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	The Shopping Guide to Times Square (Site not responding. Last check: 2007-10-25)
		Neuhaus says the sound must be made to be "almost plausible," so that when people can't find any immediate cause, they think it comes from the subway.
		Neuhaus did this without the aid of computer or electronic music, and the block of sound is built entirely from already existing resonances.
		This is interesting because Neuhaus himself does not create a visual component to his installation; he hides the machinery that allows us to hear the block of sound underground.
	timessquare.com /guide/ts_neuhaus.html (912 words)

	Welcome to PS1 Museum
		Max Neuhaus was renowned for his interpretation of contemporary music while still in his twenties.
		Neuhaus went on to pioneer artistic activities outside conventional cultural contexts and began to realize sound works anonymously in public places, developing art forms of his own.
		Neuhaus became the first to extend sound as a primary medium into the field of contemporary art.
	www.ps1.org /cut/press/neuhaus.html (446 words)

	Max Neuhaus
		Max Neuhaus' current work Suspended Sound Line is a long way from his beginnings as a solo percussionist.
		Neuhaus was in fact renowned for his interpretation of contemporary music while still in his twenties.
		In support of his work, Max Neuhaus has been awarded fellowships by the Rockefeller Foundation, the University of Chicago, the Deutsche Akademische Austauschdienst, and both the music and plastic arts sections of the National Endowment for the Arts.
	www.emf.org /subscribers/neuhaus (523 words)

	Media Art Net \| Neuhaus, Max: Biography (Site not responding. Last check: 2007-10-25)
		Neuhaus devises his sound installations for a specific space and derives his creative principles from these parameters: firstly from acoustic and other structural properties, and then from his clients' typical modes of use.
		Neuhaus was one of the first to realize a number of installations in particular public venues, addressing their acoustic quality not just artistically but also as a 20th century design problem.
		Thus for example he suggested a siren technology for US police vehicles that was safer because it could be located more precisely, and developed an alarm clock that wakes sleeping people with silence—achieving that with a tone that slowly increases in volume and then breaks off abruptly at the wake-up time.
	www.medienkunstnetz.de /artist/neuhaus/biography (182 words)

	Media Art Net \| Neuhaus, Max: Drive In Music (Site not responding. Last check: 2007-10-25)
		Max Neuhaus was one of the first, with his «Drive-In Music,» 1967–68, to develop the idea of a ‹music› for a public space that is tonally complex but does not force itself upon passers-by.
		Neuhaus installed 20 low-powered radio transmitters in the trees along a stretch of just under 600 metres on a broad avenue, Lincoln Parkway in Buffalo, New York.
		In fact Neuhaus did not just work with the synthetic sounds generated by his equipment for his installations in public spaces, but also used them as a counterpoint for the random noises produced in a particular place, placing them in an aesthetic context by setting them alongside sound with tonal quality.
	www.medienkunstnetz.de /works/drive-in-music (241 words)

	Art in America: Max Neuhaus at Christine Burgin and P.S. 1
		As a boy, Max Neuhaus determined to become "the best drummer in the world." He performed at Carnegie Hall as a solo percussionist in his early 20s.
		In Networks, Neuhaus considers music-making as a dialogue in sound, illustrated by a drawing for a 1977 project that used the medium of the airwaves during a National Public Radio live broadcast.
		Early on, Neuhaus had applauded the introduction of common sound to the concert hall in the works of Varese and Cage that he himself once performed, but he questioned the effectiveness of the method of insertion.
	www.findarticles.com /p/articles/mi_m1248/is_4_89/ai_73236114 (565 words)

	Max Neuhaus: Times Square Press Release (Site not responding. Last check: 2007-10-25)
		Max Neuhaus's Times Square is an invisible, unmarked block of sound at the north end of the pedestrian island.
		Max Neuhaus has worked in the fields of contemporary art and music for more than 40 years.
		The project to reinstate Max Neuhaus's Times Square in 2002 was directed by Christine Burgin and sponsored by the Times Square BID in collaboration with MTA Arts for Transit.
	www.diacenter.org /dia/press/neuhaus.html (883 words)

