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Topic: Massinger


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  Philip Massinger Collection at Bartleby.com
He studied at Oxford (1602–6) but left without a degree, apparently to go to London to write plays.
A prolific writer, Massinger wrote more than 40 plays (often in collaboration).
He is best known for the comedies A New Way to Pay Old Debts (1625) and The City Madam (1632), in which the gluttony of the two central characters leads to tragic consequences.—continue at Columbia Encyclopedia, Sixth Edition.
www.bartleby.com /people/Massinge.html   (148 words)

  
  Philip Massinger
Massinger collaborated also with Dekker in The Virgin Martyr, and later with Nathaniel Field in The Fatal Dowry.
Massinger was expert in dramatic construction, well able to write effective stage scenes and to portray character.
Philip Massinger: Poems - An index of poems by the Elizabethan dramatist.
www.theatredatabase.com /17th_century/philip_massinger_001.html   (411 words)

  
 Philip Massinger
In the prologue Massinger ironically apologizes for his ignorance of history, and professes that his accuracy is at fault if his picture comes near "a late and sad example." The obvious "late and sad example" of a wandering prince could be no other than Charles I's brother-in-law, the elector palatine.
Massinger died suddenly at his house near the Globe theater, and was buried in the churchyard of St. Saviour's, Southwark, on the 18th of March 1640.
In Massinger's own judgment The Roman Actor was "the most perfect birth of his Minerva." It is a study of the tyrant Domitian, and of the results of despotic rule on the despot himself and his court.
www.nndb.com /people/158/000095870   (1285 words)

  
 Life of Philip Massinger (1583-1640)
Philip Massinger was born in 1583 to Anne and Arthur Massinger.
Arthur Massinger was a long-time trusted servant first to Sir Henry Herbert, 2nd Earl of Pembroke, and then to his heir Sir William Herbert, 3rd Earl of Pembroke, until Arthur's death in 1603.
Massinger had also become an independent playwright around 1620, and was mentioned in John Taylor's "The Praise of Hemp-Seed" as a contemporary writer of merit.
www.luminarium.org /sevenlit/massinger/massbio.htm   (823 words)

  
 Philip Massinger
Massinger's leaning to Roman doctrine is supposed to be shown by his making one of his heroines--a converted Turk and a sultan's sister--experience complete spiritual transformation after receiving the rite of baptism.
Lik all Massinger's plays, it is most ingenious and effective in construction, but in this, as in others, he has been more intent upon the elaboration of a plot and the exhibition of a ruling passion than upon winning the love and admiration of his audience for heroes and heroines.
Among the dramatists of this period, Massinger comes next to Shakespeare in the art of opening and developing a plot, and in this respect the Bondman, the Duke of Milan and the Great Duke of Florence are favorable specimens of his power.
www.theatrehistory.com /british/massinger001.html   (1093 words)

  
 §1. Massinger’s life. VI. Philip Massinger. Vol. 6. The Drama to 1642, Part Two. The Cambridge History of ...   (Site not responding. Last check: 2007-10-15)
Massinger seems to have been quite content to leave the risk and the glory to his teacher; so far as we know, he never protested against the omission of his name on the title-pages of the dramas printed during his lifetime.
We are not able to fix the time when Massinger ventured to present himself as an independent author to the public of the metropolis; but we may assume that this did not happen much before the end of the second decade of the seventeenth century.
In these letters, Massinger’s prose appears to the greatest advantage; it is, perhaps, a little pompous now and then, but it is clear and perfectly free from Euphuistic tricks of style.
www.bonus.com /contour/bartlettqu/http@@/www.bartleby.com/216/0601.html   (650 words)

  
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Massinger, however, was less comfortable with such amalgams of virtue and vice, and with the idea that their greatness in some way exempted them from judgement according to established societal norms.
Massinger was not, of course, the only seventeenth-century dramatist to write tragedy based on something approximating to a battle between virtues and vices.
Since Massinger was not the sole practitioner of tragedy involving such antithetical figures, the important issue is the kind of tragic effect produced by this sort of play and its difference from tragedy which results from a flaw in character.
www.geocities.com /hargrange/massingerhoward.html   (6970 words)

