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Topic: Martha and the Vandellas


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  The Vandellas
Martha Reeves, one of eleven children, was born in Eufaula Alabama on July 18, 1941.
Signed to the newly formed Gordy label in September 1962 as Martha and The Vandellas, the group's first hit was their second release, a beat ballad "Come Get These Memories" (#29 pop, #3 RandB 1963) and was Holland-Dozier-Holland's first collaboration as a songwriting team.
By 1967, the group was billed as Martha Reeves and the Vandellas, as she was featured solely as lead for the group.
www.history-of-rock.com /vandellas.htm   (1090 words)

  
 Martha and the Vandellas
Martha and the Vandellas recorded throughout the Sixties for Motown’s Gordy label, charting 24 RandB hits, and became one of the company’s most successful touring acts.
Martha and the Vandellas regrouped toward the end of the Seventies, and the group received a boost when the Motown 25th anniversary TV special aired in 1983.
January 12, 1995: Martha and the Vandellas are inducted into the Rock and Roll Hall of Fame at the tenth annual induction dinner.
www.rockhall.com /inductee/martha-and-the-vandellas   (1033 words)

  
 Martha and The Vandellas - Inductees - The Vocal Group Hall of Fame Foundation
One of the most aggressive-sounding girl groups, Martha and the Vandellas, were originally formed because the brother of the 19-year-old Martha Reeves would not let her sing with his group.
Martha’s early background in music came from her father’s Methodist church, where she was schooled in the sounds of The Soul Stirrers, The Five Blind Boys, and Clara Ward, among others.
Martha and the Vandellas were easily the most popular in-person act in the Motown stable, and they rocked audiences at such shows as the Labor Day week performance at the Brooklyn Fox, with Murray and the K and the Supremes, Marvin Gaye, and The Shangri-Las.
www.vocalgroup.org /inductees/martha_vandellas.html   (1036 words)

  
 Martha Reeves and The Vandellas - Virgin Radio
Martha and the Vandellas (known from 1967 to 1972 as Martha Reeves and the Vandellas) were one of the most successful groups in the Motown roster during 1963-1967.
Martha Reeves and the Vandellas were known for a stronger, bolder, soulful sound, as typified in Motown hits such as "(Love Is Like A) Heat Wave", "Nowhere to Run", "Honey Chile" and, their signature song, "Dancing in the Street".
During their 1963-1972 run on the charts, Martha and the Vandellas charted over twenty-six hits and recorded in the styles of doo-wop, R&B, pop, blues, rock and soul.
www.virginradio.co.uk /music/artists/martha_reeves_and_the_vandellas   (416 words)

  
 Martha and The Vandellas - Inductees - The Vocal Group Hall of Fame Foundation
One of the most aggressive-sounding girl groups, Martha and the Vandellas, were originally formed because the brother of the 19-year-old Martha Reeves would not let her sing with his group.
Martha’s early background in music came from her father’s Methodist church, where she was schooled in the sounds of The Soul Stirrers, The Five Blind Boys, and Clara Ward, among others.
Martha and the Vandellas were easily the most popular in-person act in the Motown stable, and they rocked audiences at such shows as the Labor Day week performance at the Brooklyn Fox, with Murray and the K and the Supremes, Marvin Gaye, and The Shangri-Las.
www.vghf.com /inductees/martha_vandellas.html   (1036 words)

  
 Martha and the Vandellas Summary
Martha and the Vandellas emerged as hitmakers almost a year before the Supremes began to dominate the charts, but by 1965 the latter group had overtaken the former in popularity.
Martha and the Vandellas were one of the most successful groups in the Motown roster during the 1960s and fully active from 1960 to 1972, performing at various times doo-wop, pop, rock and roll and soul.
The next year, Martha Reeves and the Vandellas confirmed that they were breaking up, with Reeves announcing that she was starting her solo career, first at Motown, then during her refusal to move to Los Angeles, (where the entire Motown recording company was moving to).
www.bookrags.com /Martha_and_the_Vandellas   (2883 words)

  
 Martha and the Vandellas
Martha wanted to be a part of Motown so badly that she quit her job at the local dry-cleaning plant, and showed up the next morning.
After two years of dampened success, Martha reacted bitterly to Motown's decision to relocate from Detroit to Hollywood in 1972, and fought a legal battle to be released from her contract.
Despite the fact that her album called simply 'Martha Reeves' was the most expensive album released to that point, it failed to recharge her career.
www.classicbands.com /martha.html   (850 words)

  
 Martha Reeves and The Vandellas - Book Martha Reeves and The Vandellas for Corporate Events, Fund Raisers
Martha worked as a secretary in the A and R department until the audition date arrived.
Martha had more or less gotten discouraged after recording several releases on the "Check-Mate" label with the "Del-phi's" (soon to be the Vandellas).
The group's name changed to Martha Reeves and the Vandellas, as she was featured solely as lead for the group.
www.onlinetalent.com /Martha_homepage.html   (950 words)