	Browse by Artist: NEUHAUS, MAX
		In 1963, while exploring ways of changing the timbre of percussion instruments through amplification, Neuhaus discovered a means of generating sound: the creation of an acoustic feedback loop with a percussion instrument inserted inside it.
		Neuhaus quickly realized that the only way to do it, in fact, was to think of all them together as just one instrument, one multi-surfaced bank of timbre.
		This would be considered one of the first "live electronic music" albums and the front cover photo of a bare-chested Neuhaus in front of this percussion kit is one of the unforgettable images of the avant-garde.
	www.forcedexposure.com /artists/neuhaus.max.html (1007 words)

	CREATIVE TIME
		Presented by Creative Time and NY Landmarks Conservancy, Max Neuhaus presented music in the rotunda of the US Custom House at Bowling Green.
		Sound was a three day event in which Neuhaus exploited the acoustics of the rotunda.
		Neuhaus previously created sound environments for swimming pools, parking lots, subway stations, and streets.
	www.creativetime.org /programs/archive/1976/Roundsoundforconcavesurfaces/RoundSound.htm (173 words)

	EMF Worldwide Guide: Max Neuhaus' Suspended Sound Line
		Although Max Neuhaus was well-known in the 1960s as an experimental percussionist, he went on to pioneer artistic activities outside conventional cultural contexts and began to realize sound works anonymously in public places, developing art forms of his own.
		Because it is outside, because it is so seamlessly integrated into the sounds of the city, of the neighborhood, one wonders where the sound is coming from.
		It is the same when attempting to describe Neuhaus' work, to put into words this experience which affects so many of our senses.
	www.emf.org /artists/neuhaus99/index.html (1099 words)

	J.D. Neuhaus - Portrait - History
		At midnight on the 1st of January 1900 a new son was born in the Neuhaus house.
		He was the seventh son of the couple Louis and Emma Neuhaus who saw the light of day in this remarkable hour.
		J.Diederich Neuhaus had the idea to replace the manual operation of JDN hoists by an air driven motor.
	www.jdn.de /geschichte_e.htm (456 words)

	Artisti (Site not responding. Last check: 2007-10-25)
		Max Neuhaus was born is 1939 in Beaumont, Texas.
		He studied percussion at the Manhattan School of Music and, in the early 1960s, began working in contemporary music, initially performing percussion solos at concerts by Pierre Boulez and Karlheinz Stockhausen.
		The culminating moment of his career, which also coincided with his distancing himself from the world of music, was the recording of a 1968 album for Columbia Masterworks.
	www.castellodirivoli.it /eng/homepage/Collezione/Frame/Pagine/artisti/Neuhaus.htm (90 words)

	Max Neuhaus Encyclopedia Article, Definition, History, Biography (Site not responding. Last check: 2007-10-25)
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	www.karr.net /search/encyclopedia/Max_Neuhaus (177 words)

	J.D. Neuhaus - Portrait - History
		He was the seventh son of the couple Louis and Emma Neuhaus who saw the light of day in this remarkable hour and who became the fifth winch manufacturer.
		Whilst working in various industrial companies he was constantly reminded about the ever decreasing business in his parent´s company as the work to be done after the 1st world war consisted mainly of the repair of old winches.
		The year 1925 was a very important one for Max Neuhaus and his company.
	www.jdn.de /geschichte_6_e.htm (373 words)

	Sonic Habitats: 7th & Broadway, New York (Site not responding. Last check: 2007-10-25)
		Igor Korneitchouk, is standing on top of the Max Neuhaus environmental sound installation at the intersection of 7th and Broadway, New York City.
		For a while in New York City, just south of 46th Street, between 7th Avenue and Broadway, under the metal grate of a triangular traffic island, in the middle of Times Square, constant traffic, pedestrians and general city din, a continuously sounding rich organ-like harmony eminated out from under the ground.
		Max Neuhaus obtained permission from the City to set-up here one of the most famous environmental/public sound installations.
	www.oldkingcole.com /okcd/sh/enviro.html (128 words)

	volcanic tongue \| catalogue (Site not responding. Last check: 2007-10-25)
		Stockhausen’s 1959 score allows the individual performer a lot of interpretive space and Neuhaus makes the most of it, drawing deep on his jazz background and launching himself headfirst into the piece, making improvisatory decisions as he goes.
		Neuhaus developed a special 360¾ percussion frame in order to link all 21 percussion instruments the piece requires and to facilitate the kind of intuitive, split-second responses needed to navigate it.
		There are three takes on Earle Brown’s “Four Systems – For Four Amplified Cymbals” from 1964-68, with Neuhaus tearing slow serrated tones from suspended percussion by bowing them with ridged metal rods.
	www.volcanictongue.com /neuhaus.html (376 words)