  
 Philip Massinger - Wikipedia, the free encyclopedia
The son of Arthur Massinger or Messenger, he was baptized at St. Thomas's Salisbury on November 24, 1583.
Massinger died suddenly at his house near the Globe Theatre, and was buried in the churchyard of St. Saviour's, Southwark, on March 18, 1640.
The supposition that Massinger was a Roman Catholic rests upon three of his plays, The Virgin Martyr (licensed 1620), The Renegado (licensed 1624) and The Maid of Honor (c.
en.wikipedia.org /wiki/Philip_Massinger   (1807 words)

  
 §10. His literary models: Shakespeare, Fletcher, Jonson. VI. Philip Massinger. Vol. 6. The Drama to 1642, Part ...   (Site not responding. Last check: 2007-10-15)
When Massinger entered the theatrical world of London, which was suffering already from an excess of competition and production, he found established in it a great tradition from whose influence it was impossible for him to escape.
Undoubtedly, Massinger owed much of his own dramatic cunning to this apprenticeship to Fletcher’s cleverness in all the technicalities of the stage—but this gain could not outweigh the heavy loss in power.
In reading Massinger’s plays, we often become aware of the contest between two very different forces, his own serious and earnest manner, as it were, wrestling with the injunctions of his master to lay hold of the attention of the audience by any means, however frivolous.
www.bonus.com /contour/bartlettqu/http@@/www.bartleby.com/216/0610.html   (566 words)

  
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Massinger's outlook is by no means vague or sceptical on religion or on morals; he is a moralist before all things, and the copy-book tags neatly pinned on to the conclusion of each play are only a somewhat clumsy exhibition of a real conviction and conscientiousness.
Massinger's bawdry, not always uttered by underlings, is sometimes almost as shocking as that of frankly salacious modern fiction.
Massinger's temptation scenes are titillating, sometimes scabrous, and his words suggesting the characteristic movement in coitus are extremely coarse.
www.geocities.com /hargrange/massingerbennett.html   (3309 words)

  
 Charles J. Massinger M.D.
It is entirely within the province of true history to commemorate and perpetuate the lives and character, the achievements and honor, of the illustrious sons of the state.
After completing the curriculum of the public schools of his native place he was matriculated as a student in the University of Pennsylvania, in which well known institution he was graduated as a member of the class of 1888.
June 4, 1891, was celebrated the marriage of Dr. MASSINGER to Miss Alphoretta CHESTER, a daughter of Captain James and Mary (JONES) CHESTER, the former of whom was a sea captain and a pioneer settler in Cape May county, New Jersey.
www.rootsweb.com /~njmorris/lewisbios/massingercharlesj.htm   (602 words)

  
 Curiosities of Literature: Massinger, Milton, and the Italian Theatre
A passage in Massinger bears a striking resemblance to one in Molière’s “Malade Imaginaire.” It is in “The Emperor of the East,” vol.
Gilchrist, “finds it difficult to believe the coincidence accidental;” but the greater difficulty is, to conceive that “Massinger ever fell into Molière’s hands.” At that period, in the infancy of our literature, our native authors and our own language were as insulated as their country.
Massinger’s “Empiric,” as well as the acknowledged copy of Molière’s “Médecin,” came from the “Dottore” of the Italian comedy.
www.spamula.net /col/archives/2005/09/massinger_milton_and_the_itali.html   (1220 words)

  
 Chapter Massinger <i>to</i> Maurice of M by Biographical Dictionary of English Literature
Massinger, Philip (1583-1640).—Dramatist, was probably born at Salisbury.
Massinger was at Oxford, but quitted the University suddenly without graduating.
The burial register has the entry, “buried Philip Massinger, a stranger.” Of the many plays which he wrote or had a hand in, 15 believed to be entirely his are extant, other 8 were burned by a servant in the 18th century.
www.bibliomania.com /2/3/259/1256/23287/1.html   (882 words)