  
 MARTHA REEVES FEATURE   (Site not responding. Last check: )
Martha and the Vandellas got their first taste of success with the Holland-Dozier-Holland composition, “Come And Get These Memories” However, things really got heated up for the trio when “(Love Is Like A) Heat Wave” hit the airwaves.
When Martha and the Vandellas hit the stage, the crowds were already on their feet dancing wildly to the infectious beat of tunes like “Quicksand”, “Live Wire” and of course “Heat Wave”.
Martha bounced back as a star In the 1979 film FAIRYTALES then in the 1980’s, Martha Reeves reunited with her old Motown gang for the Motown 25 TV Special that included Michael Jackson and Stevie Wonder.
www.davidnathan.com /EYS-MarthaR.htm   (1337 words)

  
 Wolfgang's Vault - Search - Bonnie MacLean
Martha and the Vandellas May 19, 1967 Postcard $20
Martha and the Vandellas May 19, 1967 Poster $145
Martha and the Vandellas May 19, 1967 Men's Retro T-Shirt $36
www.wolfgangsvault.com /catalog.aspx?GraphicArtistID=9357&RefineCategoryID=TK&CategoryID=TK   (402 words)

  
 Martha & The Vandellas   (Site not responding. Last check: )
Along with the Supremes, Martha & the Vandellas defined the distaff side of the Motown sound in the 1960s; their biggest hits, including "Heat Wave," "Dancing in the Street," and "Nowhere to Run," remain among the most potent and enduring dance records of the era.
The vocal group was led by Martha Reeves who, along with fellow Detroit natives Annette Sterling Beard, Gloria Williams, and Rosalind Ashford, founded the Del-Phis in 1960.
After singer Kim Weston turned down the Marvin Gaye/Ivy Jo Hunter/Mickey Stevenson composition "Dancing in the Street," the song was shuttled to Martha & the Vandellas; refashioned by Holland-Dozier-Holland to fit the group's formula, the anthem became their biggest hit and definitive statement, reaching number two in the summer of 1964.
onlinetalent.com /artist/50s_60s/Martha-&-The-Vandellas.php   (598 words)

  
 Martha Reeves & the Vandellas - Oldie Goldie Music Rooms
Although born in Eufaula in 1941, soul sensation Martha Reeves moved to Detroit before she was a year old and grew up in the compelling musical climate of "Motor City USA".
Along with her powerful backup group, the Vandellas, Martha Reeves created some of the most infectious and memorable dance records of the 1960s.
Martha and the Vandellas quickly established themselves as Motown's hard-edged, blues-based alternative to the sweetened soul sounds of Diana Ross and the Supremes.
members.tripod.com /~Arty85/reeves.html   (263 words)

  
 Martha Reeves & The Vandellas - Classic Motown
She began performing in the late 50s under the name Martha Lavaille, briefly joining the Fascinations and then the Del-Phis.
She reassembled the Del-Phis quartet as the Vels for a single in 1962, and later that year she led the group on their debut release under a new name, Martha And The Vandellas.
She was given individual credit in front of the group from 1967 onwards, but their career was interrupted the following year when she was taken seriously ill, and had to retire from performing.
classic.motown.com /artist.aspx?ob=ros&src=lb&aid=36   (219 words)

  
 Martha Reeves and the Vandellas
Martha Reeves, Rosalind Ashford, and Annette Beard, all vocals.
Martha Reeves had a phenomenally powerful voice, and the Holland-Dozier-Holland title track of this album was a well-deserved Top 10 hit: the instrumental backing is so funky that you hardly mind the long delay before the vocals start.
The recording quality isn't great, often burying the band and the Vandellas so all you can hear is Reeves, and even she sounds a bit screechy ("Jimmy Mack").
www.warr.org /reeves.html   (2071 words)

  
 Am I Right - Artist Summary Martha And The Vandellas
This is the most recent information about Martha And The Vandellas that has been submitted to amIright.
If we have more information about Martha And The Vandellas, then we provide a link to the section where it appears (the actual page whenever possible).
Martha Reeves and The Vandellas - 20th Century Masters: The Millennium Collection at Amazon.com
www.amiright.com /artists/marthaandthevandellas.shtml   (108 words)

  
 VH1.com : Martha & the Vandellas : Martha and the Vandellas' Rosalind Ashford - Urge Music Downloads
Martha and the Vandellas' first single was "I'll Have to Let Him Go," but the group's first hit was the #29 "Come and Get These Memories" (1963) from the debut LP of the same name.
In 1965 Martha and the Vandellas had a U.S. top-10 smash with "Nowhere to Run"; the following year they hit with "My Baby Loves Me" and "I'm Ready for Love." During these years, the group often felt that their career suffered because of Motown's heavy promotion of the Supremes, its other major female act.
Reeves later claimed the Vandellas' 1967 smash "Jimmy Mack" was held back two years by the label because of its similarity to the Supremes' sound.
www.vh1.com /artists/news/517096/09011999/martha_the_vandellas.jhtml   (640 words)