	Aquarius Records: Search Results for Keyword: Neuhfontcd
		This is one of three separate shards of electronic music history (Ashley, Neuhaus, and Palestine) recently unearthed by Italian audio archaeologists Alga Marghen.
		Max Neuhaus' "Fontana Mix-Feed" features six "realizations" of an indeterminate John Cage score, in Neuhaus' hands an electro-acoustic feedback concerto created with timpani, contact microphones, amplifiers, and a mixer.
		Like the Ashley's "Wolfman", this Neuhaus disc is cool when you consider that context: as depicted on the cover, a nerdish young Neuhaus in suit and tie, on stage at Carnegie Hall causing audience discomfort and pain with his knob twisting!
	www.aquariusrecords.org /bin/search.cgi/keyword=neuhfontcd (227 words)

	Summer 2000 at P.S.1
		Opening Sunday, July 2nd and continuing through September 2nd, will be Volume: Bed of Sound, Max Neuhaus: Drawings and P.S.1’s annual DJ series Warm Up 2000 which takes place in an outdoor beach environment created by the architecture group SHoP, along with additional installations and events.
		Max Neuhaus: Drawings features a selection of works on paper which complement the pioneering artist’s celebrated sound works.
		Max Neuhaus: Drawings is curated by P.S.1 Senior Curator Carolyn Christov-Bakargiev and is made possible thanks to the generous support of Lisson Gallery, London.
	www.ps1.org /cut/press/summer2000.html (1826 words)

	Max Neuhaus: Times Square - New York, NY, - Citysearch
		Anyone who happens onto the small pedestrian island on Broadway between 45th and 46th streets is more likely to be searching for the TKTS booth than listening to the eerie chords that emanate from a subway grate--if they can discern these subtle sounds in the first place.
		The piece had an earlier run, from 1977 to 1992 at which point maintenance problems led Neuhaus to disassemble it.
		The Dia Center took note, however, and in May 2002 reintroduced it as part of a permanent-installation repertoire that includes Walter de Maria's "Earth Room" and "Broken Kilometer." It will be interesting to see how Neuhaus' avant-garde soundscape fares, on the second go-round, in a Disneyfied Times Square.
	newyork.citysearch.com /profile/35158078 (325 words)

	U B U W E B :: Max Neuhaus
		Max Neuhaus, Zeichnungen (German, English), (Heilbronn: Kunstverein Heilbronn 1994)
		Max Neuhaus, Evocare l'udible (Italian, French), (Milan: Charta 1995)
		Max Neuhaus and Ulrich Loock, "A Conversation Between Max Neuhaus and Ulrich Loock, Milan, March 25, 1990", Denys Zacharopoulos, "Space and Sound: Resonance of an Aural Work", in: Max Neuhaus, Elusive Sources and 'Like' Spaces, (cat., Italian, English), Galleria Giorgio Persano, Turin, Italy 1990.
	www.ubu.com /sound/neuhaus.html (1501 words)

	* Dusted Reviews - Max Neuhaus *
		Max Neuhaus began his music career as a virtuoso percussionist and performer of ‘new music.' He later became one of the guiding lights of the art form he termed ‘sound installation,' or the embedding of sound in a fixed space.
		Neuhaus’ composition, subtitled Feed, attaches contact microphones to the heads of percussion instruments, which pick up the sound of the room.
		This signal is then amplified and pushed through speakers that face the percussion instruments, causing both the instruments and microphones to vibrate and move.
	www.dustedmagazine.com /reviews/819 (399 words)

	Max Neuhaus - THE BROADCAST WORKS and AUDION
		Max Neuhaus - THE BROADCAST WORKS and AUDION
		I would like to begin by talking about something I feel is quite astonishing - this built-in sound analyzer and source that we all have.
		This is what I did with "Public Supply I".
	www.kunstradio.at /ZEITGLEICH/CATALOG/ENGLISH/neuhaus2-e.html (838 words)

	opportunity for residency with Max Neuhaus
		It describes a residency in Germany working with Max Neuhaus to implement a web based collaborative music program.
		The focus of > this residency will be to work with Neuhaus in the realization of the > Auracle Project.
		> > > ::::::::::: > > About Auracle > > Auracle, conceived by Max Neuhaus, is an internet-based architecture > for live audio interaction on a global scale with participation open > to the public at large.
	www.music.columbia.edu /pipermail/jsyn/2002-September/008396.html (579 words)

