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| | Romanticism On the Net 13 (February 1999) (Site not responding. Last check: 2007-10-29) |
 | | Reading the poet at the poem's end as being analogous to the Khan, she sees him as trying, but failing, to become a Khan himself, to become a sublime creator whose masculinity is produced through the conquest of the feminine. |
 | | The poet's dome, then, is dependent not on a Satanic conqueror of women, but on the revival of their envisioned song in the self-conscious creativity of the male poet. |
 | | Idealising Robinson as a pure and dear Mother, 'of all names the most awful, the most venerable, next to that of God', Coleridge wished to save Robinson's posthumous reputation from the notoriety of the writers she had been associated with, to reinscribe her within the discourse of literary as well as personal propriety. |
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