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| | §10. His literary models: Shakespeare, Fletcher, Jonson. VI. Philip Massinger. Vol. 6. The Drama to 1642, Part ... (Site not responding. Last check: 2007-10-15) |
 | | When Massinger entered the theatrical world of London, which was suffering already from an excess of competition and production, he found established in it a great tradition from whose influence it was impossible for him to escape. |
 | | Undoubtedly, Massinger owed much of his own dramatic cunning to this apprenticeship to Fletchers cleverness in all the technicalities of the stagebut this gain could not outweigh the heavy loss in power. |
 | | In reading Massingers plays, we often become aware of the contest between two very different forces, his own serious and earnest manner, as it were, wrestling with the injunctions of his master to lay hold of the attention of the audience by any means, however frivolous. |
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