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Topic: Max Rostal

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	Max
		Max Ophüls was born as Max Oppenheimer in Le Père Lachaise Cemetery in Paris.
		Max Perutz Max Ferdinand Perutz (2002) was a molecular biologist.
		Max Perutz was born in Vienna in 1914.
	www.brainyencyclopedia.com /topics/max.html (2103 words)

	Gramophone - Gramofile - The world's best classical music magazine
		Rostal shades his tone with great subtlety in the haunting recollection of the main theme in the coda of the first movement (track 4, 10'19").
		In the Elgar, Rostal is just as idiomatic, with a powerful, thrusting reading of the first movement and an account of the slow movement that brings out the element of free fantasy.
		It is sad that Rostal was working at a time when there were far fewer opportunities to go into the recording studio, but this resurrection of three long-buried recordings is most welcome.
	www.gramophone.co.uk /gramofilereview.asp?mediaID=208288&reviewID=200212846 (343 words)

	ESTA Edition mit Müller & Schade (Site not responding. Last check: 2007-10-13)
		Max Rostal was among the few to whom it was granted to write a book at a time when he could look back on sixty years of teaching and performing.
		Anyone who knew Max Rostal knew also about his greatest concern: his desire to pass on his life-long experience as a teacher and player to his pupils and colleagues.
		I am aware that Max Rostal would have formulated his explanations with greater precision and made them even easier to grasp if it had been granted to him to give the work a final polish before publication.
	www.mueller-schade.com /ESTA_Edition/ersteausgaben.html (1661 words)

	Toccata Press: BEETHOVEN: THE SONATAS FOR PIANO AND VIOLIN
		Professor Rostal addresses himself to professional and amateur musicians alike, to students and to listeners, all of whom will derive pleasure and enlightenment from his words.
		The frontispieces of the first edition of each of the Sonatas is reproduced, as is a portrait of each of the dedicatees of each work.
		Max Rostal also addresses the problems facing the editor of music, and questions of dynamics, agogics, ornamentation, orthography, repeats, fingerings and bowings in these Sonatas.
	www.toccatapress.com /books/bookdetail.asp?ID=34 (296 words)

	All Things Strings: Reviews (Site not responding. Last check: 2007-10-13)
		Many of his students had successful careers, and, more remarkably, all of them sounded entirely different, as is shown by the three represented here.
		Max Rostal shared with his mentor the virtuosity, the wide, expressive vibrato, and the unflagging commitment to the music, but Rostal’s tone had the greater purity, sweetness, warmth, and variability.
		Although Busch was known primarily as a chamber musician, he was a popular, acclaimed virtuoso, especially as a young man, and never stopped performing concertos—as three discs, all recorded live, demonstrate.
	www.stringsmagazine.com /issues/strings94/reviews.shtml (1644 words)

	Noel Mewton-Wood recordings [JW]: Classical CD Reviews- June2002 MusicWeb(UK) (Site not responding. Last check: 2007-10-13)
		The violinist is the eminent Max Rostal and the performance dates from 1952, the year before the pianist’s death, and was issued on the Westminster and Argo labels.
		The pianist is in tremendous form, his intellectual capacities for assimilating new scores probably as advanced as his violinist colleague’s but with a technique palpably superior.
		There are distinct intonational worries with Rostal and his occasionally thin and parched tone can grate, especially in the first two movements.
	www.musicweb-international.com /classrev/2002/Jun02/Mewton_wood.htm (1484 words)

	Symposium Records (Site not responding. Last check: 2007-10-13)
		Max Rostal (violin) (1905-91) and Colin Horsley — Sonatine in A minor Op.137 No.2, D.385 — Schubert — 1957 EMI Records Ltd — CD 1068
		Max Rostal (violin) (1905-91) and Colin Horsley — Rondo in B minor Op.70, D.895 — Schubert — 1957 EMI Records Ltd — CD 1068
		Max Rostal (violin) (1905-91) and Colin Horsley — Sonata (Duo) in A major Op.162, D.574 — Schubert — 1957 EMI Records Ltd — CD 1068
	www.symposiumrecords.co.uk /cd1068.htm (134 words)

	Benjamin Frankel (Site not responding. Last check: 2007-10-13)
		By the early 1930s, Frankel had become a highly demanded arranger an musical director in London; he gave up theater work in 1944, though, even though he retained an interest in movie composing until his death, writing over 100 scores.
		Frankel also became widely-known as a serious composer after World War II; his first work to gain fame was the violin concerto dedicated "in the memory of 'the six million'", a reference to the Jews murdered during the Holocaust, commmissioned for the 1951 Festival of Britain and first performed by Max Rostal.
		Frankel's most famous pieces include a cycle of five string quartets and eight symphonies as well as a number of concerti for violin and viola; his single most well-known piece is probably the First Sonata for Solo Violin, which, like his concerti, resulted from a long association with Max Rostal.
	www.worldhistory.com /wiki/B/Benjamin-Frankel.htm (478 words)

