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Topic: Masolino


  
  Masolino da Panicale
Established at Florence Masolino was received in 1423 a member of the corporation of druggists or grocers (speziali) which then included painters of the Brancacci chapel in the Church of Carmelite.
Masolino's glory is to have collaborated in the carmine and to be also the master and forerunner of Masaccio.
The delicate taste of the architecture, the pleasing sense of the landscape are still general traits of the art of this period.
www.catholicity.com /encyclopedia/m/masolino_da_panicale.html   (1043 words)

  
 Study Of Art - Masolino Da Panicale - 1383-1447
Masolino (Tommaso di Cristoforo di Fino) is believed to have studied with Stamina, the principal teacher of the time.
His name, like that of Masolino, is a derivative from Tomasso — awkward or " great hulking Tom " as Browning phrases it, the other being diminutive, " Little Tom." Few facts are known concerning his life, his work in the Brancacci Chapel being the principal record.
In view of the great difference of opinion as to the portions done by Masolino and Masaccio the student's judgment should be based upon the study of the pictures themselves.
www.oldandsold.com /articles28/art-study-9.shtml   (1453 words)

  
 Masolino da Panicale frescoes
Masolino is a transition artist between the courteous art and humanistic arts.
Even though Masolino did not paint the choir's walls, Joannides (1988) recognised that the organization of the frescoes and the adopted criteria are strictly related to Masolino.
Masolino was a great artist and his paintbrush fits the surface with great skillness.
www.parrocchie.it /castiglioneolona/verginedelrosario/ingl4.htm   (1177 words)

  
 History of Art: Gothic Art- Masolino
Masolino’s most extensive independent fresco cycle in the Lombard town of Castiglione Olona (a work unknown to Vasari) was recovered in 1843, and a century later the fresco fragments and the sinopie of another, documented cycle were discovered in the church of S Stefano, Empoli.
The influence on Masolino of the stronger and more decisive personality of Masaccio reached its climax in the frescoes of scenes from the life of St. Peter in the Brancacci Chapel in the Church of the Carmine in Florence.
The death of Masaccio in Rome in the autumn of 1428 marks a turning point in Masolino's career, and the story of his later development is that of a progressive return to the International Gothic idiom of his youth.
www.all-art.org /gothic_era/masolino1.html   (720 words)

  
 Masolino da Panicale - HighBeam Encyclopedia   (Site not responding. Last check: 2007-10-16)
He was admitted (1423) to the apothecaries' guild in Florence, in which painters were enrolled, and was soon commissioned to paint the frescoes in the Brancacci Chapel in Florence.
Upon his return to Florence, Masolino found painters occupied with problems of perspective, light and shade, and classical architecture and decoration, ideas that he utilized while retaining much of the old Giottesque tradition.
Attributed to Masolino are The Foundation of Santa Maria Maggiore and a Madonna and Christ in Glory (Naples); Madonna with Angels (Church of San Fortunato, Todi); two Annunciations (National Gall.
www.encyclopedia.com /doc/1E1-masolino.html   (416 words)

  
 Florence Art Guide - Tommaso di Cristoforo Fini known as Masolino da Panicale
Instead Masolino immediately realised that Masaccio's painting contained the most extraordinary qualities and novelty and, as a result, shared two important commissions with the young artist: the St. Anne, today in the Uffizi (1424 ca.), and the frescoes in the Brancacci Chapel (1424-28).
Masaccio died shortly afterwards, when he was only 27 years old, but Masolino never forgot what he had been taught and, for the rest of his life, tried to instil his basically Gothic manner of painting with the plastic, perspective and classical contents of the new style that he had learnt in the Brancacci Chapel.
Masolino's painting was never revolutionary but became a rather lively modernization of the Gothic style, it was still basically dependent on the outline but he also began to use softer, more natural effects and delicate shading.
www.mega.it /eng/egui/pers/maso.htm   (308 words)

