
	Where results make sense

Topic: Max Reinhardt

Related Topics

Max Reinhardt (theatre director)

Django Reinhardt

Hugo von Hofmannsthal

Erwin Piscator

Bertolt Brecht

Yoga

History of theater

Erich Fromm

Edmonton, Alberta

Alberta

Hart Crane

Hermann Hesse

Neoclassicism

Laura Secord

	Encyclopedia: Max Reinhardt
		Disambiguation Max Reinhardt Max Reinhardt (born September 9, 1873 in Baden bei Wien; died October 31, 1943 in New York City) was an influential Austrian director and actor.
		Max Reinhardt (born 30 November 1915 in Constantinople; died 19 November 2002 in Richmond-upon-Thames) was a prominent British publisher.
		Max Reinhardt arrived at a time when the modern theater was booming with new ideas and ready to try new styles.
	www.nationmaster.com /encyclopedia/Max-Reinhardt (283 words)

	Reinhardt Max English
		Reinhardt's reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and his endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience
		Eager to escape the gloom and doom of naturalism, Reinhardt in 1901 co-founded an avant-garde cabaret called "Schall und Rauch" (after an allusion by Goethe), which perceptively satirized the fads and fashions of current literary and theatrical practice and came to function as an experimental laboratory for the future director.
		Reinhardt's reputation as a director was firmly established by 1905, with his epoch-making production of Shakespeare's "Midsummer Night's Dream", a play which became his perennial favorite.
	www.maurice-abravanel.com /reinhardt_max_english.html (1432 words)

	Telegraph \| News \| Max Reinhardt
		Max Reinhardt, who died on Tuesday aged 86, was an example of a vanishing breed - a publisher who really relished books; his first signing was Bernard Shaw, and he went on to publish Solzhenitsyn, Georgette Heyer and Graham Greene, who became a personal friend.
		Max, though, preferred British culture and, in 1938, persuaded his parents to set up a branch of the family firm in London, with him in charge.
		Reinhardt always enjoyed the company of authors more than that of agents, and regarded some of the changes in publishing that took place during the 1970s and 1980s with suspicion.
	www.telegraph.co.uk /news/main.jhtml?xml=/news/2002/11/21/db2101.xml (1031 words)

	German 43: Resources: Biographies: Reinhardt, Max
		Reinhardt's staging of crowds and use of lighting were frequently appropriated by the great filmmakers of the Weimar Republic, including Fritz Lang and F.W. Murnau.
		As a Jew, however, Reinhardt's status as a great artistic innovator was threatened when Hitler came to power.
		Lotte Eisner has written a fascinating study on Reinhardt's influence on film and theater in Germany, but his contributions were indeed invaluable to the world.
	www.dartmouth.edu /~germ43/resources/biographies/reinhardt-m.html (204 words)

	AllRefer.com - Max Reinhardt (Theater, Biography) - Encyclopedia
		Max Reinhardt 1873–1943, Austrian theatrical producer and director, originally named Max Goldmann.
		He was director of the Deutsches Theater after 1905 and of the smaller Kammerspiele, which he built in 1906.
		Reinhardt often used the entire auditorium for a production, seeking to bridge the gap between actor and audience by placing the spectator within the action.
	reference.allrefer.com /encyclopedia/R/ReinhardM.html (299 words)

	Surviving the Dead - www.ezboard.com (Site not responding. Last check: 2007-11-06)
		Max had cut his hand as he climbed out the window, but he didn’t even care, the adrenaline helped him ignore the pain and soldier on, he ran for the mass of police car’s that had gathered by the front of the school.
		Her counterpart max was the same, dressed in complete fl garb with a chain hanging from his left back pocket attached to one of his belt loop’s, his wet hair which looked like it had once been in spikes that had been destroyed by the bombarding rain.
		Max closed his eye’s thinking about what happened to Mike, then tried to shift his mind onto something else since the thought was too painful, tear’s began to streak down his cheek’s as he silently wept.
	p081.ezboard.com /fwriterscovenfrm8.showMessage?topicID=49.topic (8047 words)

	AP Worldstream: Publisher Max Reinhardt dead at 86@ HighBeam Research (Site not responding. Last check: 2007-11-06)
		Dateline: LONDON Publisher Max Reinhardt, whose first signing was George Bernard Shaw and who went on to publish Alexander Solzhenitsyn, Georgette Heyer and Graham Greene, has died at 86, his secretary said Thursday.
		Born in Istanbul _ then known as Constantinople _ on Nov. 30, 1915 to Austrian parents, Reinhardt was educated at the city's English High School, where the chairman of the governors was Sir Telford Waugh, uncle of the writer Evelyn Waugh.
		Telford Waugh was keen for Reinhardt to attend a...
	www.highbeam.com /library/doc0.asp?DOCID=1P1:69727675&refid=ip_encyclopedia_hf (214 words)