	Max Neuhaus MP3 Downloads - Max Neuhaus Music Downloads - Max Neuhaus Music Videos (Site not responding. Last check: 2007-10-25)
		Harsh noise in the concert hall; one can only imagine the impact of Max Neuhaus' realization of John Cage's open score "Fontana Mix" back in 1965-1966.
		An overtaking slab of not-quite-controlled feedback, his piece (subtitled "Feed") consisted of a set of parameters determined through the chance operations prescribed by Cage's score.
		Neuhaus sits at a mixing desk, controlling the potentiometers of four channels of feedback, changing them according to his realization of the score.
	www.mp3.com /albums/583589/summary.html (478 words)

	Art in America: Subtle sounds in Times Square - Front Page - Max Neuhaus sound-art piece - Brief Article
		In late May, a sound-art piece by Max Neuhaus was reinstalled in Times Square, a seemingly odd location for a work whose subtle tones are easy to miss in the constant bustle and din of traffic.
		Sited under a subway ventilation grate at the northern end of a pedestrian island on Broadway between 45th and 46th Streets, the work, called Times Square, emits various sustained notes--like the lingering tones of ringing bells--using sound generators and a loudspeaker.
		The work was initially installed at the site in 1977 and remained until 1992, when Neuhaus dismantled it because of difficulty in maintaining the piece after he moved abroad.
	www.findarticles.com /p/articles/mi_m1248/is_7_90/ai_88582338 (303 words)

	a u r a c l e — history
		Auracle was conceived by Max Neuhaus and created by the Auracle team.
		In these virtual aural architectures, music is an activity open to the public at large — a dialogue with sound rather than a performance.
		This talk by Max Neuhaus provides further details about Auracle's history.
	auracle.org /history.html (149 words)

	Max Neuhaus MP3 Downloads - Max Neuhaus Music Downloads - Max Neuhaus Music Videos
		Sorry, at this time no downloads have been found for Fontana Mix: Feed, 1965/1968 (Six Realizations of John Cage).
		Check the albums tab for other downloads from Max Neuhaus.
		Sorry, at this time no streams have been found for Fontana Mix: Feed, 1965/1968 (Six Realizations of John Cage).
	mp3.cnet.com /albums/583589/downloads.html (622 words)

	U B U W E B :: Max Neuhaus
		U B U W E B :: Max Neuhaus
		Having made this vocally played instrument for Chicago led me to think about having the callers also do the mixing and grouping for themselves.
		It was quite a beautiful Sunday afternoon - two hours over which ten thousand people found their way into the work and made sounds.
	www.ubu.com /sound/neuhaus_radio.html (662 words)

	randomWalks: max neuhaus on NPR
		<< poem : max neuhaus on NPR : sweet Star Wars exegesis >>
		"In 1977, NPR gave experimental sound artist Max Neuhaus free rein over the national airwaves for two hours.
		: max neuhaus on NPR : nedlog : October 31, 2005 :
	randomwalks.com /archive/2005/10/max_neuhaus_on_npr.php (200 words)

	NOEMA > SPECIALS > MAX NEUHAUS: INTRODUZIONE ALLE INSTALLAZIONI SONORE
		It could also mean that much of the time we are unaware of what's really bothering us.
		1) This contribution was written by M. Neuhaus as a reaction to the issues of "sound ecology" raised in the "Zeitgleich" symposium.
		3) In 1991 Neuhaus was awarded the first patent for a sound as a result of his siren project; see "Sirens - Aural Design" (Dutch and English), Kunst and Museum Journal, volume 4 number 6, 1993, Amsterdam; and "Siren" (German) and "Listen" (German), Welt auf tönernen Füßen, Schriftenreihe Forum/Band 2, Göttingen 1994.
	www.noemalab.org /sections/specials/tetcm/2001-02/neuhaus/allegati.html (3000 words)

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