  
 Masolino da Panicale
Notwithstanding the lack of evidence to corroborate this, Ghiberti's art is acknowledged as being one of the primary components of his artistic formation.
Masolino's painting was not revolutionary but was, rather, a vivacious updating of the Gothic.
Masolino sojourned at the Hungarian Court (1425), in Rome (the frescoes in San Clemente, the Chapel of Santa Caterina, 1428, in collaboration with Masaccio) and in Castiglione Olona.
www.provincia.va.it /preziosita/ukvarese/pers/masolino.htm   (294 words)

  
 Masolino da Panicale - Biography and Gallery of Art   (Site not responding. Last check: 2007-10-16)
Masolino da Panicale of Valdelsa, who was a pupil of Lorenzodi Ghiberti, and an excellent goldsmith in his youth, being the bestfinisher that Lorenzo had for his doors, was very dexterous andskilful in making the draperies of figures, and possessed a good styleand intelligence in finishing.
Masolino died young at theage of thirty-seven, disappointing the expectations which were held ofhim.
Masolino furtherintroduced a softer air into the faces of his women, and gave brighterclothes to his youths than the old artists had done, and he was fairlyskillful in perspective.
www.artist-biography.info /artist/masolino_da_panicale   (666 words)

  
 Biography
Masolino's style was softer than Masaccio's and there is a fair measure of agreement about the division of hands.
Masolino's contributions, completed between 1424 and 1427, include The Preaching of St. Peter, The Raising of Tabitha, and The Fall of Adam and Eve.
After Masaccio's death Masolino reverted to the more decorative style he had practiced earlier in his career.
www.wga.hu /bio/m/masolino/biograph.html   (259 words)

  
 Perspective: The Role of Perspective: Page 2
It seems clear that Masolino had understood, for the first time in history, the power of the central vanishing-point construction in depicting visual space.
Even if they were painted at the same time, Masolino’s is the more remarkable for the accuracy of its vanishing point and for the integration of foreground and background perspective.
The depth in the ‘Holy Trinity’ is relatively shallow, being restricted to the interior of a chapel with an approximately square ground plan (Field, 1997).
webexhibits.org /sciartperspective/perspective2.html   (746 words)

  
 Biography
With his associate, the Florentine painter Masaccio, Masolino executed a series of frescoes for the Brancacci Chapel in the Church of Santa Maria del Carmine, Florence.
Other important frescoes were done for the Collegiata, a church in Castiglione d'Olona; for the Church of San Clemente, Rome; and for the Church of Sant'Agostino, Empoli.
His earliest known work is a Madonna and Child, painted on wood (1423, Kunsthalle, Bremen); another panel, which is devoted to the Annunciation (1423?-26), is hanging in the National Gallery of Art in Washington, D.C. "Masolino Da Panicale," Microsoft (R) Encarta.
gallery.euroweb.hu /bio/m/masolino/biograph.html   (230 words)

  
 [No title]
He employed the Tuscan artist Masolino to fresco the Church, Baptistery and palace, and the Baptistery frescos are considered to be the painter's late masterpiece.
Masolino was born in Panicale (central Italy) around 1383-84 and christened Tommaso, though it was his nickname "Masolino" (from "Tommasino" meaning "little Thomas") that stuck.
Masolino worked mainly thanks to the esteem of his patron, Cardinal Branda, and he is known to have accompanied the Cardinal even to Hungary.
web.tiscali.it /njross/castiglione.htm   (1693 words)

  
 Masolino da Panicale Online
Masolino da Panicale at the National Gallery of Art, Washington D.C. 3 works by Masolino da Panicale
Masolino da Panicale at the National Gallery, London, UK Pope Gregory the Great and Matthias
All images and text on this Masolino da Panicale page are copyright 1999-2005 by John Malyon/Artcyclopedia, unless otherwise noted.
www.artcyclopedia.com /artists/masolino_da_panicale.html   (329 words)