	Search Results for "Reinhardt"
		Reinhardt, Django, (Jean Baptiste Reinhardt), 1910-53, Belgian jazz guitarist.
		Reinhardt was severely burned in a fire in 1928, leaving two fingers of his left hand...
		Max Reinhardt, who succeeded Brahm, won renown as a theatrical innovator.
	www.bartleby.com /cgi-bin/texis/webinator/sitesearch?FILTER=col65&query=Reinhardt (261 words)

	Guardian Unlimited \| Obituaries \| Max Reinhardt
		Max Reinhardt, who has died in a nursing home aged 86, reflected the history of British publishing at its height.
		Max became managing director and there followed the incorporation of Hollis and Carter and the long established American firm GP Putnam in 1963.
		Max was chairman of the company from 1981 to 1987 but, in the end, he returned to personal publishing again, under the name Reinhardt Books.
	www.guardian.co.uk /obituaries/story/0,3604,844066,00.html (818 words)

	USC Libraries :: Max Reinhardt Collection (Site not responding. Last check: 2007-11-06)
		In the years following 1950, the USC library succeeded in obtaining a part of the library of legendary stage director Max Reinhardt, whose name is inseparable from the history of European theater in the early part of the last century.
		Reinhardt went a long way toward establishing the dominant role of director as “auteur,” taking full charge of lighting, stage technology and even theater design, while exerting his personal aesthetic principles derived from a mixture of post-Wagnerism, symbolism and expressionism.
		Reinhardt died in 1943, and a portion of his personal library (mostly published plays in German) that had escaped confiscation was merged into the USC collections.
	www.usc.edu /isd/libraries/collections/max_reinhardt (149 words)

	One of publishing's gentlemen - smh.com.au
		Max Reinhardt, who has died at 86, was an example of a vanishing breed - a publisher who relished books.
		Reinhardt was a convivial, genial figure, equally at home in theatrical circles and the Savile Club.
		Reinhardt married again in 1957 and is survived by his wife, Joan MacDonald, and their two daughters.
	www.smh.com.au /articles/2002/12/05/1038950145962.html (1086 words)

	Max Ehrlich
		In the autumn of 1932, Max Ehrlich is at the high point of his career: He is one of Germany’s most beloved comics, masters of ceremony and cabaret stars.
		His creative accomplishments include leading roles in Max Reinhardt productions, the Haller-Revuen, and other important cabaret as well as stage groups.
		As a result, Max Ehrlich is subjected to an additional martyrdom: brought before a group of SS brutes holding their loaded guns aimed at him, he is ordered to tell jokes.
	www.max-ehrlich.org /max.htm (746 words)

	Special Exhibitions - Berlin Metropolis
		Max Reinhardt (1873-1943) transformed the theatrical experience, influencing a generation of European actors, directors, and filmmakers.
		Reinhardt took his new theatrical style with him as he moved to other theaters, including the Deutsches Theater as its director.
		In contrast to directors who were known for one distinctive style, Reinhardt adopted the theatrical and visual style he deemed most appropriate to a given play, whether contemporary drama, Greek and German classics, or Shakespeare.
	www.thejewishmuseum.org /site/pages/content/exhibitions/special/berlin/berlin_cabaret.html (438 words)

	GEORGETOWN UNIVERSITY - THE MAX REINHARDT PAPERS: COLLECTION DESCRIPTION (Site not responding. Last check: 2007-11-06)
		The Max Reinhardt Papers consist of 17 letters and seven photographs from George Bernard Shaw to Max Reinhardt of Reinhardt & Evans, a publishing firm.
		Max Reinhardt, noted British publisher, was born in November, 1915.
		It is interesting to note that Reinhardt was at the beginning of his career as an independent publisher at the time of the correspondence in this collection.
	gulib.lausun.georgetown.edu /dept/speccoll/cl58.htm (362 words)

