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Topic: Max Reinhardt (theatre director)

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	All About Jewish Theatre - A hard-nosed Utopian :Max Reinhardt
		Reinhardt was thirty-two when he took over the Deutsches Theater, which he led to world fame as a completely unsubsidised private theatre until the Nazis drove it to ruin with their predatory taxation laws, Aryanising through the back door.
		Theatre, he believed, was the "happiest haven for those who have secretly put their childhood in their pockets, so that they can continue to play to the end of their days".
		Max Reinhardt took another path and because of this he is still a provocation to subsidised culture.
	www.jewish-theatre.com /visitor/article_display.aspx?articleID=1700 (1588 words)

	Max Reinhardt (theatre director) - Wikipedia, the free encyclopedia
		Max Reinhardt (September 9, 1873 - October 30, 1943) was an influential Austrian-American director and actor.
		In 1920, Reinhardt established the Salzburg Festival with Richard Strauss and Hugo von Hofmannsthal.
		Reinhardt is interred at Westchester Hills Cemetery in Hastings-on-Hudson, Westchester County, New York.
	en.wikipedia.org /wiki/Max_Reinhardt_(theatre_director) (526 words)

	Reinhardt Max English
		Reinhardt's reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and his endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience
		Reinhardt's staging of crowds and use of lighting were frequently appropriated by the great filmmakers of the Weimar Republic, including Fritz Lang and F.W. Murnau.
		Reinhardt's reputation as a director was firmly established by 1905, with his epoch-making production of Shakespeare's "Midsummer Night's Dream", a play which became his perennial favorite.
	www.maurice-abravanel.com /reinhardt_max_english.html (1432 words)

	Highbeam Encyclopedia - Search Results for Reinhardt,
		Reinhardt, Django (Jean Baptiste Reinhardt), 1910-53, Belgian-born Gypsy jazz guitarist.
		Reinhardt, Max 1873-1943, Austrian theatrical producer and director, originally named Max Goldmann.
		The modern theatrical director is in complete charge of all the artistic aspects of a dramatic presentation.
	www.encyclopedia.com /SearchResults.aspx?Q=Reinhardt, (610 words)

	Estonian Theatre
		Theatre has slowly moved to the centre of the Estonian cultural landscape, from the viewpoint of both the state budget and the value systems of ordinary people.
		Theatres in Estonia, like elsewhere in the world, may be divided into three categories according to their form of ownership: state, municipal and private theatres.
		Theatre played an important role in advancing and safeguarding the spirit of Estonians during both the period of last century's national awakening and the oppression of the Soviet regime.
	www.esis.ee /ist2000/einst/culture/esttheatre.htm (1444 words)

	REINHARDT, MAX. The Columbia Encyclopedia: Sixth Edition. 2000 (Site not responding. Last check: 2007-10-12)
		He was director of the Deutsches Theater after 1905 and of the smaller Kammerspiele, which he built in 1906.
		Reinhardt often used the entire auditorium for a production, seeking to bridge the gap between actor and audience by placing the spectator within the action.
		He was also one of the first to stage the plays of the expressionists after World War I. In 1919 he opened an enormous arena theater, the Grosses Schauspielhaus (“Theatre of the Five Thousand”), and in 1920 he founded the Salzburg Festival, where he annually staged Everyman with the Austrian Alps as his backdrop.
	www.bartleby.com /aol/65/re/ReinhardM.html (226 words)

	Theatre TCU History - Faculty
		Her early teaching years included one year on the theatre faculty at the University of North Carolina-Greensboro (1949-50), a ten year stint at her undergraduate alma mater, Abilene Christian College (from 1950 to 1960), three years at Idaho State University (1960-1963), and four years at Sam Houston State College (now University) in Huntsville (1963-67).
		Collier joined the TCU theatre department in 1967 and remained on the faculty until her retirement 24 years later in 1991.
		FORREST A. Forrest Newlin was born in Emporia, Kansas, in 1938.
	www.theatre.tcu.edu /History-faculty.html (316 words)

	Personality of the Week - Reinhardt
		Reinhardt exerted an enormous influence on German and international cinema as many of the most famous directors of the 1920s and 1930s trained under him.
		EISNER, Lotte H. The haunted screen: expressionism in the German cinema and the influence of Max Reinhardt.
		Max Reinhardt, 1873-1973: a centennial Festschrift of memorial essays and interviews on the one hundredth anniversary of his birth.
	www.bh.org.il /names/POW/Reinhardt.asp (264 words)

	Reinhardt Max: Free Encyclopedia Articles at Questia.com Online Library
		MAX REINHARDT Frontispiece THE THEATRE OF MAX REINHARDT BY HUNTLY CARTER BENJAMIN BLOM New York FIRST...WHATEVER we may think of the art value of the work of Max Reinhardt, one of the greatest masters of modern stagecraft, the...
		Max Reinhardt (nee Goldmann) was in his early 60s when the movie was...
		REINHARDT, MAX 1873 1943, Austrian theatrical producer and director...U.S. citizen in 1940.
	www.questia.com /library/encyclopedia/101267266 (1564 words)

