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| | HRC:Theory:The Mechanical Turk (Site not responding. Last check: 2007-10-08) |
 | | On von Kempelen's death in 1804, the Turk was soon bought by a brilliant Viennese musical engineer, Johann Maelzel, court mechanician for the Habsburgs and a close ally of one of their favoured composers, Beethoven. |
 | | The metronome was, of course, a rather more potent means of mechanizing and standardizing artistic creativity than any mere chess-player would ever be: 'an universal standard measure for musical time is thus obtained', chorused the musical journalists, 'and its correctness may be proved at all times by comparison with a stopwatch'. |
 | | Even more influentially, he ponderously laid down the law of mechanism's limits: 'the movements which spring from it are necessarily limited and uniform, it cannot usurp and exercise the faculties of the human mind, it cannot be made to vary its operations so as to meet the ever-varying circumstances of a game of chess. |
| www.hrc.wmin.ac.uk /hrc/theory/babbage/dancer/t.5.4[3].html (1852 words) |
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