	The Atlas Archives: Comics: The Scorpion: The Scorpion # 2
		Reinhardt, the Scorpion learns that Max Cervantes is somehow involved in Mr.
		Max Cervantes, however, died 8 years ago in a plane wreck.
		Reinhardt, jumps from the balcony as the grenade obliterates Jules Reinhardt.
	www.atlasarchives.com /comics/scorpion02.html (425 words)

	shakespeare (Site not responding. Last check: 2007-11-06)
		Reinhardt decided he needed his old friend Korngold to arrange Mendelssohn's A Midsummer Night's Dream music for the film version; he therefore sent a telegram to Korngold, who was still in Vienna, and Korngold sailed out to America with his wife Luzi.
		Reinhardt as a theatre director was unfamiliar with the way films were made, and he wanted a long rehearsal period rather than film each scene as it was ready.
		Reinhardt wanted "huge leaves to become violins, a moonbeam for 103 girls to dance on, jewelled cobwebs, lilies to become trumpets" and all these things had to be made.
	oufcnt2.open.ac.uk /~gill_stoker/cstudy.htm (1045 words)

	Assessment (from Max Reinhardt) -- Encyclopædia Britannica
		A man of few words and little inclination or ability to develop or expound a dramatic theory, Reinhardt was a pragmatist whose instinctual feelings for the rightness of things transformed theatrical production in the 20th century.
		The Austrian theatrical director Max Reinhardt was one of the first in his profession to achieve recognition as a creative artist.
		The Swiss playwright and novelist Max Frisch is noted for his sparse, expressionistic explorations of the moral dilemmas of 20th-century life.
	www.britannica.com /eb/article-6106?tocId=6106 (661 words)

	THE MAX REINHARDT PAPERS: FOLDER LISTING
		DESCRIPTION: 1 TLS from George Bernard Shaw to Max Reinhardt of Reinhardt & Evans, concerning royalties agreements for the republication of "Ellen Terry & George Bernard Shaw: A Correspondence" (8 Jan 1948).
		DESCRIPTION: 1 TLS from George Bernard Shaw to Max Reinhardt of Reinhardt & Evans, regarding the roylaties agreement between Shaw, St. John and the publisher for "Ellen Terry & George Bernard Shaw: A Correspondence" (24 Apr 1948).
		DESCRIPTION: 1 TLS from George Bernard Shaw to Max Reinhardt of Reinhardt & Evans, regarding the publishing and royalties agreements for a republication of "Ellen Terry & George Bernard Shaw: A Correspondence" (25 Apr 1948).
	www.library.georgetown.edu /dept/speccoll/fl/f58}1.htm (881 words)

	MAX REINHARDT (Site not responding. Last check: 2007-11-06)
		One of Reinhardts most important characteristics was his search for the perfect playhouse.
		If Reinhardt had one special gift, it was his eclecticism.
		No other links to Max Reinhardt, significant links that is, found.
	www.xs4all.nl /~wimnij/reinhardt.html (385 words)

	75 Years Of Salzburg Festival (Site not responding. Last check: 2007-11-06)
		In 1917, the "Salzburger Festspielhausgemeinde" was set up in Vienna and the famous stage director Max Reinhardt began to show interest in the idea of a festival.
		The first event staged by the Festspielhausgemeinde-Max Reinhardt's world première of Hugo von Hofmannsthal's Jedermann, based on the English medieval mystery play Everyman-which took place on August 22, 1920, in front of the Salzburg Cathedral, set a precedent for future performances and was to become the hallmark of the Festival.
		Reinhardt cleverly blended the Baroque atmosphere of the cathedral square (Domplatz) and the rays of the afternoon sun into his production.
	www.austria.org /oldsite/sep95/salz.htm (1120 words)

	Expatica's German news in English: From Hackney to Halle
		Collaborating with the British Council is not always for the faint-hearted, as Max Reinhardt from the London-based collective Shrine Synchro System discovered when he went on tour in east Germany with an ethnically-mixed group of teenagers from Hackney in East London.
		Max was touring racist violence troublespots in the former East Germany with Shrine as part of a British Council project called 'One World, One Groove'.
		"The Shrine, led by Max and Rita Ray, were chosen to realise a British Council workshop and youth encounter project based on [the Nigerian-American music style] afrobeat and club culture in Frankfurt/Oder, Rostock and Halle," explains Jennifer Dautermann, from the Arts and Creative Industries department at the British Council in Berlin.
	www.expatica.com /source/site_article.asp?subchannel_id=80&story_id=25503 (1053 words)

	New York State Writers Institute - A Midsummer Night's Dream Film Notes (Site not responding. Last check: 2007-11-06)
		Warner had seen Max Reinhardt’s ‘epic theater’ production of A Midsummer Night’s Dream at the Hollywood Bowl, and though he’d understood little of it and enjoyed even less, the appeal of Shakespeare to a boy from a shtetl family was irresistible.
		Director of photography Ernest Haller was driven nearly hysterical with Reinhardt’s poor command of the medium, and was fired.
		Mohr ordered the shadowed side of Reinhardt’s forest painted in dark oranges and browns, and the side which was to be lighted drenched in thick coats of shiny aluminum paint.
	www.albany.edu /writers-inst/fns98n5.html (1097 words)