	Directing Dictionary
		The Director and the Stage: From Naturalism to Grotowski by Edward Braun; Holmes & Meier, 1982 - I. The Meiningen Theatre - 2.
		The artistic director of a theatre is responsible for choosing the material staged in a season, and the hiring of creative/production personnel (such as directors), as well as other theatre management tasks.
		Theatre is that branch of the performing arts concerned with acting out stories in front of an audience using combinations of speech, gesture, music, dance, sound and spectacle — indeed any one or more elements of the other performing arts.
	direct.vtheatre.net /dict.html (2826 words)

	A Level Drama Theorists
		The German theatre practitioner Bertolt Brecht was born in 1898 in Augsburg Germany.
		German poet, playwright, and theatrical reformer whose epic theatre departed from the conventions of theatrical illusion and developed the drama as a social and ideological forum for leftist causes.
		Theatre in England during the 18th Century was dominated by David Garrick, an actor, manager and playwright whose style and memorable performances had a huge impact on the actor's craft.
	mkdrama.freeservers.com /custom3.html (5041 words)

	[No title]
		Brecht called his modern theatre the EpicTheatre and this was to be the theatre for the modern, scientific era.
		It would be a theatre that was addressed to reason rather than empathy and to the common man. For Brecht, the radical transformation was from a nineteenth century bourgeois world view to a twentieth century scientific one, from which perspective the artefacts and philosophical tenets of the past appeared old and in decline.
		Theatre would be at the forefront of social and political life, the privileged scene of the social life of the period.
	biomechanics.vtheatre.net /doc/epic.html (2338 words)

	Glossary Directing
		Today, the stage director collaborates with the playwright, actors, designers, and technicians to stage a carefully crafted vision of life based upon his or her interpretation of the script.
		Directors vary in how they approach the interpretation of the script and the rehearsal process, but the final goal is the unified production.
		Notable 20th-century directors include Max Reinhardt and Bertolt Brecht of Germany, Jean-Louis Barrault and Ariane Mnouchkine of France, Elia Kazan of the United States, Peter Brook and Sir Peter Hall of Britain, Giorgio Strehler of Italy, and Ingmar Bergman of Sweden.
	afronord.tripod.com /d/dict.html (379 words)

	Performing Arts Libraries and Collections
		The Theatre Academy is a university of performing art acting as an arts and research centre for theatre and dance.
		From the beginning of theatre photography – Nadar in Paris – onwards, the museum possesses more than 3 million negatives and positives, and this collection continues to be extended by the systematic purchase of 40.000 photographs each year.
		The purposes of the organization are: to promote the understanding and appreciation of the theatre, musical instruments and their tradition through the establishment of a non-profit public museum and to cooperate closely with other museums, societies, and groups to promote cultural opportunities in the community.
	www.theatrelibrary.org /links/Collections.html (5705 words)

	Al-Ahram Weekly \| The road to paradise
		When he is ready, he will tell you in a gentle, confidential tone that theatre is all about relating -- relating to the self, to the other, to one's society and culture, as well as to other societies and cultures, to history, the present and the future.
		In Germany he was always on the move, working in various theatres and many cities before he finally established his own permanent ensemble in 1980 and found a home for it in tiny Mulheim.
		In this process, the actors are as actively involved and creative as the director, the scenographer and the dramaturg.
	weekly.ahram.org.eg /1998/401/cu1.htm (1599 words)

	Max Reinhardt - AOL Music
		Max Reinhardt (theatre director) · Max Reinhardt (publisher...
		Max Reinhardt arrived at a time when the modern theater was booming with new ideas and ready to try new styles.
		Download, listen and watch Max Reinhardt music, mp3's, song lyrics, music videos, Internet radio, live performances, concerts, and more on AOL Music.
	music.aol.com /artist/max-reinhardt/160296/main (104 words)

	Theatre TCU History - WALTHER VOLBACH
		Volbach moved to the Southwest to become the Director of Theatre, and later Chair of the Department of Theatre at Texas Christian University in 1946, where he remained on the faculty there until his retirement in 1965.
		Volbach served as president of the Fort Worth Theatre Council, the Texas Educational Theatre Association, and the Southwest Theatre Conference.
		He was a frequent speaker and panel chair at AETA and SWTC conventions, and was also an invited speaker at the International Theatre Festival in Bristol, England and the International Musicological Conquest in Vienna.
	www.theatre.tcu.edu /History-faculty-volbach.html (313 words)

	Director Page for Theatre w/Anatoly
		In 1905, theorist-essayist-designer Gordon Craig specified in On the Art of the Theatre that "the directorial function is fully established as the art of synthesizing script, design, and performance into a unique and splendid theatrical event" (quoted in Cohen 1983, 141).
		In 1913, Jacques Copeau added, "the director's primary task is the faithful translation of the dramatist's script into a 'poetry of the theatre'" (quoted in Brockett 1982, 578).
		By the 1970s, authors of theatre texts were proclaiming, "the director is the final authority in all matters related to production; he stages the play, coaches the actors, integrates the entire production" (Sievers, Stiver, and Kahan 1974, 11).
	afronord.tripod.com /thr/director.html (1878 words)