  
 Massinger Philip - Risultati della ricerca - MSN Encarta
Massinger Philip - Risultati della ricerca - MSN Encarta
Massinger, Philip (Salisbury 1583 - Londra 1640), drammaturgo britannico.
Nato in una famiglia ebrea, esordì con una raccolta di racconti ambientati nella...
it.encarta.msn.com /Massinger_Philip.html   (68 words)

  
 [No title]
Massinger: Thou didst not borrow of Vice her indirect,         Crooked, and abject means.
Massinger: What you deliver to me shall be lock'd up         In a strong cabinet, of which you yourself         Shall keep the key.
Massinger fancied this galley-slave; for he comes with his oar again in the Bondman— Never did galley-slave shake off his chains, Or looked on his redemption from the oar....
virtual.clemson.edu /groups/dial/T&Vseminar/massingerannot.doc   (4399 words)

  
 Massinger, Philip - HighBeam Encyclopedia   (Site not responding. Last check: 2007-10-15)
He is best known for the comedies A New Way to Pay Old Debts (1625) and The City Madam (1632), in which the gluttony of the two central characters leads to tragic consequences.
His other extant works, most of which were produced between 1620 and 1630, include the romantic dramas The Duke of Milan and The Great Duke of Florence and the tragicomedies The Fatal Dowry (with Nathaniel Field), The Virgin Martyr (with Thomas Dekker), and The Bondman.
A sober, meticulous writer, Massinger was a harsh moralist and frequently employed humor characters to illustrate the evils of a frivolous and avaricious society.
www.encyclopedia.com /doc/1E1-massinge.html   (313 words)

  
 Philip Massinger: Bibliography
Professional Playwrights: Massinger, Ford, Shirley and Brome, Ira Clark.
Philip Massinger: The Man and the Playwright, T.A. Dunn.
Philip Massinger: Poems - An index of poetry by Massinger.
www.poetry-archive.com /m/massinger_philip_bibliography.html   (70 words)

  
 MavicaNET - Massinger, Philip (1583-1640)   (Site not responding. Last check: 2007-10-15)
Among the plays Massinger collaborated on with Fletcher is The False One (c.
MASSINGER has been more fortunately and more fairly judged than several of his greater contemporaries.
Although Philip Massinger will never be estimated above the second rank of Elizabethan playwrights, he is becoming more and more admired by modern readers and critics because of his qualities of simplicity, saneness, and dramatic (rather than lyrical) effectiveness.
www.mavicanet.com /lite/ita/35728.html   (249 words)

  
 LondonTown.com | Massinger Street Guide | Massinger Street London, SE17, England, UK | London Streets by Street
Massinger Street is located in the borough of Southwark
The nearest underground station to Massinger Street is 'Elephant & Castle ' which is about 24 minutes to the North West.
Located within yards of two of London’s most famous landmarks, Tower Bridge and HMS Belfast, this hotel is ideal for visitors doing business or attending functions in the city.
www.londontown.com /LondonStreets/massinger_street_435.html   (196 words)

  
 Publisher description for Library of Congress control number 90039724   (Site not responding. Last check: 2007-10-15)
The plays of Philip Massinger (1583-1640) have been a focus of controversy since their creation.
Martin Garrett's comprehensive collection presents and explains the history of the critical reception to Massinger's work from the early seventeenth to the late nineteenth century.
Garrett's introduction discusses responses to Massinger's plays by such writers as Boswell and Dickens, and includes an account of the plays' original political and theatrical context.
www.loc.gov /catdir/enhancements/fy0648/90039724-d.html   (200 words)