	Max Reinhardt -- Britannica Student Encyclopedia
		The director who was best placed to utilize the freedom afforded by the study of theatre history and the new mechanization was Max Reinhardt.
		Reinhardt began as an actor at the Deutsches Theater in Berlin, as part of the Naturalist Freie Bühne company, in 1893.
		Essay by Brian Caterino on Max Weber, postmodernism, rationality, and Jürgen Habermas, noting the re-appropriation of Weber's argument as a critique of Enlightenment reason.
	www.britannica.com /ebi/article-9276686 (629 words)

	Biography for Max Schreck (Site not responding. Last check: 2007-11-06)
		Max Schreck was born on June 11, 1879 in Berlin.
		Max was married to an actress named Fanny Normann.
		Max performed in many other films including "Die Strasse" (The Street) and "Der Tunnel" (The Tunnel) before his death from a heart attack on November 26, 1936.
	www.imdb.com /name/nm0775180/bio (302 words)

	KORNGOLD Midsummer Night's Dream: Film Music on the Web CD Reviews July 1999 (Site not responding. Last check: 2007-11-06)
		However, I feel quite justified in expressing the heading as above because Korngold's contribution to Max Reinhardt's film of his stage production of Shakespeare's comedy was, as I think you will agree, when you hear this marvellous album, very significant.
		Reinhardt, who had worked with Korngold before, did not hesitate to invite the composer over to Hollywood from Vienna to arrange and supervise the music for his film.
		Max Reinhardt's film vision of Shakespeare's play was visually a cross between the drawings of Arthur Rackham and Disney.
	www.musicweb-international.com /film/july99/korngold.htm (1368 words)

	Max Reinhardt - 12/9/2002 - Publishers Weekly
		Max Reinhardt, the distinguished publisher of George Bernard Shaw and Graham Greene, died in London on November 19.
		Reinhardt began his publishing career in the years following World War II by turning his family's import-export business toward publishing.
		The Bodley Head eventually was acquired by Random House, and Reinhardt left the firm.
	www.publishersweekly.com /article/CA264062.html?pubdate=12/9/2002&display=archive (169 words)

	Swing
		A fan of the gypsy jazz musician Django Reinhardt, Max trades his Walkman for a guitar and takes music lessons from one of the gypsies, Miraldo.
		This hotchpotch of coming-of-age comedy-drama and gypsy culture would be unbearably trite and tacky were it not for Tony Gatlif’s gift for imbuing the most banal of situations with magic and poetry, whilst conveying his passion for the gypsy way-of-life.
		Max appears too young to appreciate either jazz or the opposite sex and Swing’s interest in Max appears unfathomable.
	frenchfilms.topcities.com /nf_Swing_rev.html (506 words)

	Binghamton Univ. Libraries: Special Collections - Rare Books: Reinhardt
		The collection of the Austrian theatrical producer and director Max Reinhardt (1873-1943) contains over 240,000 papers, personal letters, documents, and original promptbooks of Reinhardt productions; over 14,000 photographs and negatives, including a number of costume and set designs; films of some of Reinhardt's productions; and a portion of Reinhardt's personal library.
		The Max Reinhardt Archives and Library are housed in Special Collections at Binghamton University.
		Access to the Reinhardt Collection is by appointment as well as during posted hours when regular classes are in session.
	library.lib.binghamton.edu /special/reinhardtintro.html (146 words)

	Gottfried Reinhardt
		The son of illustrious German stage producer and director Max Reinhardt, Gottfried Reinhardt began his own show business career as a theatrical actor in Germany.
		During the '40s, Reinhardt produced a few films, including Comrade X (1940) and Big Jack (1949).
		Beginning in 1959, Reinhardt divided his time as a director between making films in West Germany and the United States.
	www.djangomusic.com /actor_bio.asp?pid=P107890 (139 words)

	More on Murnau
		He studied art history at the University of Heidelberg and learned theatre by working in the acting company of Max Reinhardt.
		The theatre of Max Reinhardt and expressionism in general had a major impact on the style of filmmaking that arose in Germany after the First World War.
		From Reinhardt and the expressionistic theatre movement, Murnau inherited acting, lighting and staging styles that made the subjective emotions of his film's characters tangible.
	www.sloppyfilms.com /murnau/momurn.htm (779 words)

Try your search on: Qwika (all wikis)