	More on Murnau
		The theatre of Max Reinhardt and expressionism in general had a major impact on the style of filmmaking that arose in Germany after the First World War.
		From Reinhardt and the expressionistic theatre movement, Murnau inherited acting, lighting and staging styles that made the subjective emotions of his film's characters tangible.
		And unlike many of the other directors of the German film industry of the 20's, Murnau came from a rural background, from the rolling farmlands of Westphalia.
	www.sloppyfilms.com /murnau/momurn.htm (779 words)

	MAX THEATRE - (Site not responding. Last check: 2007-10-12)
		Max Reinhardt (September 9, 1873 - October 30, 1943) was an influential Austrian...
		With its own separate entrance, the Theatre is able to operate independently of...
		The IMAX Theatre Lobby is a distinctive, dramatic space with a carpet pattern...
	www.fspresents.info /find/MAX-THEATRE (390 words)

	Department of Theatre Arts: Faculty Student Handbook (Site not responding. Last check: 2007-10-12)
		The Theatre Department is part of the Division of Arts and Sciences of Harpur College, and any student admitted to Harpur College by the Admissions Office is eligible to become a theatre major/minor.
		However, students lacking a suitable background in theatre studies upon completion of their bachelor's degree are obligated to complete appropriate undergraduate courses in addition to courses required for the MA degree.
		The by-laws of the Department of Theatre provide that voting member status be accorded an elected representative of the graduate students and two elected representatives of the undergraduate theatre majors (who have only one vote).
	theatre.binghamton.edu /New/misc/faculty_student_handbook.htm (7833 words)

	Roundabout Theatre Company - Front & Center Online
		And the intimate Helen Hayes Theatre on 44th Street may be Broadway’s smallest house, with just 597 seats.
		“The theatre’s aura and environment contributes to every show.” Cabaret’s set designer Robert Brill helped maintain the original feel of the space even while the former nightclub was returned to its original use as a theatre.
		The Lyceum Theatre, built by Steele MacKaye, is one of the first to feature safety systems.
	www.roundabouttheatre.org /fc/spring05/54.htm (916 words)

	Theatre Spaces Part 3 (Site not responding. Last check: 2007-10-12)
		The German director Max Reinhardt was among the first to advocate a theatre complex in which there are several kinds of theatres, such as a large proscenium or thrust house and a smaller arena stage, and to suggest that different plays require different kinds of theatres.
		A similar twentieth century trend is to design a flexible theatre in which the audience and stage areas can be rearranged to form any of the three basic arrangements.
		The fl box theatre (such as we have at Geneseo) is a simple solution to the theatre artist's desire to make the space fit the production: it is simply a room painted fl, in which audience seating, stage platforms, lighting and scenery can be placed anywhere in the room and changed for each play.
	www.geneseo.edu /~blood/Spaces3.html (593 words)

	Binghamton University - Master of Arts in Theatre (Site not responding. Last check: 2007-10-12)
		The University has an excellent research library (including the unparalleled Max Reinhardt Archive of European and Hollywood materials), state of the art computer facilities and telecommunications capability, a world-class performing arts center, and a broad range of course offerings.
		BU's theatre department works in five theatres: the Anderson Concert Theatre (1,200 seats), the Chamber Hall (425 seats), the Watters Theatre (600 seats), and two studio theatres, one a permanent thrust stage (133 seats) and the other a flexible configuration space (up to 140 seats).
		Undergraduate specialization in theatre is not required for admission to the M.A. program; however, students lacking a suitable background in theatre studies are required to satisfactorily complete certain undergraduate courses beyond those required for the graduate degree.
	www.binghamton.edu /theatre/Graduate.html (633 words)

	ELEKTRA CABARET -- Program (Site not responding. Last check: 2007-10-12)
		cabaret has its roots in two different -- and some would insist incompatible -- theatre works.
		one of hofmannsthal's favorite colleagues, the director max reinhardt, was himself a cabaret entrepreneur of note.
		hofmannsthal would return to the subject of greek tragedy in his ARIADNE AUF NAXOS, written as an opera libretto for richard strauss and reinhardt.
	www.sas.upenn.edu /theatrearts/archives/elektradirectornote.htm (256 words)

	Don Farren on the Federal Theatre (Site not responding. Last check: 2007-10-12)
		Only in the largest cities could theatre survive, and even there more than ninety percent of the legitimate theatres were dark during the 1930s.
		Since desk space for all of them was not available in the penthouse, they were allowed to do their playwriting else-where, but they were quickly told that even their $94.00 monthly checks would have to be earned, and they had better be near a phone during office hours.
		John McGee, of Council Bluffs, was the regional director of Federal Theatre in Chicago and thirteen midwestern states.
	www.lib.uiowa.edu /spec-coll/Bai/farran.htm (4331 words)

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