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| | ORB -- Introduction to Medieval Music (Site not responding. Last check: 2007-10-08) |
 | | Most serious music in the Middle Ages, both sacred and secular, was song, involving words as an important element (not abstract musical design, as in the more recent European musical tradition.) Therefore aspects of text-music relations, such as liturgical function or poetic form, are an essential element in understanding the music. |
 | | Hildegard's musical languages falls outside of the traditional modal practice of her day, which some have attributed to her lack of traditional musical training, but her literary efforts were sanctioned by the Pope, and the care with which her manuscripts were created reflects the respect she had within her community. |
 | | Medieval composers who worked for the church took their status principally from their post as choirmember, priest, prelate, or nun; composing was usually incidental to their other duties. |
| www.vanderbilt.edu /~cyrus/ORB/orbmusic.htm (4787 words) |
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