  
 Masolino da Panicale - Wikipedia, the free encyclopedia
His best known works are probably his collaborations with Masaccio: Madonna with Child and St. Anne (1424) and the frescoes in the Brancacci Chapel (1424-1428).
The principal monograph is by Toesco, Masolino da Panicale (Bergamo, 1908); also, A.
Layard, The Brancacci Chapel and Masolino, Masaccio, and Filippino Lippi published by the Arundel Society (London, 1868); Schmarsow, Massacio Studien (Cassel, 1895-1900); Bernard Berenson, "Quelques peinures méconnues de Masolino da Panicale," in Gazette des Beaux-Arts, ser.
en.wikipedia.org /wiki/Masolino   (255 words)

  
 Highbeam Encyclopedia - Search Results for Masolino
Masolino da Panicale, 1383-c.1447, Florentine painter of the early Renaissance, whose real name was Tommaso di Cristoforo Fini.
His versatile painting incorporated his feeling for decorative color with strong modeling and spatial organization.
Find newspaper and magazine articles plus images and maps related to "Masolino" at HighBeam.
www.encyclopedia.com /SearchResults.aspx?Q=Masolino   (278 words)

  
 ARTINVEST2000® MASACCIO - TOMMASO DI SER GIOVANNI CASSAI
The second work was a collaboration with an older and already renowned artist, Masolino da Panicale, and for many years it was assumed Masaccio was simply an apprentice to Masolino.
It has been also supposed that Masolino was planning this trip from the very beginning, and needed the presence of a close collaborator who could keep up the work after his departure.
It has been never confirmed that Masaccio collaborated to that work, even though it could be possible he contributed to Masolino's polyptych of the altar of St. Mary Major with his panel portraying St. Jerome and St. John the Baptist, now in the National Gallery of London.
www.artinvest2000.com /masaccio_english.htm   (1098 words)

  
 Parrocchia CASTIGLIONE OLONA
Famous artists as Masolino da Panicale, Paolo Schiavo, Lorenzo di Pietro said "il Vecchietta", the Solari brothers took part to the achievement of the "ideal citadel".
The Collegiata (center in the photo) consacred on 25 March 1425, was built by Alberto, Giovanni and Pietro Solari architects in Milan.
Near the Collegiata, inside the north tower of the old fortress, the stories of Saint John the Baptist were frescoed by Masolino in 1435.
www.rc.net /italy/beatavergine/inizio1.htm   (706 words)

  
 CASTIGLIONE OLONA Parish
The Collegiata consacred on 25 March 1425, was built by Alberto, Giovanni and Pietro Solari architects in Milan.
It preserves the stories of the Virgin by Masolino da Panicale and those of Saint Stefano and Lorenzo by Vecchietta and Paolo Schiavo.
The Cardinal's Palace includes the Saint Martin Chapel frescoed by "il Vecchietta" (1437), the Cardinal's room and the Cardinal's study with a fresco by Masolino and "il Vecchietta".
www.parrocchie.it /castiglioneolona/verginedelrosario/inizio1.htm   (724 words)

  
 The Annunciation
Fifteenth-century viewers of this Annunciation would have recognized not only its general subject, but also the particular moment Masolino chose to paint.
Masolino is best known for his collaboration with Masaccio on the frescoes of the Brancacci chapel in Florence—and for his failure to pursue Masaccio's innovations.
Masolino continued to paint in a style that was delicate and ornamental.
www.nga.gov /collection/gallery/gg4/gg4-24.0.html   (266 words)

  
 The Annunciation - Provenance
On 8 March 1426, when Guardini replaced his old will with a new one, his chapel must already have been not only built but also decorated, since it appears to be regularly officiated by a chaplain.
Thus 1417 and 1426 are post and ante quem dates for the execution of Masolino's altarpiece.
[2] The history of Masolino's panel and its various transfers are given in precise detail in a manuscript dated 1579 by the parish priest of the time (Leonardo Tanci, "Memoriae della chiesa di San Niccolò Oltrarno in Firenze," 1579, Ms.
www.nga.gov /collection/gallery/gg4/gg4-24.0-prov.html   (767 words)

  
 Masolino and Masaccio: Madonna and Child with Saint Anne
Masolino and Masaccio: Madonna and Child with Saint Anne
Masolino and Masaccio - Madonna and Child with Saint Anne @ The Uffizi Gallery of Florence, Italy
Masolino painted Saint Anne and all the angels except for the top righthand one, painted by Masaccio who is also responsible for the Madonna and Child.
www.virtualuffizi.com /uffizi1/cercals1.asp?Contatore=89   (107 words)

