is clearly the linchpin of the film and there's something great in knowing that it's unlikely that any other film will have that advantage.
	www.filmlinc.com /fcm/artandindustry/funnyhaha.htm (3881 words)

	PEEPING TOM
		The basic conceit of the film is quite simple: a seemingly normal but unbalanced photographer, Mark Lewis (Carl Boehm), kills beautiful women with a spiked camera tripod while filming their horrified reactions at the moment of death.
		The film's sympathetic depiction of the killer provoked outrage in the '60s but has become far more common now (for better or worse), and Boehm (who later worked for Rainer Werner Fassbinder!) makes an effectively vulnerable, complex cinephilic figure.
		Set in modern day London, an environment which encourages the pornography industry inside quaint looking buildings, the film follows Mark as he does his day to day
	www.mondo-digital.com /peepingtom.html (720 words)

	Results for Marnie
		Classes taught by Bill Maple and Marnie O'Callaghan-Maple in Maryland, Virginia and West Virginia.
		Detailed analyses of Marnie and Rear Window, with screenshots.
		Discusses Hitchcock's use of animals in the film.
	www.xasa.es /directorio/search/Marnie (720 words)

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In the News (Thu 21 Aug 08)