  
 Martha and the Vandellas   (Site not responding. Last check: )
"Martha and the Vandellas" were an American Motown group of the 1960s.
Martha Reeves, Annette Beard, Gloria Williamson and Rosalind Ashford founded a group called "The Del-Phis" in 1960, later recording an unsuccessful single as "The Vels".
Martha Reeves continued to work as a solo artist, but neither the band nor any member managed to regain widespread success.
www.artistopia.com /martha-and-the-vandellas   (441 words)

  
 CMT.com : Martha & the Vandellas : Biography   (Site not responding. Last check: )
The vocal group was led by Martha Reeves who, along with fellow Detroit natives Annette Sterling Beard, Gloria Williams, and Rosalind Ashford, founded the Del-Phis in 1960.
After singer Kim Weston turned down the Marvin Gaye/Ivy Jo Hunter/Mickey Stevenson composition "Dancing in the Street," the song was shuttled to Martha & the Vandellas; refashioned by Holland-Dozier-Holland to fit the group's formula, the anthem became their biggest hit and definitive statement, reaching number two in the summer of 1964.
In 1967, Kelly exited, and was replaced by Reeves' younger sister Lois; on subsequent releases, the group was billed as Martha Reeves & the Vandellas.
www.cmt.com /artists/az/martha_and_the_vandellas/bio.jhtml   (586 words)

  
 Collins' Oldies Website: Martha Reeves and the Vandellas   (Site not responding. Last check: )
Then Gloria left the group, which carried on as a trio, Martha and the Vandellas; Martha was the lead singer from that point on.
Since the early 1990s, Martha has toured periodically with either of two sets of Vandellas: Annette and Rosalind, or her sisters Lois and Delphine.
It was very fitting for Martha to sing since she was born in Alabama (although raised in Detroit).
www.srv.net /~roxtar/reeves_martha.html   (3175 words)

  
 Classic Soul - Martha Reeves and the Vandellas   (Site not responding. Last check: )
I have loved Martha Reeves And The Vandellas since I was a child (during the sixties).
And I was impressed that Martha had her younger sister Lois in the group.
Martha Reeves has stated numerous times in interviews and in her autobiography that she didn't ask for a name change.
www.soul-patrol.com /soul/martha.htm   (1002 words)

  
 Martha and the Vandellas -- Rock and Roll Hall of Fame Inductee
Annette Beard and Rosalind Ashford were both born in Detroit and the trio formed in Detroit.
Martha and the Vandellas were: Martha Reeves, Rosalind Ashford and Annette Beard.
The group's name, Martha and the Vandellas, was derived form the names of a Detroit Street (Van Dyke) and one of Reeve's favorite singers (Della Reese).
www.michiganhistorymagazine.com /extra/rockroll/vandellas.html   (188 words)

  
 Martha Reeves Vandellas * MRV * Songs of The Stonewall (#7)
The vandalous Vandellas in 2005 (l-2-r): Lois, Martha and Delphine Reeves
Martha Reeves and The Vandellas the group were shown multiple times in archival film footage and promotional photographs during the popular telecast.
Martha and The Vandellas are (l-2-r): Betty Kelley, Martha Reeves and Roz Ashford
www.stonewallvets.org /songsofStonewall-7.htm   (1384 words)

  
 Martha Reeves' "Official" Website
For her graduation Martha was presented at the HENRY FORD AUDITORIUM and performed BACH'S ARIA ALLELUJAH, before an audience of 4500 neighbors, parents, fellow students, and the general public.
POSTMAN", Martha had heard about all of the stars at MOTOWN RECORDS, like THE MIRACLE'S "SHOP AROUND, AND EDDIE HOLLAND'S "JAMIE", to name a few, and wanted to be a part of that company so badly that she quit her job at the local dry-cleaning plant, and showed up the next morning at secretary time.
There was no women in that department, and MARTHA REEVES became the first secretary all to visit with her in the private chat room Martha Reeves Chat
members.aol.com /mreeves653/martha.html   (593 words)

  
 Martha And The Vandellas Artistfacts
Before joining the Vandellas, Betty Kelly and Sandra Tilley were members (though not at the same time) of another girl group called the Velvelettes.
In 1967, Martha Reeves' last name was added to the group's name.
She has two units of Vandellas who take turns performing with her: the original members (Rosalind and Annette) and her two sisters Lois and Delphine.
www.artistfacts.com /detail.php?id=332   (116 words)

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