	Bill Newman visits pianist Ilse von Alpenheim at her home in Switzerland (Site not responding. Last check: 2007-10-13)
		A pupil of Max Rostal, who was living close by.' I remember Rostal, who founded the Amadeus Quartet.
		"Let's go and see Max and play for him." Apart from his methods, none of my piano teachers could put their finger on the analytical things that he knew and understood.
		Ozim was one of his very best students, and when Max retired to live in Switzerland, he became his successor in Cologne.' She also knew of Rostal's piano partner Colin Horsley from listening to his recordings.
	www.mvdaily.com /articles/2003/08/ilse08.htm (557 words)

	Exclusive Interview for the Internet Cello Society with Siegfried Palm
		He was Principal Cellist of orchestras in Lubeck, Hamburg, and Cologne, cellist in the Hamann Quartet, and a member of a trio with Max Rostal and Heinz Schroter.
		He has given masterclasses worldwide and has served as a jury member at numerous international competitions.
		He also introduced me to the wonderful music of Max Reger, who was one of his favorite composers.
	www.cello.org /Newsletter/Articles/palm.htm (2291 words)

	Symposium Records (Site not responding. Last check: 2007-10-13)
		Max Rostal (violin) (1905-91) with Frank Pelleg (harpsichord), Antonio Tusa (cello) — Sonata in E minor for Violin, Harpsichord and Cello — J.S. Bach arr.
		Max Rostal (violin) (1905-91) — Passacaglia for Solo Violin — Heinrich Ignaz Franz von Biber, edited Max Rostal — CD 1079
		Max Rostal (violin) (1905-91) with Karol Szreter (piano) — Sonata: The Devil’s Trill — Giuseppe Tartini-Fritz Kreisler — CD 1079
	www.symposiumrecords.co.uk /cd1079.htm (121 words)

	Max Rostal In Memoriam - CDs - tutti.co.uk (Site not responding. Last check: 2007-10-13)
		Remastered Double CD of concertos performed by Max Rostal.
		Magnificent historic performances by the great international violinist of Berg, Bartok, Stevens and Shostakovitch, in which the Stevens Concerto can be heard to equate with these other great works.
		‘What is abundantly clear is that Rostal’s playing was inspired’ — Guy Richards
	www.tutti.co.uk /shop.php/CDs/BESTS-1142-C6/details.html (149 words)

	Sheet Music Plus Results (Site not responding. Last check: 2007-10-13)
		Carl Flesch: Scale System (A Supplement To Book 1 Of 'The Art Of Violin Playing') Composed by Carl Flesch, edited by Max Rostal.
		26 Composed by Max Bruch (1838-1920), arranged by Henry Schradieck.
		Johann Sebastian Bach: Arioso (Piano Solo) Composed by Johann Sebastian Bach (1685-1750), arranged by Max Pirani.
	www.sheetmusicplus.com /a/phrase.html?id=59560&phrase=max (405 words)

	Chamber Music Festival of Saugatuck (Site not responding. Last check: 2007-10-13)
		An exciting and energetic performer on both the violin and viola, Deborah Craioveanu has given numerous solo/duo concerts throughout the United States, Mexico, Great Britain, Spain, Switzerland, and Romania along with radio and television performances.
		In addition to her Master of Music degree in Performance, Craioveanu's many music scholarships enabled her to participate in Max Rostal's International Mastercourse in Bern, Switzerland and to spend two years in Yfrah Neaman's International Performance Class at the Guildhall School of Music in London, England.
		Her teachers have included Max Rostal, Yfrah Neaman, Michael Davis, Erich Gruenberg, Harold Byers, and Catherine Tait.
	www.saugatuckmusic.org /bios/deborah_craioveanu.htm (140 words)

	US buying info: Chart Music buying cheaper at online shops offering hot deals, lowest prices, special offers and ... (Site not responding. Last check: 2007-10-13)
		Ornstein, Lundborg, Ziffrin and others, Ornstein, Leo, Lundborg, Erik, Dellaira, Michael, Levine, Jeffrey, Ziffrin, Marilyn J., Tsontakis, George, Lifchitz, Max, Brown, Elizabeth, Gilmore, Edward, Mook, Theodore, Schadeberg, Christine, Finckel, Chris, Guibbory, Shem, Jenner, Joanna, Schulman, Louise, Carbone, John, Finckel, Michael, Bushman, Robin, McAlhany, Nancy, Wells, David, Wells, Jane
		Borodin: Quintet in Cm; Bruch: Quintet, Bruch, Max, Nordgren, Pehr Henrik, Borodin, Alexander
		Cantos De Espana, Collet, H. Trio Sonata (12), Krieger, J.P. Variationen Uber Das Thema B-A-C-H, Reger, Max, Rheinberger, Joseph, Liszt, Franz, Schumann, Robert, Jacob, Werner
	www.music-cds.buying-cheaper.com /358.html (3688 words)

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