  
 Philip Massinger - Wikipedia, la enciclopedia libre
Philip Massinger (nacido en 1583 y fallecido el 7 de marzo de 1640) fue un dramaturgo inglés.
Massinger murió repentinamente en su casa cerca del Globe Theatre, y fue enterrado en el cementerio de St. Saviour, Southwark, el 18 de marzo de 1640.
Massinger no vivió tanto como para tomar posición en el conflicto.
es.wikipedia.org /wiki/Philip_Massinger   (2124 words)

  
 eBooks.com - Massinger eBook
The plays of Philip Massinger (1583-1640) have been at the centre of recent revaluation of the politics of 17th century drama.
During the Victorian period Massinger's plays gradually fell from grace, to be rediscovered by a new generation following T.S. Eliot's reappraisal in 1920.
Responses to Massinger's plays from writers as diverse as Boswell, Mrs Thrale, Dickens and Elizabeth Barrett Browning are discussed in Martin Garrett's introduction, which also includes an account of the plays' original political and theatrical context.
www.ebooks.com /cj.asp?IID=169748   (369 words)

  
 Philip Massinger Quotes
20 Quotes for 'Philip Massinger' in the Database.
True dignity is never gained by place, and never lost when honors are withdrawn.
All Quotes are provided for educational purposes only and contributed by users.
www.worldofquotes.com /author/Philip-Massinger/1/index.html   (413 words)

  
 Philip Massinger Summary
The English playwright Philip Massinger (1583-1640) was a productive dramatist, although much of his energy was devoted to collaboration and revision.
As the leading dramatist of London's major theatrical company, the King's Men, during Charles I's reign, Philip Massinger had the distinction of holding a post which had been occupied by William Shakespeare until 1616 and then by John Fletcher until 1625...
In the following essay, Knights views Massinger as the last of the Elizabethans, as his works are concerned with aristocratic values and show little interest in the middle class or common people.
www.bookrags.com /Philip_Massinger   (269 words)

  
 Believe What You Will Review by Philip Massinger at RSC at Trafalgar Studios London 2006
Originally entitled 'Believe What You List', it was ‘considered too dangerous to license’ when Massinger first wrote it because it was based on events that took place some 50 years or so earlier when the King of Portugal was roundly beaten in battle by the Moors.
Two years later, Portugal was annexed by the Spanish whereupon a number of people presented themselves as the 'lost' King of Portugal, most of whom were captured and executed.
Rather than consign his work to the 17th century equivalent of the shredder, Massinger re-wrote his play setting it in Asia in the second century BC, with the Romans cast as the political demons.
www.londontheatre.co.uk /londontheatre/reviews/believewhatyouwill06.htm   (698 words)

  
 Whitten Connections
Robert Charles married Anna Massinger, daughter of Henry Massinger and Eleanora Reiling, in 1901 in New York City.
My German lines of Massinger and Reiling found their opportunity near where they landed and remained in New York.
, daughter of Henry Massinger and Eleanora Reiling, was born in 1876 in Germany and arrived in the United States, with her family, in 1882.
home.att.net /~whittenp/home.htm   (1193 words)

  
 Massingers - Byron Bay accommodation   (Site not responding. Last check: 2007-10-15)
Massinger's brings back memories and creates new ones forever!
This beautiful federation home is a cosy mixture of old and new with new furniture, modern conveniences and a touch of timeless romance.
Massinger's offers a lovely timber deck for outdoor entertaining - perfect for catching that warm summer ocean breeze.
www.byron-bay.com /massingers   (74 words)

  
 Publisher description for Library of Congress control number 84021359   (Site not responding. Last check: 2007-10-15)
With the exception of the scholarly editions of his plays and a handful of essays on the better-known works, Philip Massinger's dramatic output has received very little critical attention in this century.
The essays come from the leading Massinger scholars and are introduced by a brief biography which places the playwright in the context of early Stuart theatre.
Four hundred years after his birth this book will show that the hitherto underrated Massinger was the chief dramatist for England's major theatrical company from the death of Fletcher until the closing of the theatres in 1642, and a theatrical poet of major importance.
www.loc.gov /catdir/description/cam031/84021359.html   (177 words)

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