  
 Masolino da Panicale (1383-1440?) : Library of Congress Citations   (Site not responding. Last check: 2007-10-16)
Control No.: 75411091 //r96 Title: Masolino a Empoli : Empoli, settembre 1987 : Chiesa di S. Stefano degli agostiniani : Collegiata di S. Andrea / [mostra ed il catalogo sono stati curati da Rosanna Proto Pisani].
Title: Masolino da Panicale / Perri Lee Roberts.
Masolino and Masaccio -- Caravaggio and his forerunners -- Carlo Braccesco.
www.mala.bc.ca /~mcneil/cit/citlcpanicale.htm   (337 words)

  
 Umbria Rentals: Masolino Hotel
This is the perfect location to explore the area where Umbria, Tuscany and the Lake Trasimeno meet, experiencing a town offering artistic and architectonic treasures from the renaissance and the middle ages, an excellent choice of restaurants, bars, and activities.
The rooms of the Masolino Hotel are functional rather than beautiful, but true to the philosophy of every Italian household, are scrupulously clean.
Your credit card data will be used only as a no-show guarantee and cannot be utilized to charge any service.
www.umbria-rentals.com /masolino.html   (700 words)

  
 Masolino Da Panicale - MSN Encarta
Masolino Da Panicale, (1383?-1447?), Italian painter, whose works combine the older International Gothic style with the early Renaissance style....
Tommaso di Cristoforo Fini, known as Masolino da Panicale [Florence Art Guide]
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encarta.msn.com /encyclopedia_761574019/Masolino_Da_Panicale.html   (57 words)

  
 Masolino Da Panicale (1383 - 1440) Artwork Images, Exhibitions, Reviews
Masolino Da Panicale (1383 - 1440) Artwork Images, Exhibitions, Reviews
Masolino Da Panicale (1401 - 1428) Biography, Artwork Images, Exhibitions, Reviews
Guida artistica di Firenze - Tommaso di Cristoforo Fini detto Masolino da Panicale
wwar.com /masters/m/masolino_da_panicale.html   (68 words)

  
 Masolino Da Panicale Artworks and Fine Art at arthistorynet.com
Masolino Da Panicale Artworks and Fine Art at arthistorynet.com
MASOLINO da Panicale MASOLINO da Panicale Italian painter, Florentine school (b.
Masolino da Panicale (Tommaso di Cristoforo Fini, called) (San Giovanni Valdarno 1383 c.-1440)
www.absolutearts.com /masters/m/masolino_da_panicale.html   (85 words)

  
 Masolino da Panicale - Mother and Child in Italian Early Renaissance
Masolino da Panicale - Mother and Child in Italian Early Renaissance
Other names: Tommaso di Cristoforo Fini, Tommaso Masolino
Masolino da Panicale - Web Gallery of Art
www.gfmer.ch /Art_for_Health/Masolino_da_Panicale.htm   (27 words)

  
 Masolino da Panicale — Infoplease.com
These were continued by his pupil Masaccio upon Masolino's departure (1427) for Hungary and were completed by Filippino Lippi, thus greatly complicating the question of authorship; currently scholars attribute to Masolino
Encyclopedia: European Art to 1599: Biographies - Encyclopeadia articles concerning European Art to 1599: Biographies.
The art of imagining UFOs: the search for images of spaceships in European paintings provides an important lesson for all paranormal......
www.infoplease.com /ce6/people/A0832099.html   (281 words)

  
 Masolino D'Amico   (Site not responding. Last check: 2007-10-16)
Discuss this person with other users on IMDb message board for Masolino D'Amico
Find where Masolino D'Amico is credited alongside another name
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imdb.com /name/nm0195148   (107 words)

  
 Palazzo Serragli - Masolino - Customer Reviews - Rentvillas.com   (Site not responding. Last check: 2007-10-16)
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